For more than a century, Ghost Ranch has attracted people of enormous energy and creativity to the high desert of northern New Mexico. Occupying twenty-two thousand acres of the Piedra Lumbre basin, this fabled place was the love of artist Georgia O’Keeffe’s life, and her depictions of the landscape catapulted Ghost Ranch to international recognition. Building on the history of the Abiquiu region that she told in Valley of Shining Stone, Ghost Ranch historian Lesley Poling-Kempes now unfolds the story of this celebrated retreat. She traces its transformation from el Rancho de los Brujos, a hideout for legendary outlaws, to a renowned cultural mecca and one of the Southwest’s premier conference centers. First a dude ranch, Ghost Ranch became a magical sanctuary where the veil between heaven and earth seemed almost transparent. Focusing on those who visited from the 1920s and ’30s until the 1990s, Poling-Kempes tells how O’Keeffe and others—from Boston Brahmin Carol Bishop Stanley to paleontologist Edwin H. Colbert, Los Alamos physicists to movie stars—created a unique community that evolved into the institution that is Ghost Ranch today. For this book, Poling-Kempes has drawn on information not available when Valley of Shining Stone was written. The biography of Juan de Dios Gallegos has been enhanced and definitively corrected. The Robert Wood Johnson (of Johnson & Johnson) years at Ghost Ranch are recounted with reminiscences from family members. And the memories of David McAlpin Jr. shed light on how the Princeton circle that included the Packs, the Johnson brothers, the Rockefellers, and the McAlpins ended up as summer neighbors on the high desert of New Mexico. After Arthur Pack’s gift of the ranch to the Presbyterian Church in 1955, Ghost Ranch became a spiritual home for thousands of people still awestruck by the landscape that O’Keeffe so lovingly committed to canvas; yet the care taken to protect Ghost Ranch’s land and character has preserved its sense of intimacy. By relating its remarkable story, Poling-Kempes invites all visitors to better appreciate its place as an honored wilderness—and to help safeguard its future.

Varjabedian illuminates the dramatic cliffs and plains of Ghost Ranch, once the home of Georgia O'Keeffe.

North by northwest from old Santa Fe is the winding road to Abiquiu (ah-be-cue'), Ghost Ranch, and el Valle de la Piedra Lumbre, the Valley of Shining Stone: mythical names in a near-mythical place, captured for the ages in the famous paintings of Georgia O'Keeffe. O'Keeffe saw the magic of sandstone cliffs and turquoise skies, but her life and death here are only part of the story. Reading almost like a novel, this book spills over with other legends buried deep in time, just as some of North America's oldest dinosaur bones lie hidden beneath the valley floor. Here are the stories of Pueblo Indians who have claimed this land for generations. Here, too, are Utes, Navajos, Jicarilla Apaches, Hispanos, and Anglos-many lives tangled together, yet also separate and distinct. Underlying these stories is the saga of Ghost Ranch itself, a last living vestige of the Old West ideal of horses, cowboys, and wide-open spaces. Readers will meet a virtual Who's Who of visitors from "dude ranch" days, ranging from such luminaries as Willa Cather, Ansel Adams, and Charles Lindbergh to World War II scientist J. Robert Oppenheimer and his colleagues, who were working on the top-secret atomic bomb in nearby Los Alamos. Moving on through the twentieth century, the book describes struggles to preserve the valley's wild beauty in the face of land development and increased tourism. Just as the Piedra Lumbre landscape has captivated countless wayfarers over hundreds of years, so its stories cast their own spell. Indispensable for travelers, pure pleasure for history buffs and general readers, these pages are a magic carpet to a magic land: Abiquiu, Ghost Ranch, the Valley of Shining Stone.

The religion of Jesus or the religion about Jesus? The cross as Christ's atoning sacrifice or as a courageous, prophetic martyrdom? With a pastoral/prophetic voice and insights derived from a lifetime in parish ministry and theological education, Meeting Jesus the Christ Again encourages the reader to rethink these and other hotly disputed issues of Christian faith. Taking a big-picture perspective and seeking common ground, Chesnut points us toward a "neo-classical" faith. This engaging book calls us back to the vital center of historic Christian faith.

“Readers will welcome what Lisle has found. The woman who emerges has extraordinary personal stature, artistic gifts, commitment to her vision.” —(Chicago Tribune) Recollections of more than one hundred of O’Keeffe’s friends, relatives, colleagues, and neighbors—including 16 pages of photographs—as well as published and previously unpublished historical records and letters provide “an excellent portrait of a nearly legendary figure” (San Francisco Chronicle). Georgia O’Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary—sensuous flowers, bleached bones against red sky and earth—had a stunning, profound, and lasting influence on American art in this century. O’Keeffe’s personal mystique is as intriguing and enduring as her bold, brilliant canvases. Portrait of an Artist is an in-depth account of her exceptional life—from her girlhood and early days as a controversial art teacher, to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz, to her seclusion in the New Mexico desert where she lived until her death. Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia O’Keeffe is a twentieth-century legend. Her dazzling career spans virtually the entire history of modern art in America. Armed with passion, steadfastness, and three years poring over research, former Newsweek reporter Laurie Lisle finally shines a light on one of the most significant and innovative twentieth century artists.

Yet the pictures offer a clear connection between the austere poetry of the landscape and O'Keeffe's own self-created outer and inner worlds, her artistic imagination being filtered by the bleached bones and infinite emptiness of the desert, which, as she said herself, "knows no kindness with all its beauty".

The permanent closure of the Chicken Ranch on August 1, 1973, made international headlines. The legendary brothel--reputed to have maintained continuous business for 144 years--seemed invincible until that fateful day. But if the brothel's opponents had hoped the story would end there, they were surely disappointed. Immortalized by a Tony Award-winning Broadway musical and subsequent motion picture, "The Best Little Whorehouse in Texas" grew in fame and notoriety even as time and neglect took a toll on the original building. Decades passed, and rumors spread even as memory faded. The Chicken Ranch had moved to Dallas and became a restaurant, some recalled. No, it had burned to the ground, others said. They tore it down long ago, argued another. No matter the story, one thing remained consistent: There was nothing left to see. Now, on the 40th anniversary of the Chicken Ranch's closure, GHOSTS OF THE CHICKEN RANCH takes readers on a photographic tour of the brothel's ruins and shows that "nothing left to see" is not entirely true...