This volume presents the history of glass shown through 400 works ranging from ancient times to the new technological applications. Rarities and masterpieces of glass art from important Italian and foreign, public and private collections of antique, modern and contemporary glass are shown.

Based on events from the film Alice Through the Looking Glass, this unique illustrated novel allows readers to follow Alice, the Mad Hatter, the Red Queen and the White Queen as the characters journey through time. Each of the four characters have their own new, distinct art style to accompany their unpredictable adventures. As the readers travel along, they will be faced with choices that may turn the world upside down.

A page-turning late-Victorian mystery by a master, The Glass of Time is for fans of The Meaning of Night and for readers new to Michael Cox alike. Picking up the lives of characters from the first novel some twenty years later, The Glass of Time begins in 1876. Nineteen-year-old orphan Esperanza Gorst arrives from Paris at the great country house of Evenwood to become lady’s maid to the 26th Baroness Tansor, the former Miss Emily Carteret. But Esperanza is no ordinary servant. She has been sent by her guardian, the mysterious “Madame,” to uncover the secrets that her new mistress has concealed for decades, and to set right a past injustice which — although Esperanza does not know it — is intimately linked with her own future as well as her past. Gradually, those secrets are revealed, and with them the true identities of nearly every character — for it seems that no one in Esperanza’s world is who she believes them to be. She finds herself enmeshed in a complicated web of intrigue, deceit, and murder that culminates in a devastating betrayal by those she trusted most. Richly textured and elegantly told, The Glass of Time is a completely enveloping tale of identity, of the unexpected consequences of hidden truths, and of what can happen when past obsessions impose themselves on an unwilling present.

An Hourglass through Time gives us a view of biblical interpretation as it should be viewed, from our time to theirs, applying it to today after we understand how it was viewed then. It is all based on the biblical interpretation model of seeing how the scriptures were received by the original biblical audience then building a bridge for relevance to the contemporary audience. The biggest mistake we make in our Christian walks is to think God's words evolve and mean something different as time goes on; it is simply applied differently as time goes on and as our circumstances change. This process is done over and over as society and time marches on. When we look at biblical texts as we are looking through an hourglass, we grasp the word differently and with a fresh perspective, not necessarily a different one.

A masterpiece of linguistics scholarship, at once erudite and entertaining, confronts the thorny question of how—and whether—culture shapes language and language, culture Linguistics has long shied away from claiming any link between a language and the culture of its speakers: too much simplistic (even bigoted) chatter about the romance of Italian and the goose-stepping orderliness of German has made serious thinkers wary of the entire subject. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language—and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is—yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water—a "she"—becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial. Audacious, delightful, and field-changing, Through the Language Glass is a classic of intellectual discovery.

Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).