This book chronicles the rise of goddess worship in the region of Bengal from the middle of the eighteenth century to the present. Focusing on the goddesses Kali and Uma, McDermott examines lyrical poems written by devotees from Ramprasad Sen (ca. 1718-1775) to Kazi Nazrul Islam (1899-1976).

As David White explains in the Introduction to Tantra in Practice, Tantra is an Asian body of beliefs and practices that seeks to channel the divine energy that grounds the universe, in creative and liberating ways. The subsequent chapters reflect the wide geographical and temporal scope of Tantra by examining thirty-six texts from China, India, Japan, Nepal, and Tibet, ranging from the seventh century to the present day, and representing the full range of Tantric experience--Buddhist, Hindu, Jain, and even Islamic. Each text has been chosen and translated, often for the first time, by an international expert in the field who also provides detailed background material. Students of Asian religions and general readers alike will find the book rich and informative. The book includes plays, transcribed interviews, poetry, parodies, inscriptions, instructional texts, scriptures, philosophical conjectures, dreams, and astronomical speculations, each text illustrating one of the diverse traditions and practices of Tantra. Thus, the nineteenth-century Indian Buddhist Garland of Gems, a series of songs, warns against the illusion of appearance by referring to bees, yogurt, and the fire of Malaya Mountain; while fourteenth-century Chinese Buddhist manuscripts detail how to prosper through the Seven Stars of the Northern Dipper by burning incense, making offerings to scriptures, and chanting incantations. In a transcribed conversation, a modern Hindu priest in Bengal candidly explains how he serves the black Goddess Kali and feeds temple skulls lentils, wine, or rice; a seventeenth-century Nepalese Hindu praise-poem hammered into the golden doors to the temple of the Goddess Taleju lists a king's faults and begs her forgiveness and grace. An introduction accompanies each text, identifying its period and genre, discussing the history and influence of the work, and identifying points of particular interest or difficulty. The first book to bring together texts from the entire range of Tantric phenomena, Tantra in Practice continues the Princeton Readings in Religions series. The breadth of work included, geographic areas spanned, and expert scholarship highlighting each piece serve to expand our understanding of what it means to practice Tantra.

Ramprasad Sen, a great lover of Kali Ma, the Hindu goddess, wrote these pieces in her honor. Contemporary translations are full of devotion and vitality. --Hohm Press.

An anthology of the most lyrical, passionate, illuminating writings of the Hindu mystical tradition. Some of the most lyrical, passionate, and illuminating writings of the Hindu mystical tradition are showcased in this anthology. Spiritual scholar and writer Andrew Harvey has selected excerpts from ancient and contemporary sources, including the Bhagavad Gita, the Upanishads, and other classical Hindu texts; the words of such venerable spiritual teachers as Ramakrishna and Ramana Maharshi; and the devotional poetry of Mirabai, Ramprasad, and many others. The scope of the collection makes it an excellent introduction to Hindu mystical literature, while the power and beauty of the language will inspire those already familiar with the genre. This book is part of the Shambhala Pocket Library series. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

In Praise of Adya Kali details the goddess Kali, and her culture of devotion in West Bengal and South Asia. Different from most contemporary books about this Dark Goddess, this book offers a liturgy of worship—a spiritual practice, the Song of the Hundred Names of Adya Kali, that readers can use to cultivate a direct devotional relationship to Kali. In Praise of Adya Kali is also a context-setting guide, establishing this practice as a general orientation to life. Most compelling, the text of this liturgy and Commentaries contain an intimate revelation of how the goddess establishes herself in her devotees’ bodies and thus intervenes, by unconditional love and acceptance, in their lives. A lengthy Introduction, both scholarly and personal, describes the goddess and the possibilities that these prayers will offer. Aditi Devi guides us in how to build a shrine to Kali, various types of offerings to make to her, and suggests a schedule for how to use this liturgy with a long-term commitment over the course of 108 nights. “This Song of the Hundred Names is a powerful teaching that all forms are her forms,” the author notes. Male, female, or other gendered, readers are presented with the possibility to experience the depths of their own internal feminine energies, and thereby come into greater healing and wholeness, more readily able to express this often neglected part of ourselves.

Women in the Hindu World explores the role of womanhood in Hindu religious culture and how the faith influences women’s social experiences. Women in the Hindu World encourages readers to develop and nurture their own understanding of the life of a woman as a Hindu. The seven chapters proceed both historically and thematically, exploring abstract philosophical concepts about women, as well as concrete worldly conditions of the lives they lead, from the earliest stages of Hindu society to the present, marking through time the evolving religious roles and social status of women. Hindu women have consistently found in their faith resources for claiming selfhood both within their faith and in society. Within the home, women are the keepers of the family’s religious rites. Outside the home, they worship through poetry, painting, dance, and music. Like their peers around the world, modern Hindu women have fought and worked together to claim decisive roles in shaping their own lives, while maintaining their faith and culture. Women in the Hindu World explores and explains the place of women in Hinduism, and the impact of Hinduism on women’s roles in society. EXPERT ANALYSIS: Author Mandakranta Bose is Professor Emerita and former Director of the Centre for India and South Asia Research at the University of British Columbia, Vancouver, Canada, where she also has taught courses in religious and gender studies. SUPPLEMENTAL STUDY: Women in the Hindu World provides a breadth of educational knowledge as a supplement to both academic coursework and the independent study of Hinduism. With the integration of discussion questions, suggested further reading, and images throughout, Women in the Hindu World offers an accessible introduction to exploring the connection between womanhood and Hinduism. EXPLORE THE SERIES: The Oxford Centre for Hindu Studies Publishing Series offers authoritative yet accessible introductions to a wide range of subjects in Hindu Studies. Each book in the series aims to present its subject matter in a form that is engaging and readily comprehensible to persons of all backgrounds – academic or otherwise – without compromising scholarly rigour. The series thus bridges the divide between academic and popular writing by preserving and utilising the best elements of both. Women in the Hindu World joins other engaging texts in the series, including The Hindu Temple and Its Sacred Landscape and The Bhagavad Gita: A New Translation and Study Guide.