Twenty commentaries on the Middle-English poem Pearl GLOSSATOR 9 (2015): PEARL Edited by Nicola Masciandaro & Karl Steel “Innoghe”: A Preface on Inexhaustibility – Karl Steel The Arbor and the Pearl: Encapsulating Meaning in “Spot” – William M. Storm Pearl, Fitt II – Kevin Marti Pearl, Fitt III (“more and more”) – Piotr Spyra “Pyȝt”: Ornament, Place, and Site – A Commentary on the Fourth Fitt of Pearl – Daniel C. Remein Meeting One’s Maker: The Jeweler in Fitt V of Pearl – Noelle Phillips “Mercy Schal Hyr Craftez Kyþe”: Learning to Perform Re-Deeming Readings of Materiality in Pearl – James C. Staples Fitt 7: Blysse / (Envy) – Paul Megna Pearl, Fitt VIII – Kevin Marti “Ther is no date”: The Middle English Pearl and its Work – Walter Wadiak Fitt X – More – Travis Neel Enough (Section XI) – Monika Otter Fitt XII: Ryght – Kay Miller Pearl, Fytt XIII – A. W. Strouse The Jerusalem Lamb of PEARL – Jane Beal Fitt 15 – Lesse –Tekla Bude Out, Out, Damned Spot: Mote in Pearl and the Poems of the Pearl Manuscript – Karen Bollermann Seeing John: A Commentary on the Link Word of Pearl Fitt XVII – Karen Elizabeth Gross Theoretical Lunacy: Moon, Text, and Vision in Fitt XVIII – Bruno M. Shah & Beth Sutherland Delyt and Desire: Ways of Seeing in Pearl – Anne Baden-Daintree Fitt XX – “Paye” – David Coley

Volume 4 of the journal Glossator: Practice and Theory of the Commentary. Occitan Poetry. Edited by Anna Klosowska and Valerie Wilhite. CONTENTS Valerie M. Wilhite A/ESPIRAR: THE LOST SIGH OF THE TROUBADOUR TRADITION Anna Klosowska INTRODUCTION Cary Howie INEXTRICABLE Bill Burgwinkle RHETORIC AND ETHICS IN SORDELLO'S "ENSENHAMEN D'ONOR" Isabel de Riquier & Andreu Comas FAMILY MATTERS Miriam Cabré WHO ARE CERVERÍ'S WORST ENEMIES? Simone Marchesi DANTE ALIGHIERI, PURGATORIO XXVI.139-148 Huw Grange A MUSICO-LITERARY COMMENTARY ON BERNART DE VENTADORN'S "QUAN VEI LA LAUDETA MOVER" Marion Coderch "LO ROSSINHOLS S'ESBAUDEYA" (70, 29): BERNART DE VENTADORN, COURTLY ETHICS, AND THE CATALAN TRADITION Luke Sunderland MARCABRU IN MOTION: "DIRE VOS VUOILL SES DUPTANSSA" IN CHANSONNIERS A AND C, AND IN MATFRE ERMENGAUD'S BREVIARI D'AMOR Wendy Pfeffer THE PASSION OF OCCITAN Virginie Greene SUITE PROVENÇALE FOR OCARINA, TRIANGLE, AND POWERPOINT Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG

Volume 3 of the journal Glossator: Practice and Theory of the Commentary. http: //glossator.org

GLOSSATOR 10 (2018) Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares 96-109 Edited by Alexander Howard You in the dinghy (piccioletta) astern there! (CIX/788) Mr. Pound Goes to Washington Alexander Howard (University of Sydney) Some Contexts for Canto XCVI Richard Parker (University of Surrey) Gold and/or Humaneness: Pound’s Vision of Civilization in Canto XCVII Roxana Preda (University of Edinburgh) Hilarious Commentary: Ezra Pound’s Canto XCVIII Peter Nicholls (New York University) “Tinkle, tinkle, two tongues”: Sound, Sign, Canto XCIX Michael Kindellan (University of Sheffield) “In the intellect possible”: Revisionism and Aesopian Language in Canto C Alex Pestell (Independent Scholar) Deep Rustication in Canto CI Mark Byron (University of Sydney) Shipwrecks and Mountaintops: Notes on Canto CII Mark Steven (University of Exeter) Revised Intentions: James Buchanan and the Antebellum White House in Canto CIII James Dowthwaite (University of Göttingen) Exploring Permanent Values: Canto CIV Archie Henderson (Independent Scholar) Canto CV: A Divagation? Alec Marsh (Muhlenberg College) So Slow: Canto CVI Sean Pryor (University of New South Wales) ‘The clearest mind ever in England’: Pound’s Late Paradisal in Canto CVII Miranda Hickman (McGill University) Three Ways of Looking at a Canto: Navigating Canto CVIII Kristin Grogan (Exeter College, University of Oxford) ‘To the king onely to put value’: Monarchy and Commons in Pound’s Canto CIX Alex Niven (University of Newcastle)

This volume provides a complete English translation of Cáin Lánamna "The Law of Couples," an Old Irish legal text dated to c. 700 which is a major source of information about women, marriage, and divorce in early Ireland.

Did King Alfred the Great commission the Old English translation of Bede’s Historia Ecclesiastica Gentis Anglorum, probably the masterpiece of medieval Anglo-Latin Literature, as part of his famous program of translation to educate the Anglo-Saxons? Was the Old English Historia, by any chance, a political and religious manifesto for the emerging ‘Kingdom of the Anglo-Saxons’? Do we deal with the literary cornerstone of a nascent English identity at a time when the Anglo-Saxon kingdoms were threatened by a common enemy: the Vikings? Andreas Lemke seeks to answer these questions – among others – in his recent publication. He presents us with a unique compendium of interdisciplinary approaches to the subject and sheds new light on the Old English translation of the Historia in a way that will fascinate scholars of Literature, Language, Philology and History.

The relationships among data, evidence, and methodology in English historical linguistics are perennially vexed. This volume– which ranges chronologically from Old to Present-Day English and from manuscripts to corpora– challenges a wide variety of assumptions and practices and illustrates how diverse methods and approaches construct evidence for historical linguistic arguments from an increasingly large and diverse body of linguistic data.