During his seventeen years in Shanghai, Sam experienced wars, changing regimes, different currencies and a variety of schools that reflected the evolving political landscape. In a world obsessed with conflicting nationalism, his family survived as stateless residents, neither beholden to, nor the responsibility of, any country. They were instead, sustained by their Russian Jewish culture and community.Through Sam's memories of early life and his love of history, we learn of Shanghai's uniqueness as a home and haven to thousands of Jews over many centuries.

True stories of glamour, drama and tragedy told through five generations of a Shanghai family, from the last days of imperial rule to the Cultural Revolution.

In 1994, Anchee Min made her literary debut with a memoir of growing up in China during the violent trauma of the Cultural Revolution. Red Azalea became an international bestseller and propelled her career as a successful, critically acclaimed author. Twenty years later, Min returns to the story of her own life to give us the next chapter, an immigrant story that takes her from the shocking deprivations of her homeland to the sudden bounty of the promised land of America, without language, money, or a clear path. It is a hard and lonely road. She teaches herself English by watching Sesame Street, keeps herself afloat working five jobs at once, lives in unheated rooms, suffers rape, collapses from exhaustion, marries poorly and divorces.But she also gives birth to her daughter, Lauryann, who will inspire her and finally root her in her new country. Min's eventual successes-her writing career, a daughter at Stanford, a second husband she loves-are remarkable, but it is her struggle throughout toward genuine selfhood that elevates this dramatic, classic immigrant story to something powerfully universal.

Engaging and revealing, this chronicle of Victor arriving in Shanghai with the global economy in a slump and nothing more than a suitcase and a pocket full of dreams is a story about opportunity, determination, pursuing love and finding your way in the Pearl of Asia. It's September 2008, and Victor is an International Business and Management graduate with study and internship experiences gained in four continents. With the global economy in a slump, the job market for graduates is doomed. Where powerhouse China is still delivering substantial economic growth, Shanghai might provide him with the best opportunity to establish a successful career. He has only one objective though; re-joining Philips, the company where he did his graduation internship. But moving from a village with three-thousand people to Shanghai with it's twenty-four million people is quite a significant change. And thereby his height, blue eyes, and long eyelashes provide him with a high profile presence. Join Victor on a journey of starting over in China's biggest city and a global financial hub. A city where the gap between success and failure is extremely close and family traditions weigh heavier than love. A part-time teaching job can open the door to a billionaire's office, and a random Shanghai subway ride can lead to a meet and greet with your favourite British rock band in Beijing. Can Victor resist the temptations of a city that never sleeps and pursue his dreams?

In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.

A first-hand account of China's cultural revolution.

A sequel to the internationally best-selling Red Azalea traces the author's journey from the painful deprivations of her homeland to the sudden bounty of America, where she endures five jobs, crime and a painful marriage before the birth of a daughter inspires her writing career.