"Everyone wants the world to be a better place, all people, the animals. 'This should be easy!' Green tells the Boss of all Fairies. And so she follows her quest to help the world become a better place for all, starting with water" -- p. [4] of cover.

All is well in the idyllic world of fairy tales, where there is always a happily ever after. However, The Little Mermaid finds herself swimming in trash, the Emperor runs into big problems with his wasteful ways, and other unusual things begin happening. Our beloved fairy tale characters help our young readers learn more about saving our Earth. Brought across in a fun and whimsical way, Once Upon a Green World: Fairy Tales with an Environmental Twist presents well-loved fairy tales, with an environmental emphasis that will tickle and entertain, while educating at the same time!In this series:

Green magick, or stewardship of the earth, begins right in our own backyards. When we cultivate an herb garden—even if it’s just a few potted plants on a sunny windowsill—we are tending living, sentient beings who respond to our intention, our energy, and our tender loving care. The “fae” (faerie) essence residing at the heart of each nurtured plant manifests in its foliage, flowers, fragrance, and flavor, and its unique healing, nourishing, and restorative properties. In The Faeries’ Guide to Green Magick from the Garden author and free-fae-spirit Jamie Wood offers fresh, faerie-centric profiles of thirty-three familiar medicinal and culinary herbs accompanied by recipes for natural healing remedies, earth-friendly beauty products, and tasty treats. Fantasy artist Lisa Steinke pairs each herb with a vibrant portrait of its personality—its unique faerie signature—in her lyrical poetry and luminous paintings. With blissful blessings, magickal meditations, and zesty spells sprinkled throughout, The Faeries Guide to Green Magick from the Garden will help you get in touch with your own fae spirit and explore the earthly—and earthy—delights of your own garden.

As ethical banks have developed from niche players to a serious competition for traditional banks, supposedly ethical banks and even traditional banks use the term ethical bank in order to sell bank services under the cloak of sustainable and ethically correct business conduct.Therefore, the aim of this research is to make truly ethical banks distinguishable from traditional banks by investigating, analyzing and determining principles, ethical banks have to fulfill or refrain from in order to call themselves truly ethical. Based on academic research results, a web-based survey identifies the bank customer’s attitude towards sustainability, ethics, and their banking, and the ethical attitude towards the nine areas of business, banks may be confronted with. The survey results build the basis for a list of positive and negative ethical guiding principles which should serve as a general standard for ethical banks.Nevertheless, the ethical guiding principles need to be continuously reviewed and validated as a consequence of the ever-changing environmental, social and legal environment. In the case of its direct implementation, a control mechanism within or outside the bank must monitor and ensure compliance with these principles.

This book brings to attention the history of places that have traditionally remained under-the-radar in discussions of war and the environment, through site-based studies of five training areas in southwest England and Wales: Salisbury Plain, Lulworth, Dartmoor, Sennybridge and Castlemartin. At these sites, the big events of the twentieth century are written into landscapes that absorb their impact and reflect change in intriguing ways. Here, however, environment is more than a canvas on which historical forces play out; it has an agency of its own, as the depiction of the surprising nature and robust habitats of the training areas recognises. An Environmental History of the UK Defence Estate, 1945 to the Present critically examines the gradual 'greening' of the MoD as it developed policies of military environmentalism. It includes the histories of the ghost-villages created by forced evictions, and charts the rise and fall of anti-military protest movements. It depicts heated confrontations, mass trespasses, and demands for public access alongside conservation work and training activities, situating the human histories of these sites within their environmental history, and taking the reader behind the barbed wire in the first study of its kind.

Milly the river fairy needs Rachel and Kirsty's help to find her missing magic wand in order to help clean up a polluted river.

The story of a young man that would help change the world in which he lived. He stood on the ledge of the great Cauldarian range looking down at his hand in which he held a rock. The beauty of it was overpowering, its green opaque luminescence made him feel falsely at ease. But he knew this was an object of beauty that no Cauldarian should posses. The stone represented the dark side of their history. The ideological faith and power that emanated from it could also be used for good. But its efficacy was wielded as if it were a sword striking at every aspect of the populaces' freedom. So far, its thrusts proved deadly in every instance. It had to be thrown over the ledge and into the night if his people were to survive. Michael awoke from this same dream that he had many times before. It was as if it were only yesterday that his world had changed; it was so different, but in many ways, it was still the same...