"This book is meant to serve either as a textbook for an interdisciplinary course in Mathematics of Design, or as a trade book for designers. It will also be of interest for people interested in recreational mathematics showing the connection between mathematics and design. Topics from the book can also be adapted for use in pre-college mathematics. Each chapter will provide the user with ideas that can be incorporated in a design. Background materials will be provided to show the reader the mathematical principles that lie behind the designs"--

This book is meant to serve either as a textbook for an interdisciplinary course in Mathematics of Design, or as a trade book for designers. It will also be of interest for people interested in recreational mathematics showing the connection between mathematics and design. Topics from the book can also be adapted for use in pre-college mathematics. Each chapter will provide the user with ideas that can be incorporated in a design. Background materials will be provided to show the reader the mathematical principles that lie behind the designs.

Geometric Computation: Foundations for Design describes the mathematical and computational concepts that are central to the practical application of design computation in a manner tailored to the visual designer. Uniquely pairing key topics in code and geometry, this book develops the two key faculties required by designers that seek to integrate computation into their creative practice: an understanding of the structure of code in object-oriented programming, and a proficiency in the fundamental geometric constructs that underlie much of the computational media in visual design.

Tim Maudlin sets out a completely new method for describing the geometrical structure of spaces, and thus a better mathematical tool for describing and understanding space-time. He presents a historical review of the development of geometry and topology, and then his original Theory of Linear Structures.

At last, a mathematical explanation of how art works presented in a manner we can all understand. Kimberly Elam takes the reader on a geometrical journey, lending insight and coherence to the design process by exploring the visual relationships that have foundations in mathematics as well as the essential qualities of life. Geometry of Design takes a close look at a broad range of twentieth-century examples of design, architecture, and illustration (from the Barcelona chair to the paintings of Georges Seurat, from the Braun hand blender to the Conico kettle), revealing underlying geometric structures in their compositions. Explanations and techniques of visual analysis make the inherent mathematical relationships evident and a must-have for anyone involved in art, design, or architecture graphic arts. The book focuses not only on the classic systems of proportioning, such as the golden section and root rectangles, but also on less well known proportioning systems such as the Fibonacci Series. Through detailed diagrams these geometric systems are brought to life giving an effective insight into the design process.

Cosmology, the study of the universe, arouses a great deal of public interest, with serious articles both in the scientific press and in major newspapers, with many of the theories and concepts (e.g. the 'big bang' and 'black holes') discussed, often in great depth.Accordingly the book is divided into three parts:Part 1 is readable (and understandable) by anyone with a nodding acquaintance with the basic language of cosmology: events, lights paths, galaxies, black holes and so on. It covers the whole story of the book in a way as untechnical as possible given the scope of the topics covered.Part 2 covers the same ground again but with enough technical details to satisfy a reader with basic knowledge of mathematics and/or physics.Part 3 consists of appendices which are referred to in the other parts and which also contain the highly technical material omitted from Section 2.

Laws of Form is a seminal work in foundations of logic, mathematics and philosophy published by G Spencer-Brown in 1969. The book provides a new point of view on form and the role of distinction, markedness and the absence of distinction (the unmarked state) in the construction of any universe. A conference was held August 8-10, 2019 at the Old Library, Liverpool University, 19 Abercromby Square, L697ZN, UK to celebrate the 50th anniversary of the publication of Laws of Form and to remember George Spencer-Brown, its author. The book is a collection of papers introducing and extending Laws of Form written primarily by people who attended the conference in 2019.