Ten feminist-materialist explorations of the oppression of women in England from the early Renaissance to the 1650s, draw on women's place in courtesy books, royal office, drama, and other social, political, and literary arenas. Annotation copyrighted by Book News, Inc., Portland, OR

In medieval England, Gloriana, Lady of Kenbrook, awaits her husband, Dane St. Gregory, whom she has not seen since childhood. She is stunned to discover that he has returned with a betrothed; beautiful Gloriana is to be cast into a nunnery. Dane's mysterious sister-in-law, Elaina, counsels her to win Dane's heart or see the entire Kenbrook line imperiled. Entranced by her passionate will, he cannot resist Gloriana's potent charm, while she falls ever more deeply in love with Dane, her valiant swordsman. But their newfound happiness is brief -- suddenly, Gloriana is swept across the chasm of time to a dazzling future. Trapped centuries apart, Gloriana and Dane suffer the torment of their longing, knowing that only their love for one another and the strength of their desire can reunite them at last.

In-yong Han—Solo to his friends—is a Korean-American cop detailed from San Francisco to American Samoa to advance his career, bring modern forensic methods to this remote South Pacific Territory, and keep peace between the Korean commericial fishermen and the Samoans. And he's failing spectacularly. His wife has left him, a white American doctor has just been murdered, and Han gets caught in a riot between the tuna boat Koreans and a Samoan mob. Picking up the pieces, he acquires an odd group of helpers: a demonic Samoan surgeon, an American woman expert on leprosy and avoiding emotional entanglements, and a Samoan aristocrat who may be a saint or a murderer. By the time it's all over, they all learn that the trappings of evil may be different in different cultures, but the central bits are very much the same.

She came to us one dawn. The girl. Far out One dawn alone beneath the wine dark sea. One day it starts to rain and no-one knows why. And it doesn't stop. Far out on the North Sea a fisherman raises a girl in his net, miraculously alive from the deep sea. Is she one of the migrants now washing up on English shores? Or someone sent for some higher purpose? Commissioned by Hull UK City of Culture 2017 this epic and extraordinary collaboration between multi-award-winning artists James Phillips and Slung Low is the culmination of a year-long project. Four parts told across three different mediums, this complete text includes four stunningly written dramas that ask fundamental questions about our future, our communities and our collective responsibilities. “A State of the Nation Parable” BBC Arts “Visually stunning, and deeply moving” The Stage

When Gloriana comes to Arizona to visit her tenderfoot brother Jim, trouble is rampant. The notorious Hash Knife Outfit of rustlers and gunmen are stealing the ranchers' cattle and terrorizing the beautiful valley. Guns will blaze and blood will run hot and red before Goloriana and her brother have a chance to become true and valiant citizens of the frontier Wild West...

The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen s face register her contemporaries hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representation and interpretation of faces, this study argues that the face was seen as a rhetorical tool and that Elizabeth was a master of using her face to persuade, threaten, or comfort her subjects.

In this issue of The Shakespearean International Yearbook, the special section surveys various means of 'Updating Shakespeare'. The section treats a variety of attempts and strategies, including by artists in Japan, China and Brazil, to adapt Shakespeare's works into local and present circumstances. The guest editor for the section is Tetsuo Kishi, Professor Emeritus in English at the University of Kyoto, co-author of Shakespeare in Japan (2006). The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Poland, Japan and Brazil. In addition to the section on 'Updating', essays in this volume treat Shakespeare's poems, his narrative strategies, his relation to ideas such as tolerance and representation, and the afterlives of his work in writers such as Gay, Slowacki and Becket, and in theatrical relics.