AN NYRB CLASSICS ORIGINAL Mavis Gallant’s novels are as memorable as her renowned short stories. Full of wit and psychological poignancy, A Fairly Good Time, here with Green Water, Green Sky, encapsulates Gallant’s unparalleled skill as a storyteller. Shirley Perrigny (née Norrington, then briefly Higgins), the heroine of A Fairly Good Time, is an original. Derided by the Parisians she lives among and chided by her fellow Canadians, this young widow—recently remarried to a French journalist named Philippe—is fond of quoting Jane Austen and Kingsley Amis and of using her myopia as a defense against social aggression. As the fixed points in Shirley’s life begin to recede—Philippe having apparently though not definitively left—her freewheeling, makeshift, and self-abnegating ways come to seem an aspect of devotion to her fellow man. Could this unreliable protagonist be the unwitting heroine of her own story? Green Water, Green Sky, Gallant’s first novel, is a darker tale of the fractured family life of Bonnie McCarthy, an American divorcée, and her daughter, Flor. Uprooted and unmoored, mother and daughter live like itinerants—in Venice, Cannes, and Paris—glamorous and dependent. With little hope of escape, Flor attempts to flee this untidy life and the false notes of her mother.

The Found Voice: Writers' Beginnings uses the means of literary biography and criticism to do something rarely attempted—to understand how a key creative period establishes the authoritative voice of a unique artist. The essays which explore this hidden process of the writer writing focus on some of the major writers of recent times, V.S. Naipaul, J.M. Coetzee, Alice Munro, William Trevor, and Mavis Gallant. The focus of investigation is a single work by each author, and many of them identify the book in which this turning point was reached. The writers have a somewhat different sense of what the voice is, 'a true voice', 'the voice in the mind', 'the writing voice', etc., yet all of them accept the phrase 'finding a voice' as a decisive and necessary process towards a unique style and vision, their raison d'être as artists. These essays allow each one to define his or her sense of the process of writing, and their style is exploratory. Nevertheless, certain patterns emerge, of migration and cultural displacement, of linguistic self-consciousness, of memory and a reimagining of the first home, of absorbing and rejecting mentors and models. Crucially, the essays rely not just on what led up to the moment of creation but on a sense of the career that emerged from it. Most of the writers have written retrospectively in memoirs, interviews or essays about the pivotal work and its foundational significance. They are the best witnesses to the process, although their silence or their commentary is understood in terms of the many strands of the narrative that each essay presents.

In the “Newbery Honor–winning author’s compelling fantasy” for young adults, a boy is chosen to rule his idyllic land—only to discover its dark secrets (Publishers Weekly). Green-sky is an ideal place. Violence doesn’t exist. Its citizens, the Kindar, glide from tree to tree and exchange happy thoughts. This is all thanks to their rulers, the Ol-zhaan. And on his thirteenth birthday, Raamo D’ok is chosen to become one of the Ol-zhaan. Raamo is surprised to be named a Chosen. He isn’t a very good student—but the Ol-zhaan believe he has strong Spirit-force. But during his training, Raamo discovers that these good rulers aren’t as benevolent as they appear. They harbor secrets about his people, his family, and what lies below the forest floor. Now Raamo must decide: Should he keep the peace, or reveal the secrets that the Ol-zhaan have protected for so long? This ebook features an extended biography of Zilpha Keatley Snyder.

An interdisciplinary investigation into how colors vary in the eyes and minds of people across cultures worldwide The title of this volume and its accompanying exhibition at the Museum of World Cultures in Frankfurt alludes to ancient Japanese poetry in which the sky is sometimes described as green and the grass as blue. The world is full of color no matter where one looks, but not every culture interprets the spectrum of shades in the same way, nor do individual people always see the same colors despite our physiological similarities. This publication highlights pieces from the museum's collection, ranging in origin from the Amazon to Tibet, as anthropological case studies in the exploration of color and the meanings ascribed to different hues. In concert with essays from the fields of philosophy, linguistics and physics, Green Sky, Blue Grassuncovers the complexity of human perception across the globe.

The title, Figuring Grief, refers to the narrative process whereby mourning is depicted. In her textual analysis, Smythe explores various connections between representation and consolation. Drawing on genre and narratological theory, she outlines the development of the "fiction-elegy" as a sub-genre and suggests that the modernist writings of Woolf and Joyce are paradigmatic examples of the form. She then uses these paradigms as suggestive "reading models" for the interpretation of works by Gallant, Munro, and other contemporary fiction-elegists. Figuring Grief offers new readings of specific works and suggests that new ways of reading are both demanded and rewarded by a poetics of elegy.