During World War I, Oxford-trained archeologist Lawrence of Arabia used his knowledge of the Middle East to help organize the Arab revolt against the Ottoman Empire. In this entertaining and insightful book, Jason Ridler profiles the intellectuals, outsiders, and eccentrics who followed in Lawrence’s footsteps across the next hundred years of warfare and who relied on creativity, curiosity, and outside-the-box thinking to shape battlefields from World War II and Vietnam to Iraq and Afghanistan. They were Ivy Leaguers and Oxford scholars, anthropologists and archeologists, an ad executive, an international activist, a Peace Corps veteran, an émigré journalist (and former teenage member of the French Resistance), a diplomat—mavericks and oddballs, men and women—who, not always heralded or heeded and sometimes hated, challenged traditional military thought and helped win wars, secure peace, and change the face of modern war.

Archaeologists do not discover the past but take the fragmentary remains which they recover and make something of them. Archaeology is a process of detection and supposition; this is what makes it so fascinating. However, the interpretations of archaeologists differ and change over time. They depend upon the amount of evidence available, the ideas and preconceptions of the archaeologist and their interests and aims. Michael Shanks's enlivening work is a guide to the discipline of classical archaeology and its objects. It assesses archaeology as a means of reconstructing ancient Greek society using the latest approaches of social archaeology. In addition, The Classical Archaeology of Greece outlines the history of the discipline and discusses why Classical Greece continues to fascinate us and why it has had such an impact on European civilization and identity.

He always gets what he wants!

The Consequence of His Vengeance - Jennie Lucas Ten years ago, with her father arrested for fraud, Letty Spencer became the most hated ex-socialite in Manhattan, forced to push away the only man she's ever loved. Now Darius Kyrillos is no longer just the poor chauffeur's son and he's come back to claim her! Instead of slaking his thirst for vengeance, Darius was consumed by insatiable need the moment his lips touched Letty's again. But he couldn't have foreseen the consequence of his actions - soon he'll be a father. Letty rejected him once; Darius won't allow her to do so again! The Greek's Pleasurable Revenge - Andi Brock The last person Calista expects - or wants - to see at her father's graveside is arrogant billionaire Lukas Kalanos. Five years earlier, after an affair that stole her innocence, Lukas betrayed her family and disappeared, leaving Callie with much more than a broken heart... Seeking vengeance on the Gianopoulous family for framing him, Lukas finds Callie ripe for his seduction. She will pay for past wrongdoings - between his sheets! But discovering that Callie has had his child is a surprise that changes Lukas's pleasurable plans of revenge...into a hunger to make her his own! Taken By Her Greek Boss - Cathy Williams Nick Papaeliou only dates beautiful women - so why he's attracted to frumpy Rose he doesn't know! Perhaps it's because she's the first woman not to fall at his feet. Rose wants to detest her arrogant Greek boss, but she needs the temporary work he's offering. As his ruthless pursuit begins to weaken her, she reminds herself that after his slow seduction she will be quickly discarded. But maybe Nick's in for the surprise of his life because underneath Rose's shapeless workaday garments hides a more alluring woman than he could ever imagine.

In the decades between the two World Wars, Greek writers and artists adopted surrealism both as an avant-garde means of overturning the stifling traditions of their classical heritage and also as a way of responding to the extremely unstable political situation in their country. Despite producing much first-rate work throughout the rest of the twentieth century, Greek surrealists have not been widely read outside of Greece. This volume seeks to remedy that omission by offering authoritative translations of the major works of the most important Greek surrealist writers. Nikos Stabakis groups the Greek surrealists into three generations: the founders (such as Andreas Embirikos, Nikos Engonopoulos, and Nicolas Calas), the second generation, and the Pali Group, which formed around the magazine Pali. For each generation, he provides a very helpful introduction to the themes and concerns that animate their work, as well as concise biographies of each writer. Stabakis anthologizes translations of all the key surrealist works of each generation—poetry, prose, letters, and other documents—as well as a selection of rarer texts. His introduction to the volume places Greek surrealism within the context of the international movement, showing how Greek writers and artists used surrealism to express their own cultural and political realities.

From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music—classical, popular, and jazz—and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.

In ancient Greek society communication was largely oral and visual. The contributors explore the ways in which word and image interact in Greek culture, throwing new light on their many and related functions.