This book reevaluates the art of Gerhard Richter (b. 1932) in relation to his efforts to achieve belonging in the face of West Germany’s increasing individualism between the 1960s and the 1990s. Richter fled East Germany in 1961 to escape the constraints of socialist collectivism. His varied and extensive output in the West attests to his greater freedom under capitalism, but also to his struggles with belonging in a highly individualised society, a problem he was far from alone in facing. The dynamic of increasing individualism has been closely examined by sociologists, but has yet to be employed as a framework for understanding broader trends in recent German art history. Rather than critique this development from a socialist perspective or experiment with new communal structures like a number of his colleagues, Richter sought and found security in traditional modes of bourgeois collectivity, like the family, religion, painting and the democratic capitalist state. The book will be of interest to scholars working in art history as well as German history, culture and politics.

We live in a world that is saturated with color, but how should we make sense of color's force and capacities? This book develops a theory of color as fundamental medium of the social. Constructed as a montage of scenes from the past two hundred years, Organizing Color demonstrates how the interests of capital, management, governance, science, and the arts have wrestled with colour's allure and flux. Beyes takes readers from Goethe's chocolate experiments in search of chromatic transformation to nineteenth-century Scottish cotton mills designed to modulate workers' moods and productivity, from the colonial production of Indigo in India to globalized categories of skin colorism and their disavowal. Tracing the consumption, control and excess of industrial and digital color, other chapters stage encounters with the literary chromatics of Pynchon's Gravity's Rainbow processing the machinery of the chemical industries, the red of political revolt in Godard's films, and the blur of education and critique in Steyerl's Adorno's Grey. Contributing to a more general reconsideration of aesthetic capitalism and the role of sensory media, this book seeks to pioneer a theory of social organization—a "chromatics of organizing"—that is attuned to the protean and world-making capacity of color.

This is a book about structures that shows students how to "see" structures as integral to architecture, and how knowledge of structures is the basis for understanding both the mechanical and conceptual aspects inherent to the art of building. Analyzing the structural principles behind many of the best known works of architecture from past and present alike, this book places the subject within a contemporary context. The subject matter is approached in a qualitative and discursive manner, and is illustrated by many photographs of architectural projects and structural behaviour diagrams. This new edition is revised and updated throughout, includes worked-out examples, and is perfect as either an introductory structures course text or as a designer’s sourcebook for inspiration.

Gretchen Albrecht CNZM is one of New Zealand' s most influential painters. Over the course of her long career, her work has continued to surprise and delight, and her paintings feature in many important collections both in New Zealand and overseas. This comprehensive survey of her much-admired work reveals a painter steeped in art history, drawing freely from a range of sources to create vivid, intellectually persuasive and deeply affecting work, and determined to push her work in new directions.This revised edition includes her practice since 2019 and also interrogates her Illuminations work of the 1970s, which she revisited and re-presented in 2022. With a detailed and rich text by leading art writer Luke Smythe, plus a foreword by art curator Mary Kisler, this magnificent book both interrogates Albrecht' s work and celebrates her accomplishments.

This fascinating book offers unprecedented insight into artist Gerhard Richter's life and work. From his childhood in Nazi Germany to his time in the West during the turbulent 1960s and '70s, this work presents a complete portrait of the often-reclusive Richter.

"Much has been written about how awful the German Democratic Republic supposedly was: a people imprisoned by a wall and subjugated by an omnipresent Stasi security apparatus. Such descriptions are based largely on prejudice, ignorance and wilful animosity. This book is an attempt to provide a more balanced evaluation and to examine GDR-style socialism in terms of what we can learn from it. The authors, while not ignoring the real deficiencies of GDR society, emphasise the many aspects that were positive, and demonstrate that alternative ways of organising society are possible. This volume is an updated and much expanded edition of the authors' booklet first published in 2009. Thee have added more detail on how the GDR came into being as a separate state, about how society functioned and what values determined the every-day life of its citizens. There is also a whole new section on what happened in the aftermath of unification, particularly to the economy. While unification brought East Germans access to a more affluent society, freedom to travel throughout the world and the end to an over-centralised political system, it also brought with it unemployment, social breakdown and loss of hope, particularly in the once thriving rural areas." -- From back cover.