Seldom has an African American had the opportunity to write, in detail, about events he helped to bring about. These events actually took place in Galveston, Texas between March, 1960 and May, 1961. I played a central roll in sit-ins at lunch counters in the City and the desegregation of Stewart Beach. It was the beginning of the end of the way life had existed in Galveston, Tx. for over two hundred years. The long march towards full equality for Afro-Americans did not begin nor did not end with these bold actions. What was achieved by me and my Central High Classmates was another achievement that screamed out loudly, "We are equal to all and will not be treated as second class citizens any more. This telling of past accomplishments is intended to inspire and encourage future generations to seek justice and challenge unjust laws and unwritten codes of conduct. You do not did to wait until you are twenty-one to begin speaking out for justice.

A truthful account of a boy growing up in Galveston County, Texas, in the 1950's. Guaranteed to be absolutely truthful... well...sort of... maybe.

A powerful and absorbing story of three women whose lives shaped—and were inevitably shaped by—the success and failure of a city; a story that strangely parallels the intriguing history of this island of lost dreams.

Gaylon Finklea Hecker and Marianne Odom began the interviews for this book in 1981 and devoted a professional lifetime to collecting the memories of accomplished Texans to determine what, if anything, about growing up in the Lone Star State prepared them for success. The resulting forty-seven oral history interviews begin with tales from the early 1900s, when Texas was an agrarian state, and continue through the growth of major cities and the country’s race to the moon. Interviewees recalled life in former slave colonies; on gigantic ranches, tiny farms, and sharecropper fields; and in one-horse towns and big-city neighborhoods, with relatable stories as diverse as the state’s geography. The oldest interviewees witnessed women earning the right to vote and weathered the Great Depression. Many remembered two world wars, while others recalled the Texas City explosion of 1947 and the tornado that devastated Waco in 1953. They witnessed the advent of television and the nightly news, which helped many come to terms with the assassination of a president that took place too close to home. Their absorbing reflections are stories of good and bad, hope and despair, poverty and wealth, depression and inspiration, which would have been different if lived anywhere but Texas.

People of African descent were some of Galveston's earliest residents, and although they came to the island enslaved, they retained mastery of their culinary traditions. As Galveston's port prospered and became the "Wall Street of the South," better job opportunities were available for African Americans who lived in Galveston and for those who migrated to the island city after emancipation, with owner-operated restaurants being one of the most popular enterprises. Staples like Fease's Jambalaya Café, Rose's Confectionery and the Squeeze Inn anchored the island community and elevated its cuisine. From Gus Allen's business savvy to Eliza Gipson's oxtail artistry, the Galveston Historical Foundation's African American Heritage Committee has gathered together the stories and recipes that preserve this culinary history for the enjoyment and enrichment of generations, and kitchens, to come.

The grandson of the legendary World War II general George S. Patton Jr., documentary filmmaker Benjamin Patton, explores his family legacy and shares the inspirational wit and wisdom that his grandfather bestowed upon his only son and namesake. In revealing personal correspondence written between 1939 and 1945, General Patton Jr. espoused his ideals to Benjamin’s father, then a cadet at West Point. Dispensing advice on duty, heroism and honor with the same candor he used ordering the Third Army across Europe, Patton shows himself to be as dynamic a parent as a military commander. Following in those famous footsteps, Benjamin’s father became a respected and decorated hero of both the Korean and Vietnam wars. Ironically, as he rose to major general, he also proved himself just as brave, flamboyant, flawed and inspiring as his father had been. A study of a great American original, Growing Up Patton features some of the pivotal figures in Benjamin’s father’s life, including Creighton Abrams, the WWII hero who became his greatest mentor; Charley Watkins, a daredevil helicopter pilot in Vietnam; Manfred Rommel, the son of German Field Marshal Erwin Rommel; Joanne Patton, the author’s mother and a resourceful fighter in her own right; and Benjamin’s mentally challenged brother, George. Growing Up Patton explores how the Patton cultural legacy lives on, and in the end, reveals how knowing the history of our heritage—famous or not—can lead to a deeper understanding of ourselves. INCLUDES NEVER-BEFORE-PUBLISHED LETTERS BETWEEN GENERAL GEORGE S. PATTON AND HIS SON DURING WORLD WAR II INCLUDES NEVER-BEFORE-PUBLISHED FAMILY PHOTOGRAPHS

In sixty-seven exquisite watercolors and drawings, nationally famous architect Eugene Aubry captures on paper the sensibilities, the memories, and the grace that evokes Galveston, especially for those who are BOI (“born on the island”). Commissioned by the Galveston Historical Foundation, these works of art are intended to enhance the visual record of the buildings and the unique local architectural style that so many have appreciated over the years.? In the aftermath of Hurricane Ike, Galvestonians became more aware than ever of the treasure of the island’s historical architecture and the vulnerability of this heritage to forces beyond human control. Aubry’s art captures the almost palpable sense of past glories these buildings bring to mind. Aubry—himself BOI—has fashioned these pieces in a way that resonates with those who love the island’s ethos. With a fine eye to the artist’s intent and a mastery of detail, architectural historian Stephen Fox expertly and eloquently introduces the work as a whole and, in discursive captions that accompany each image, informs the reader’s appreciation of Aubry’s art. So much more than a tribute, Born on the Island: The Galveston We Remember stands as a loving homage to Galveston—one that will call its readers home to the island, even if they have never ventured there before.