Sandra Greene knows men don't go for women like her: the invisible ones, the plain ones scrambling to make a living without benefit of the right connections, college degree, and fashionable clothes. But her life is changed forever when, at an old friend's wedding, she meets the wealthy socialites of the Hunt Club. They proudly claim they made that wedding possible, and they make Sandra an offer no woman can refuse. Sandra is guaranteed to marry any man she wants—no matter how good-looking, rich, powerful, or successful. All she has to do is play their matchmaking "game." Seduced by the promise of makeovers, money, and matrimony, she quickly joins the Hunt Club and can't wait to go after the husband of her dreams—a sexy Hollywood actor. At first it all seems too wonderful to be true as she changes her life and is about to get her guy—until the FBI steps in asking questions. Just how far will these women go to get what they want? That's when Sandra begins to realize that matchmaking is really murder...possibly in more ways than one!

As director Gus Van Sant observes in the introduction to Matt Damon's and Ben Affleck's screenplay Good Will Hunting, the two young actors somewhat resemble the characters they play in the film: they're best friends, and Affleck (who plays Chuckie) habitually chauffeurs Damon (Will), who doesn't drive. Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.

"A sophisticated, deeply informed account of real life in the real CIA that adds immeasurably to the public understanding of the espionage culture—the good and the bad." —Bob Woodward Jack Devine ran Charlie Wilson's War in Afghanistan. It was the largest covert action of the Cold War, and it was Devine who put the brand-new Stinger missile into the hands of the mujahideen during their war with the Soviets, paving the way to a decisive victory against the Russians. He also pushed the CIA's effort to run down the narcotics trafficker Pablo Escobar in Colombia. He tried to warn the director of central intelligence, George Tenet, that there was a bullet coming from Iraq with his name on it. He was in Chile when Allende fell, and he had too much to do with Iran-Contra for his own taste, though he tried to stop it. And he tangled with Rick Ames, the KGB spy inside the CIA, and hunted Robert Hanssen, the mole in the FBI. Good Hunting: An American Spymaster's Story is the spellbinding memoir of Devine's time in the Central Intelligence Agency, where he served for more than thirty years, rising to become the acting deputy director of operations, responsible for all of the CIA's spying operations. This is a story of intrigue and high-stakes maneuvering, all the more gripping when the fate of our geopolitical order hangs in the balance. But this book also sounds a warning to our nation's decision makers: covert operations, not costly and devastating full-scale interventions, are the best safeguard of America's interests worldwide. Part memoir, part historical redress, Good Hunting debunks outright some of the myths surrounding the Agency and cautions against its misuses. Beneath the exotic allure—living abroad with his wife and six children, running operations in seven countries, and serving successive presidents from Nixon to Clinton—this is a realist, gimlet-eyed account of the Agency. Now, as Devine sees it, the CIA is trapped within a larger bureaucracy, losing swaths of turf to the military, and, most ominous of all, is becoming overly weighted toward paramilitary operations after a decade of war. Its capacity to do what it does best—spying and covert action—has been seriously degraded. Good Hunting sheds light on some of the CIA's deepest secrets and spans an illustrious tenure—and never before has an acting deputy director of operations come forth with such an account. With the historical acumen of Steve Coll's Ghost Wars and gripping scenarios that evoke the novels of John le Carré even as they hew closely to the facts on the ground, Devine offers a master class in spycraft.

It's the story Hollywood has glamorized, publicized, and bombarded us with--how it all began for the two young men, now famous for the tabloid coverage of ther on-again-off-again romances, their big budget smashes and flops, and their "Project Greenlight." It started with a script for the film that became Good Will Hunting, slaved over by the bright young dreamers (portrayed in this play's permier by the female playwrights) in their run-down apartment in Somerville, Massachusetts, in 1996. Or was it This hilarious, scathing play takes us back to the pivotal moment when the finished script that would change their lives...fell from the ceiling while they were working on something else. The laughs come at a manic pace, in this delightfully venomous play that has taken off-Broadway by storm.

Jimmy Fallon is very thankful. And in this first book to come from his TV show, he expresses his gratitude for everything from the light bulb he's too lazy to replace to the F12 button on his computer's keyboard. He thanks microbreweries for making his alcoholism seem like a neat hobby. He thanks the name "Lloyd" for having two L's. Otherwise it would just sound like "Loyd." He thanks the slow-moving family walking in front of him on the sidewalk. Without this "barricade of idiots," he might never have been forced to walk in the street and risk getting hit by a car in order to get around them. He's thankful to you, the person reading this right now. It means you're considering buying this book. You should do it. You will be thankful that you did.

How are sexual abuse survivors to overcome the challenges they are sure to face? Finding strength in community with other survivors is one key to recovery. In Not Quite Healed, two survivors join forces to share insight and encouragement on the issues that challenge them most. After a candid discussion about each issue, the authors provide a self-affirming statement that men can study, memorize, and recite on their darkest days.

Treat yourself to an "outrageously sexy" (Entertainment Weekly), "fabulously fun" (Jill Shalvis) second-chance romance from the New York Times bestselling queen of hockey romance! Lilah isn't sure what hurt worse: the day Ethan left her to focus on his hockey career or the day he came back eight years later. He might think they can pick up just where they left off, but she's no longer that same girl and never wants to be again. Ethan wants his glory days back. And that includes having Lilah by his side. With her, he was magic. They were magic. All he has to do is make her see that. Just when Lilah might finally be ready to let Ethan in, though, she finds out their reunion might have nothing to do with love and everything to do with improving his game. But Ethan's already lost her once, and even if it costs him his career, he'll do anything to keep from losing her again. "I couldn't stop turning the pages of this sexy, second-chance romance." -- Amy E. Reichert, author of The Coincidence of Coconut Cake "Hunting sparkles in this well-plotted contemporary." -- Publishers Weekly "If you love rom-coms, don't miss this second-chance romance novel." -- Hello Giggles What readers are saying about The Good Luck Charm... "Sexy rom-com at its finest!" "Helena Hunting is the queen of romantic comedy." "Easily my favorite book Ms. Hunting has written." "My fave read from Helena Hunting yet." "Just as good as the Pucked series." "This was awesome!" "Refreshing, light, swoony, and sexy."