Combines psychoanalysis, queer theory, masculinity studies, and cultural studies to explore contemporary manhood in film. Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulvey’s and Gilles Deleuze’s paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombie’s remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography.

Finalist for the 2017 Lambda Literary Award in the LGBT Nonfiction category presented by the Lambda Literary Foundation Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulvey's and Gilles Deleuze's paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombie's remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography.

The thrilling sixth installment of the bestselling Brotherband series from John Flanagan, author of the worldwide phenomenon Ranger's Apprentice When the Brotherband crew are caught in a massive storm at sea, they’re blown far off course and wash up on the shores of a land so far west that Hal can’t recognize it from any of his maps. Eerily, the locals are nowhere in sight, yet the Herons have a creeping feeling they are being watched. Suddenly the silence is broken when a massive, marauding bear appears, advancing on two children. The crew springs into action and rescues the children from the bear’s clutches, which earns them the gratitude and friendship of the local Mawagansett tribe, who finally reveal themselves. But the peace is short-lived. The Ghostfaces, a ruthless, warlike tribe who shave their heads and paint their faces white, are on the warpath once more. It’s been ten years since they raided the Mawagansett village, but they’re coming back to pillage and reap destruction. As the enemy approaches, the Herons gear up to help their new friends repel an invasion.

Ghost Face returns like you've never seen or read before. The village of Port Jefferson, Long Island, NY, is rocked by a kidnapping on the Cross Island Ferry that leads to a series of murders that adds to the mystery. Detective Powers and Johnson, led by Detective Lieutenant Cronin, are pressured by national media, the FBI, and the public to solve the related cases before more innocent lives are lost. Things become tense as the detectives' personal lives become complicated as the mystery unwinds in the case that would become known as "The Face of Fear."

We are pleased to present the Proceedings of the Second International Conference on Computational Fluid Dynamics held at the University of Sydney, Australia, from July 15 to 19, 2002. The conference was a productive meeting of scientists, mathematicians and engineers involved in the computation of fluid flow. Keynote lectures were presented in the areas of optimisation, algorithms, turbulence and bio-fluid mechanics. Two hundred and fifty abstracts from many countries were received for con sideration. The executive committee, consisting of A. Lerat, M. Napolitano, J.J. Chattot, N. Satofuka and myself, were responsible for the selection of papers. Each of the members had a separate subcommittee to carry out the evaluation. One hundred and seventy papers were selected of which one hundred and fifty two were presented at the conference. All papers that appear in the proceedings have been peer reviewed by a panel of experts (with a minimum of two for every paper) before publication. The conference was attended by 160 delegates with a minimum of late with drawals. The informal and friendly atmosphere provided by the university sur roundings was highly appreciated, and the technical aspects of the conference were stimulating. It is appropriate here to thank Alain Lerat, the retiring secretary of the international scientific committee of the conference. We also wish to welcome J. J. Chattot who is the incoming secretary.

The way to cultivate truth, the right way is to refine the meridians and platforms with the aura of heaven and earth to seek immortality, and the magic way is to improve the cultivation with women to repair the furnace tripod and destroy the cultivation world

In virtually every aspect of culture-health, marriage, family, morals, politics, sex, race, economics-American men of the past two decades have faced changing social conditions and confronted radical questions about themselves. In Millennial Masculinity: Men in Contemporary American Cinema, editor Timothy Shary collects fourteen contributions that consider male representation in films made at the turn of the century to explore precisely how those questions have been dealt with in cinema. Contributors move beyond the recent wave of "masculinity in crisis" arguments to provide sophisticated and often surprising insight into accessible films. Chapters are arranged in four sections: "Performing Masculinity" includes a discussion of Adam Sandler and movies such as Milk; "Patriarchal Problems" looks at issues of fathers from directors such as Martin Scorsese, Wes Anderson, and David Fincher; "Exceptional Sexualities" examines male love and sex through movies like Brokeback Mountain and Wedding Crashers; and "Facing Race" explores masculinity through race in film. Sean Penn, Jackie Chan, Brad Pitt, Will Smith, and Philip Seymour Hoffman are some of the actors included in these analyses, while themes considered include police thrillers, psychotic killers, gay tensions, fashion sense, and the burgeoning "bromance" genre. Taken together, the essays in Millennial Masculinity shed light on the high stakes of masculine roles in contemporary American cinema. Film and television scholars as well as readers interested in gender and sexuality in film will appreciate this timely collection.