Upper East Tennessee is a rugged place with a rich history. It is also a place with more than its share of ghosts and unexplained happenings. In Haints, Witches, and Boogers: Tales from Upper East Tennessee, Charles Edwin Price has collected twenty stories from Sullivan, Washington, Greene, Carter, Unicoi, and Johnson counties. The stories run the gamut of the supernatural, from troublesome poltergeists and magical animals to evil witches and ghost lights. They span the years from a historic contact between whites and Native Americans in 1673 to a tragic fire in Johnson City in 1989.

A collection of spine-tingling Appalachian ghost stories and tall tales passed down from generation to generation. Whether they tell of faucets that drip blood, monster catfish that lurk at the bottom of quarries, or strange lights on the mountaintop, these stories will make you--like the people who are sharing them--question what you believe. Foxfire has brought the philosophy of simple living to hundreds of thousands of readers, teaching creative self-sufficiency and preserving the stories, crafts, and customs of Appalachia. Inspiring and practical, this classic series has become an American institution. In July 2016, Vintage Shorts celebrates Foxfire's 50th Anniversary.

Containing 20 folk tales, this bicentennial collection includes sidelines on the nature of ghosts and witches along with background information on each of the stories.

The Infamous Bell Witch of Tennessee is the account of the creepy doings of Tennessee's most malevolent, puzzling, and notorious bugbear. The story begins when Kate first entered the home of John Bell, in 1817, and continues to the present day.

Apparently, slumber parties in the mid-South 1970s were plied with a strange ritual. At midnight attendees would gather before a mirror and chant “I don’t believe in the Bell Witch” three times to see if the legendary spook would appear alongside their own reflections—a practice that echoes the “Bloody Mary” pattern following the execution of Mary Queen of Scots centuries ago. But that small circuit of preteen gatherings was neither the beginning nor the end of the Bell Witch’s travels. Indeed, the legend of the haint who terrorized the Bell family of Adams, Tennessee, is one of the best-known pieces of folklore in American storytelling—featured around the globe in popular-culture references as varied as a 1930s radio skit and a 1980s song from a Danish heavy metal band. Legend has it that “Old Kate” was investigated even by the likes of future president Andrew Jackson, who was reported to have said, “I would rather fight the British ten times over than to ever face the Bell Witch again.” While dozens of books and articles have thoroughly analyzed this intriguing tale, this book breaks new ground by exploring the oral traditions associated with the poltergeist and demonstrating her regional, national, and even international sweep. Author Rick Gregory details the ways the narrative mirrors other legends with similar themes and examines the modern proliferation of the story via contemporary digital media. The Bell Witch in Myth and Memory ultimately explores what people believe and why they believe what they cannot explicitly prove—and, more particularly, why for two hundred years so many have sworn by the reality of the Bell Witch. In this highly engaging study, Rick Gregory not only sheds light on Tennessee’s vibrant oral history tradition but also provides insight into the enduring, worldwide phenomenon that is folklore.

The hills of the Appalachian region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, hair-raising, and creepy folktales that reveal strange sightings and oddities, and they commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been shared among family members and neighbors in eastern Kentucky for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and mystic phenomena—tales that have been recorded and documented for the first time. Collected and adapted by Matthew R. Sparks and Olivia Sizemore, the anthology explores ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost encounters. Contemporary first-person yarns about black panthers, demons, and spectral coal miners reflect the style and dialect of the region. Though comprised of a mixture of claimed accounts and fictional lore, the locations and people woven throughout are very real. Complemented by evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell), Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.