Gypsies have been a part of the British and European social fabric for centuries – and have faced prejudice and oppression for nearly as long, since at least the time of Henry VIII. Theirs is a peripatetic existence, dwelling in tents and in caravans and living often precariously at the edges of towns and villages, moving on in search of opportunities or as mainstream society drives them away. Gypsies of Britain explores the history of this unique lifestyle, looking at how Gypsies have maintained their distinctive culture and how they have adapted to the twenty-first century, and shedding light on a range of traditional Gypsy occupations including harvesting, horse-dealing, fortune-telling and rat-catching. Archive illustrations and modern photographs depict their lives, work and ornately carved and painted caravans.

Gypsies and the British Imagination, 1807-1930, is the first book to explore fully the British obsession with Gypsies throughout the nineteenth century and into the twentieth. Deborah Epstein Nord traces various representations of Gypsies in the works of such well-known British authors John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. Nord also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. Gypsies were both idealized and reviled by Victorian and early-twentieth-century Britons. Associated with primitive desires, lawlessness, cunning, and sexual excess, Gypsies were also objects of antiquarian, literary, and anthropological interest. As Nord demonstrates, British writers and artists drew on Gypsy characters and plots to redefine and reconstruct cultural and racial difference, national and personal identity, and the individual's relationship to social and sexual orthodoxies. Gypsies were long associated with pastoral conventions and, in the nineteenth century, came to stand in for the ancient British past. Using myths of switched babies, Gypsy kidnappings, and the Gypsies' murky origins, authors projected onto Gypsies their own desires to escape convention and their anxieties about the ambiguities of identity. The literary representations that Nord examines have their roots in the interplay between the notion of Gypsies as a separate, often despised race and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. By the beginning of the twentieth century, she argues, romantic identification with Gypsies had hardened into caricature-a phenomenon reflected in D. H. Lawrence's The Virgin and the Gipsy-and thoroughly obscured the reality of Gypsy life and history.

In a bid to better understand his Gypsy heritage, the history of the Britain's Romanies and the rhythms of their life today, Damian sets out on a journey to discover the atchin tans

A comprehensive academic work dedicated to the unique speech form of English Romanies/Gypsies often called 'Anglo-Romani'.