“PLANT...EVERYWHERE!” Ophélie is a thirty years old city-dweller who’s joined the guerilla gardening movement fighting for decades to bring more green back into cities that increasingly resemble concrete jungles. Now she’s putting the guerillas’ motto into action by reviving the true spirit of her city and showing everyone the true nature of their world! Cookie Kalkair & Ophelie Damblé explore the real world of the guerilla gardening movement that teaches us the principles of making our cities more beautiful and sustainable places, one plant at a time.

In 1964 a small group of African American men in Jonesboro, Louisiana, defied the nonviolence policy of the mainstream civil rights movement and formed an armed self-defense organization--the Deacons for Defense and Justice--to protect movement workers fr

Historical, statistical, biographical and bibliographical information about The Gambia, Africa and its leaders.

THE TRUTH IS OUT THERE...ON SOCIAL MEDIA! True believer Noa, her cynical little sibling Gus, credulous cameraman Ko, and skeptical Astrid head to one of the most haunted towns in America to prove that ghosts exist, for all the social media likes! The investigations of hauntings uncover something more devilish than just a couple of ghosts, something that will put Noa and Astrid’s relationship to the test... ...and reveal the centuries-old sinister secrets of the town itself.

The nineteenth-century Métis politician and mystic Louis Riel has emerged as one of the most popular - and elusive - figures in Canadian culture. Since his hanging for treason in 1885, the self-declared David of the New World has been depicted variously as a traitor to Confederation; a French-Canadian and Catholic martyr; a bloodthirsty rebel; a pan-American liberator; a pawn of shadowy white forces; a Prairie political maverick; a First Nations hero; an alienated intellectual; a victim of Western industrial progress; and even a Father of Confederation. Albert Braz synthesizes the available material by and about Riel, including film, sculpture, and cartoons, as well as literature in French and English, and analyzes how an historical figure could be portrayed in such contradictory ways. In light of the fact that most aesthetic representations of Riel bear little resemblance not only to one another but also to their purported model, Braz suggests that they reveal less about Riel than they do about their authors and the society to which they belong. The most comprehensive treatment of the representations of Louis Riel in Canadian literature, The False Traitor will be a seminal work in the study of this popular Canadian figure.