"This book belongs on every fiction writer's bookshelf. Anyone who has ever had a story to tell and is dying to get it down on paper will find guidance and inspiration in GMC. The presentation is clear, immediate, and relevant to all writers--from novices to seasoned professionals. Experienced author Debra Dixon has done a magnificent job of demystifying the toughest aspect of fiction writing: that of a giving a story shape, form and urgency." -- Susan Wiggs, New York Times bestselling and RITA® Award winning author of over 40 novels and novellas "One of the best in her craft." -- Toronto Star "Goal, Motivation & Conflict is one of my all time favorites." -- Jane Porter (Flirting With Forty), award winning and bestselling author with 10 million books in print, in twenty languages and 25 countries Goal, motivation, and conflict are the foundation of everything that happens in the story world. Using charts, examples, and movies, the author breaks these key elements down into understandable components and walks the reader through the process of laying this foundation in his or her own work. Learn what causes sagging middles and how to fix them, which goals are important, which aren't and why, how to get your characters to do what they need for your plot in a believable manner, and how to use conflict to create a good story. GMC can be used not only in plotting, but in character development, sharpening scenes, pitching ideas to an editor, and evaluating whether an idea will work. Be confident your ideas will work before you write 200 pages. Plan a road map to keep your story on track. Discover why your scenes aren't working and what to do about it. Create characters that editors and readers will care about.

SHE WRITES. HE WATCHES. HE WAITS. HE KILLS... Romance novelist Stacey Holland doesn’t believe in love; marriage to a manipulator taught her as much. So she hides away in her fictional world, penning the perfect romance, intertwining the perfect crime. Excitement is for her books—worlds where the mortality of her characters is governed by a tap on her keyboard and the heroine always gets her happy ever after. Homicide detective Chase Durant’s cases are real and gritty and one wrong move could be his last. The Force is his life—he doesn’t have room for more. Love and relationships hold no place for a man whose fate is predetermined by the genetic roll of a dice. With uncertainty on the horizon, he won’t promise a future he can’t guarantee. Then a sadistic killer breathes Stacey’s gruesome murders to life and the pair are thrown together in a sick game of murder and lies. When tempers flare, and the murders get personal, can author and detective fight their growing attraction all-the-while fighting the killer determined to destroy them both? Murder Most Unusual is a seductive romantic suspense set in Melbourne, Australia, written by Michelle Somers, award-winning author of Lethal in Love.

Techniques of the Selling Writer provides solid instruction for people who want to write and sell fiction, not just to talk and study about it. It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product. No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years. This is the book for writers who want to turn rejection slips into cashable checks.

Events of the past two decades have challenged many of the fundamental beliefs, institutions, and values of modern western culture--the culture of "progress." Are science and technology really progressive and beneficial? Have they led to the enhancement of welfare, greater hapiness, and moral immprovement? I s the continued growth of material productivity possible? Desirable? Are the institutions of progress viable? Progress and Its Discontents assembles the views on progress of some of America's leading humanists, scientists, and social scientists. Citing disappointed expectations of progress in spheres from science to morals and politics, and the many problems created or left untouched by progress, the editors conclude that the term no longer refers to "an inevitable sequence of improvements" but rather to "an aspiration and compelling obligation." Contributors: Nannerl O. Keohane Georg G. Iggers Alfred G. Meyer Crawford Young Francisco J. Ayala John T. Edsall Gerald Fenberg Bernard D. Davis Gerald Holton Marc J. Roberts H. Stuart Hughes Moses Abramovitz Harvey Brooks Nathan Rosenberg Hollis B. Chenery Gianfranco Poggi Aaron Wildavsky G. Bingham Powell, Jr. Samuel H. Barnes Steven Marcus Murray Krieger Robert C. Elliott Martin E. Marty Daniel Bell Frederick A. Olafson This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.

Craft your fiction with scene-by-scene flow, logic and readability. An imprisoned man receives an unexpected caller, after which "everything changed..." And the reader is hooked. But whether or not readers will stay on for the entire wild ride will depend on how well the writer structures the story, scene by scene. This book is your game plan for success. Using dozens of examples from his own work - including Dropshot,Tiebreaker and other popular novels - Jack M. Bickham will guide you in building a sturdy framework for your novel, whatever its form or length. You'll learn how to: • "worry" your readers into following your story to the end • prolong your main character's struggle while moving the story ahead • juggle cause and effect to serve your story action As you work on crafting compelling scenes that move the reader, moment by moment, toward the story's resolution, you'll see why... • believable fiction must make more sense than real life • every scene should end in disaster • some scenes should be condensed, and others built big Whatever your story, this book can help you arrive at a happy ending in the company of satisfied readers.

Never dread a synopsis again! Pam McCutcheon, multi-published author and acclaimed guru of the synopsis, guides you step-by-step through the process of creating the synopsis you need to understand your novel and market your manuscript. Updated and revised, this second edition is organized as an interactive workbook using extensive examples and worksheets to help you create and understand: What a synopsis is and why you need one What to put in your synopsis, what to leave out, and why How to include plot and character development in your synopsis How to add tone, mood, and considerations important to your genre Three methods to start your synopsis The key to a good synopsis How to write a back cover blurb How to use the plotting board to build your synopsis "Bravo! Pam McCutcheon has decoded the synopsis! Writing the Fiction Synopsis is packed with useful information helpful to both the professional and novice writer. I wish I'd had this informative book years ago. Writing the Fiction Synopsis is a must-have tool for all writers. Pam McCutcheon has given a writers a cure for the synopsis headache." -- Maggie Osborne, award-winning author of more than 40 books "I'd been to Pam McCutcheon's online workshop on synopsis and found it really helpful, so I bought this book, too. (Watch out everyone, I'm going to gush.) This is by far the best book I've ever seen on writing a synopsis!! And like you and many others, I've gone nuts trying to get my synopsis to say what it needs to say in an interesting and concise way without making it a yawner. I'm also one of those authors who writes a rough synopsis as a road map after I've written about 3 chapters of a book to keep me on track. This book makes it so easy. If you buy one book on writing a synopsis, buy this one." -- Lisa Mondello, New York Times and USA Today bestselling author "Writing the Fiction Synopsis is destined to be a classic!" -- Karen Fox, RITA-nominated romance author