From the time Gilbert the Great White Shark was a tiny pup, Raymond the Remora stuck to him like glue. But then one day, Gilbert wakes up to find that Raymond has gone . . . This touching tale about love and loss will warm the hearts of adults and children alike. "Tenderly told . . . A cosy and witty picture of shark life." Guardian

It's great fun having a baby brother - right? Well, not for Gilbert. His new baby brother, Finn, is too small to join in with any of his games. In fact, he's no fun at all - but big brother Gilbert's not going to let a killer whale eat his little brother... is he? An exciting third book in the Gilbert series where Gilbert discovers that being a big brother can sometimes be fun after all.

Gilbert the shark and his playmate go to far and wander into the dangerous depths of the sea.

As Stephen Pyne reveals in his biography, few other scientists can match Grove Karl Gilbert’s range of talents. A premier explorer of the American West who made major contributions to the cascade of new discoveries about the earth, Gilbert described two novel forms of mountain building, invented the concept of the graded stream, inaugurated modern theories of lunar origin, helped found the science of geomorphology, and added to the canon of conservation literature. Gilbert knew most of geology's grand figures--including John Wesley Powell, Clarence Dutton, and Clarence King--and Pyne's chronicle of the imperturbable, quietly unconventional Gilbert is couterpointed with sketches of these prominent scientists. The man who wrote that "happiness is sitting under a tent with walls uplifted, just after a brief shower,", created answers to the larger questions of the earth in ways that have become classics of his science.

_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.

The 1904 St. Louis World’s Fair was a major event in early-twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In Whose Fair? James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event? Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair’s president and subsequent chief archivist; guidebooks and other official publications; the 1944 film Meet Me in St. Louis; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.

This is a story about a tortoise that sought adventure and found out what true friendship is really all about. A lesson for kids of all ages!