This is an exhibition about the relationship between security guards and the art they protect every day. It shines a light on the perspectives of security officers and offers a collaborative framework for learning about the exhibition process, the security officers' experiences, and provides opportunities for professional growth and mentorship. The exhibition and accompanying catalogue feature works from the BMA collection.

An “accessible and engaging” tool for understanding the branch of mathematics that is so crucial to modern computer science, using real-life problems (Mathematical Reviews). What is the maximum number of pizza slices one can get by making four straight cuts through a circular pizza? How does a computer determine the best set of pixels to represent a straight line on a computer screen? How many people at a minimum does it take to guard an art gallery? Discrete mathematics has the answer to these—and many other—questions of picking, choosing, and shuffling. T. S. Michael’s gem of a book brings this vital but tough-to-teach subject to life using examples from the real world and popular culture. Each chapter uses one problem—such as slicing a pizza—to detail key concepts about counting numbers and arranging finite sets. Michael takes a different perspective in tackling each of eight problems and explains them in differing degrees of generality, showing in the process how the same mathematical concepts appear in varied guises and contexts. In doing so, he imparts a broader understanding of the ideas underlying discrete mathematics and helps readers appreciate and understand mathematical thinking and discovery. This book explains the basic concepts of discrete mathematics and demonstrates how to apply them in largely nontechnical language. The explanations and formulas can be grasped with a basic understanding of linear equations.

Guarding the Art: A Frontline Perspective is an exhibition catalog. Guarding the Art is an initiative started by the Baltimore Museum of Art (BMA) that provides front-line staff with the opportunity to gain deeper knowledge about every facet of exhibition development through curating an exhibition of artworks that most resonate with their personal interests

A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and the Sunday Times (London). A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and the reader’s delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.

"In honor of the ten-year anniversary of the first issue, The Art of Mouse Guard 2005-2015 is a celebration of the world, characters, and artistic process of David Petersen's beloved series. For the first time ever, Petersen's process for creating the world of the Guard and bringing it to life in stunning illustration is documented in exquisite detail. With never-before-seen sketches, over 150 pages of full-color oversized artwork, and commentary from colleagues, collaborators, and Petersen himself, readers and fans get an unprecedented look behind-the-curtain at how their favorite characters and adventures were born"--Back cover.

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.

"All constructions and figures inspired by the world and characters of David Petersen's Mouse guard."--page [5].