The anthology deals with the texts translated into English from thirteen Indian languages, like Asomiya, Bangla, Gujarati, Hindi, Kannada, Konkani, Malayalam, Marathi, Odissi, Punjabi, Sanskrit, Tamil and Telugu. It focuses on texts like Abhiyatri, The Partings, Mukta-dhara, Red Oleanders, Evam Indrajit, Earthern Lamps, Henceforth Nirmala, ANdg Yug, Half-Way House, THe Kirtanas of Kanakadasa, Carvalho, Hayavadana, Sirisampige, The Upheaval, Chemmeen, Ghasiram Kotwal, Silence, the Court is in Session, Paraja, The Night Of The Half Moon, THe Little Clay cart, The Legend of Nandann, Generations and Kanyasulkam . This anthology offers glimpses of Indian Literature in English Translation and enables the readers to extends the vista of his knowledge of national literature.

Most of the papers presented at various national and international seminars.

Language Is A Powerful Means Of Decolonization And Self-Respect Building. Translation As A Potent Tool Of Language Works Wonders In The Process Of Resurrection Of Bruised National Pride. Indian Literature Written In So Many Colourful, Lovely Languages Of India Can Be Established With The Proper Use Of Translation. It Is With This Spirit The Present Anthology Indian Fiction In English Translation Has Been Prepared. An Attempt Has Been Made To Capture The Essence, The Smell, The Taste Of Indian Soil By Studying Various Important Authors And Their Texts In Detail. The Book Is Of Interest For All Those Who Believe In The Strength Of The Intellectual Traditions Of India.

The novel depicts the colonial encounter between Rani Chennamma and the authorities of the East India Company around 1824 for land and political power. Although the Rani put up a heroic fight with the East India Company authorities and succeeded in killing Mr. Thackeray, the Political Agent of South India and Collector of Dharwad, she was betrayed by her own courtiers later, and consequently, she was defeated by the East India Company authorities headed by the Commissioner of the Deccan, Mr. Chaplin. Then her kingdom of Kittur was annexed to the British Raj, and she was imprisoned in her own fort at Bailahongala, where she breathed her last in 1829 after suffering from nostalgia for the past glory of her kingdom.

The novel depicts the intrigue and conspiracy following the enthronement of Raja Virabhadra Nayaka in Keladi Kingdom of South India. It shows how the Raja has to struggle hard to retain his power by pleasing his subjects and suppressing his enemies. Thus there is a constant struggle for attaining and retaining power in the kingdom, which is a universal theme in all the history of mankind.