Geoffrey of Monmouth's epic poem about Merlin, translated into English verse for the first time.

Vita Merlini, or The Life of Merlin, is a work by the Norman-Welsh author Geoffrey of Monmouth, composed in Latin around AD 1150. It retells incidents from the life of the Brythonic seer Merlin, and is based on traditional material about him. Merlin is described as a prophet in the text. There are a number of episodes in which he loses his mind and lives in the wilderness like a wild animal, like Nebuchadnezzar in the Book of Daniel. It is also the first work to describe the Arthurian sorceress Morgan le Fay, as Morgen. Geoffrey had written of Merlin in his two previous works, the Prophetiae Merlini, purported to be a series of prophecies from the sage, and the Historia Regum Britanniae, which is the first work presenting a link between Merlin and King Arthur. The Vita Merlini presents an account of Merlin much more faithful to the Welsh traditions about Myrddin Wyllt, the archetype behind Geoffrey's composite figure of Merlin. Whereas the Historia had Merlin associating with Arthur, his father Uther Pendragon, and his uncle Ambrosius in the 5th century, the Vita's timeframe is during the late 6th century, and includes references to various figures from that period, including Gwenddoleu and Taliesin. Geoffrey attempts to synchronize the Vita with his earlier work by having Merlin mention he had been with Arthur long before.

Vita Merlini, or The Life of Merlin, is a work by the Norman-Welsh author Geoffrey of Monmouth, composed in Latin around AD 1150. It retells incidents from the life of the Brythonic seer Merlin, and is based on traditional material about him. Merlin is described as a prophet in the text. There are a number of episodes in which he loses his mind and lives in the wilderness like a wild animal, like Nebuchadnezzar in the Book of Daniel. It is also the first work to describe the Arthurian sorceress Morgan le Fay, as Morgen. Geoffrey had written of Merlin in his two previous works, the Prophetiae Merlini, purported to be a series of prophecies from the sage, and the Historia Regum Britanniae, which is the first work presenting a link between Merlin and King Arthur. The Vita Merlini presents an account of Merlin much more faithful to the Welsh traditions about Myrddin Wyllt, the archetype behind Geoffrey's composite figure of Merlin. Whereas the Historia had Merlin associating with Arthur, his father Uther Pendragon, and his uncle Ambrosius in the 5th century, the Vita's timeframe is during the late 6th century, and includes references to various figures from that period, including Gwenddoleu and Taliesin. Geoffrey attempts to synchronize the Vita with his earlier work by having Merlin mention he had been with Arthur long before.

The History of the Kings of Britain was originally published under the Latin title, Historia Regum Britanniae, by Anglo-Saxon monk, Geoffrey of Monmouth. The chronicle is famous as the original source of the legend of Sir Arthur and the Knights of the Round Table, as well as the Prophecies of Merlin. The chronicle is also the original source of “King Leir,” from which Shakespeare adapted his famous play by the same name. The chronicle recounts the origins of Britain from the time of Brutus and the Roman conquest of the British Isles. It is a semi-fantastical account of the origin of the British Kings and contains a storehouse of British history, fantasy and legend. An indispensible piece to any student, or admirer, of the history of the British Isles.

A medieval historian examines what we really know about the man who was “Merlin the Magician” and his impact on Britain. Merlin has remained an enthralling and curious individual since he was first introduced in the twelfth century in Geoffrey of Monmouth’s Historia Regum Britanniae. But although the Merlin of literature and Arthurian myth is well known, his “historical” figure and his relation to medieval magic are less familiar. In this book Anne Lawrence-Mathers explores just who he was and what he has meant to Britain. The historical Merlin was no rough magician: he was a learned figure from the cutting edge of medieval science and adept in astrology, cosmology, prophecy, and natural magic, as well as being a seer and a proto-alchemist. His powers were convincingly real—and useful, for they helped to add credibility to the “long-lost” history of Britain which first revealed them to a European public. Merlin’s prophecies reassuringly foretold Britain’s path, establishing an ancient ancestral line and linking biblical prophecy with more recent times. Merlin helped to put British history into world history. Lawrence-Mathers also explores the meaning of Merlin’s magic across the centuries, arguing that he embodied ancient Christian and pagan magical traditions, recreated for a medieval court and shaped to fit a new moral framework. Linking Merlin’s reality and power with the culture of the Middle Ages, this remarkable book reveals the true impact of the most famous magician of all time. “The story of how the image of Merlin as political prophet, magician and half-demon evolved in the Middle Ages is as fascinating as any romance.”—Euan Cameron

Geoffrey of Monmouth, a twelfth-century cleric, was the first person to compose a detailed and continuous history of Britain from its origins to the domination of the Anglo-Saxons. His writings were enormously popular throughout the western European world, and he is justly credited with bringing 'The Matter of Britain' (including, most notably, the figure of Arthur) to a much wider audience. The vast popularity of this material has persisted to the present day, mainly but not solely in the interest shown in 'King Arthur'. This book illustrates the close ties between Geoffrey's notion of British and Arthurian society and other materials from medieval Wales and Ireland.