Reproduction of the original: Handbook of Embroidery by L. Higgin

An all-in-one volume covering crewelwork, canvaswork, and six other types of hand embroidery, from the renowned school established in nineteenth-century England. This beautiful book is a rich source of embroidery techniques, stitches, and projects, covering eight key subjects in detail: crewelwork, bead embroidery, stumpwork, canvaswork, goldwork, whitework, blackwork, and silk shading. Collecting all the books in the trusted, bestselling Royal School of Needlework Essential Stitch Guide series, plus a new section on mounting your finished work, this fantastic book—heavily illustrated with photos—is a must-have for all embroiderers.

Learn how to embroider and personalize almost anything with these 15 projects ranging from phone cases to backpack tags. Transform your plain stuff into awesome stuff with just some fabric and thread! Glam up boring bookmarks, tote bags, and even your jeans! Bored during a road trip or on a rainy day? Grab your favorite color thread and get stitching! Learn and choose from different stitches to make each project exactly the way you want. Make presents that your pals and family will love. Put your own stamp on pillows and picture frames. Stitch up some cuteness!

An encyclopedia of embroidery stitches using stranded threads includes step-by-step photographs and instructions showing every stage of working a stitch. Alongside the stitches are practical hints on using different threads and fabrics, solving common problems, choosing and storing equipment, starting and finishing, and the use of hoops and frames.

This title provides everything sewing machine users need to know, from the types and formats of embroidery design available, how to get them off the internet and into their machine, how to stabilise fabric, which threads and needles to use, and how to use these designs creatively for beautiful results.

Handbook of Embroidery is a book by L. Higgin. It delves into the art of embroidery and provides the reader with information about specific techniques, threads, fabrics and notions.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.