In a troubled world where millions die at the hands of their own governments and societies, some states risk their citizens' lives, considerable portions of their national budgets, and repercussions from opposing states to protect helpless foreigners. Dozens of Canadian peacekeepers have died in Afghanistan defending humanitarian reconstruction in a shattered faraway land with no ties to their own. Each year, Sweden contributes over $3 billion to aid the world's poorest citizens and struggling democracies, asking nothing in return. And, a generation ago, Costa Rica defied U.S. power to broker a peace accord that ended civil wars in three neighboring countries--and has now joined with principled peers like South Africa to support the United Nations' International Criminal Court, despite U.S. pressure and aid cuts. Hundreds of thousands of refugees are alive today because they have been sheltered by one of these nations. Global Good Samaritans looks at the reasons why and how some states promote human rights internationally, arguing that humanitarian internationalism is more than episodic altruism--it is a pattern of persistent principled politics. Human rights as a principled foreign policy defies the realist prediction of untrammeled pursuit of national interest, and suggests the utility of constructivist approaches that investigate the role of ideas, identities, and influences on state action. Brysk shows how a diverse set of democratic middle powers, inspired by visionary leaders and strong civil societies, came to see the linkage between their long-term interest and the common good. She concludes that state promotion of global human rights may be an option for many more members of the international community and that the international human rights regime can be strengthened at the interstate level, alongside social movement campaigns and the struggle for the democratization of global governance.

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She's a friendly voice on the phone. But can you trust her? The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn't want them to hope. She wants them to die. Laura hasn't had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone's on to her--Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together? The sinister truth is within Ryan's grasp, but he has no idea of the desperate lengths Laura will go to... Because the best thing about being a Good Samaritan is that you can get away with murder. Revised edition: This edition of The Good Samaritan includes editorial revisions.

Despite starting slowly with some academic jargon about altruism and people's motivations to donate organs, the book quickly takes a right turn and gets interesting. The authors sprinkle little informative tidbits along the way-Asian-Americans constituted only 3.4% of U.S. donors-and bring their points alive through little vignettes when examining the origins of altruism. The authors would make brilliant sales reps: they put forth a convincing argument about what a great humanitarian effort living donation is then patiently explain the evaluation process to reassure readers of the minimal costs. The few downsides are reviewed and discussed-for example, how to deal with family members who do not support the decision to donate or the devastation donors might experience when a recipient dies. Resources, bibliography, and index occupy a full 36 pages, yet for the most part this book escapes the drudgery of a research-laden study and instead reads as a fascinating story about a very human issue. (c) Copyright PWxyz, LLC. All rights reserved.

This text looks at the reasons why and how some states promote human rights internationally, risking their citizens' lives considerable portions of their national budgets, and repercussions from opposing states to protect helpless foreigners.

DIVShortlisted for Best Independent Voice at the Amazon Publishing Readers' Awards Longlisted for the Guardian's Not the Booker Prize THRILLER OF THE YEAR in GUARDIAN, TELEGRAPH AND DAILY EXPRESS ‘Totally addictive. Like Fight Club, only darker' S.J. Watson ‘I loved this book. Dark and at times almost comical, a great blend of crime thriller and the darkest imaginable domestic noir' Sarah Pinborough _________________ Dark, deviant and disturbing domestic noir … one of the most entrancing, sophisticated and page-turning psychological thrillers of the year… One crossed wire, three dead bodies and six bottles of bleach… Seth Beauman can't sleep. He stays up late, calling strangers from his phonebook, hoping to make a connection, while his wife, Maeve, sleeps upstairs. A crossed wire finds a suicidal Hadley Serf on the phone to Seth, thinking she is talking to The Samaritans. But a seemingly harmless, late-night hobby turns into something more for Seth and for Hadley, and soon their late-night talks are turning into day-time meet-ups. And then this dysfunctional love story turns into something altogether darker, when Seth brings Hadley home… And someone is watching… Dark, sexy, dangerous and wildly readable, Good Samaritans marks the scorching return of one of crime fiction's most exceptional voices. _________________ ‘So dark, so cool' Lisa Howells, Heat Magazine ‘Will Carver's invigoratingly nasty novel … is a bleak vision of life: not the whole truth of it, thank god, but true enough to impart to the reader the thrill of genuine discomfort, presented with the chilly conviction of Simenon's most unflinching romans dues and just as horribly addictive' Jake Kerridge, The Telegraph ‘Carver weaves these strands together for an unsettling but compelling mixture of the banal, the horrific and, at times, the near-comic, wrong-footing the reader at every turn' Laura Wilson, Guardian ‘In this frantic read in sheer overdrive, Carver appeals to the worst voyeur in all of us and delivers the goods with a punch and a fiendish sense of pace and dark humour … my type of noir' Maxim Jakubowski, Crime Time ‘Must Read!' Daily Express ‘Beautiful, gripping and disturbing in equal measure, a postcard from the razor's edge of the connected world we live in' Kevin Wignall ‘Possibly the most interesting and original writer in the crime-fiction genre, and I've loved his books for years. Good Samaritans is his best to date – dark, slick, gripping, and impossible to put down. You'll be sucked in from the first page' Luca Veste ‘Oh My God, Good Samaritans is amazing. I'm a little in love with your writing Will Carver' Helen FitzGerald, Author of The Cry ‘Sick … in the best possible way. Will Carver delivers a delicious slice of noir that will have you reeling' Michael J. Malone ‘If you're looking for a genuinely creepy thriller, checkout Good Samaritans… completely enthralled' Margaret B Madden ‘Dark, edgy, disturbing, shocking and sexy. It's also highly original and one of the best thrillers of the year … You n