Widely regarded as Sorrentino's finest achievement, Mulligan Stew takes as its subject the comic possibilities of the modern literary imagination. As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery," his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew" an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists—as Hugh Kenner in "Harper's" wrote, "for another such virtuoso of the List you'd have to resurrect Joyce." Soon, Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammet) take on lives of their own, completely sabotaging his narrative. Sorrentino has vastly extended the possibilities of what a novel can be in this extraordinary work, which both parodies and pays homage to the art of fiction.

"Gilbert Sorrentino's third novel is about the New York artistic and literary world of the 1950s and '60s, specifically the artists, writers, hangers-on, and the phonies who populated that world. In a prose that is ruthless as well as possessed of an enormous comic verve, the dedicated, the stupid, the rapacious, and the foolish are dissected. Eight major characters, many of whom reappear in Sorrentino's later novels, are employed to allow the reader a variety of views of the same world. Told in the weary voice of a cynical and sardonic narrator, the novel is crammed with fantastic characters, incidents, and episodes, and moves from wit and satire through elegiac brooding, to bitter invective. It is a superb re-creation of a real time and place."--Publisher description.

"This new expanded edition includes twenty-five pieces written since the publication of the first edition in 1984."--BOOK JACKET.

In this superb novel composed of fragments of memory, Gilbert Sorrentino captures the unconventional nuances of a conventional world. A masterful collage of events is evocatively chained together by secrets and hidden truths that are almost accidentally revealed. Each episode, affectingly textured with penetrating detail, ferrets out the gristle and unconventional beauty found in the voices of the working-class inhabitants from an irretrievable, golden age Brooklyn.

The most recent novel by the noted American novelist Gilbert Sorrentino.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR A wrenching debut memoir of familial grief by a National Book Award finalist—and a defining account of what it means to love and lose a difficult parent, for readers of Joan Didion and Dani Shapiro. When Christopher Sorrentino's mother died in 2017, it marked the end of a journey that had begun eighty years earlier in the South Bronx. Victoria's life took her to the heart of New York's vibrant mid-century downtown artistic scene, to the sedate campus of Stanford, and finally back to Brooklyn—a journey witnessed by a son who watched, helpless, as she grew more and more isolated, distancing herself from everyone and everything she'd ever loved. In examining the mystery of his mother's life, from her dysfunctional marriage to his heedless father, the writer Gilbert Sorrentino, to her ultimate withdrawal from the world, Christopher excavates his own memories and family folklore in an effort to discover her dreams, understand her disappointments, and peel back the ways in which she seemed forever trapped between two identities: the Puerto Rican girl identified on her birth certificate as Black, and the white woman she had seemingly decided to become. Meanwhile Christopher experiences his own transformation, emerging from under his father's shadow and his mother's thumb to establish his identity as a writer and individual—one who would soon make his own missteps and mistakes. Unfolding against the captivating backdrop of a vanished New York, a city of cheap bohemian enclaves and a thriving avant-garde—a dangerous, decaying, but liberated and potentially liberating place—Now Beacon, Now Sea is a matchless portrait of the beautiful, painful messiness of life, and the transformative power of even conflicted grief. "Acute, intimate and exceedingly fair, Sorrentino’s memoir is a post-mortem that examines not the causes of his parents’ deaths but the endurance and effects of their confounding marriage . . . This is the story of a son who is trying to dissect and understand the love that remains—and sometimes emerges—after death. We may have a greater cultural appetite for eulogies, but an autopsy, in looking directly at the cold corpse of a family in all its gruesomeness and mystery, can be just as profound, and in the hands of a writer as restrained and humane as Sorrentino, just as beautiful." —Eleanor Henderson, The New York Times Book Review

A recasting of Sorrentino's Aberration of Starlight, this is the story of how a child becomes a monster: of how Red the boy becomes Red the Fiend. With an absent father who turns up only to drunkenly berate his son, and a grandmother whose aggression crescendos to a daily beating, Red can only escape by turning his hatred outward, by being as cruel and bitter as his young life has been. Employing direct, elegant sentences, while retaining his characteristic formal inventiveness, Sorrentino evokes this unyieldingly grim Brooklyn boyhood, describing close, familial conflicts that deepen and widen to reflect the hardships of Depression-era life.