Standing beside Elise’s grave, Siobhan Montrell remembers how her mother finally blew the perfect smoke ring on the day that Elise disappeared. Remembers the day that would change and define her life forever. The toddler's body was found in the river near Gables Guesthouse. Only eleven years old at the time, Siobhan has carried the guilt of Elise’s death with her since that day. Twenty-eight years later, Siobhan returns to Rachley Island, having inherited Gables -- guesthouse and family home -- from her aunt. Cleaning the property to prepare it for sale, she discovers an old book in which her aunt used to draw and write, revealing the truth about the tragic drowning. The River Child is a tale of grief and guilt, deceit and secrets, and ultimately forgiveness.

In 1963, the whirlpools of a changing culture inundate the Mississippi River region, where a young girl tries to comprehend and stay above the conflicting traditions that challenge her family's very survival.

The American prison system has grown tenfold in thirty years, while crime rates have been relatively flat: 2 million people are behind bars on any given day, more prisoners than in any other country in the world — half a million more than in Communist China, and the largest prison expansion the world has ever known. In Going Up The River, Joseph Hallinan gets to the heart of America’s biggest growth industry, a self-perpetuating prison-industrial complex that has become entrenched without public awareness, much less voter consent. He answers, in an extraordinary way, the essential question: What, in human terms, is the price we pay? He has looked for answers to that question in every corner of the “prison nation,” a world far off the media grid — the America of struggling towns and cities left behind by the information age and desperate for jobs and money. Hallinan shows why the more prisons we build, the more prisoners we create, placating everyone at the expense of the voiceless prisoners, who together make up one of the largest migrations in our nation’s history.

Growing up on Grosse Ile is the story of life on a border island between Michigan and Canada, downriver from Detroit. What was it like to be young in a place surrounded by water and Great Lakes freighters in mid-twentieth century America? We grew up outside, and the island shaped our youth: both its unique provincial qualities-we all missed the same word on the fourth grade spelling bee-and its ties to the mainland-with the many "bridge stories" like the early bridge built to allow horses from the island to pull beer wagons in Detroit. With our ups and downs, we learned the lesson of the fragility of island life, and finally the hardest lesson of all-that those who grow up on the island must leave it.

Dace Chamberlain was a man of the river. He taught his family how to survive and thrive on the river by learning its ways and respecting its power. These are the stories of the Chamberlain family who grew up on the lower Wisconsin River in the 1950s and 1960s.

From the acclaimed author of Floating in My Mother’s Palm and Children and Fire, a stunning story about ordinary people living in extraordinary times—“epic, daring, magnificent, the product of a defining and mesmerizing vision” (Los Angeles Times). Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he’s a girl, to the Jews Trudi harbors in her cellar. Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.