Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing’s consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing industry, a system designed to limit field transformation. Taking an intersectional approach, this research acknowledges that a number of factors in addition to gender may influence the reception of an author or a title in the literary field and finds that progress towards equality is unstable and non-linear. By combining quantitative data analysis with interviews from authors, editors, critics, publishers and prize judges Alexandra Dane maps the circulation of prestige in Australian publishing, addressing questions around gender, identity, literary reputation, literary worth and the resilience of the status quo that have long plagued the field.

Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing’s consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing industry, a system designed to limit field transformation. Taking an intersectional approach, this research acknowledges that a number of factors in addition to gender may influence the reception of an author or a title in the literary field and finds that progress towards equality is unstable and non-linear. By combining quantitative data analysis with interviews from authors, editors, critics, publishers and prize judges Alexandra Dane maps the circulation of prestige in Australian publishing, addressing questions around gender, identity, literary reputation, literary worth and the resilience of the status quo that have long plagued the field.

This new edition of the first comprehensive feminist, theoretical synthesis of the archaeological work on gender reflects the extensive changes in the study of gender and archaeology over the past 8 years. New issues—such as sexuality studies, the body, children, and feminist pedagogy—enrich this edition while the author updates work on the roles of women and men in such areas as human origins, the sexual division of labor, kinship and other social structures, state development, and ideology. Nelson provides examples from gender-specific archaeological studies worldwide to examine such traditional myths as woman the gatherer, the goddess hypothesis, and the Amazon warriors, replacing them with a more nuanced, informed treatment of gender based on the latest research. She also examines the structure of the archaeology in her attempt to understand and change a discipline that has made women all but invisible both as researchers and objects of research. Honored as a Choice Magazine Outstanding Academic Book, Nelson's work will continue to be the benchmark for archaeologists interested in gender as a subject of research and in the profession.

Rethinking Language and Gender Research is the first book focusing on language and gender to explicitly challenge the dichotomy of female and male use of language. It represents a turning point in language and gender studies, addressing the political and social consequences of popular beliefs about women's language and men's language and proposing new ways of looking at language and gender. The essays take a fresh approach to the study of subjects such as language and sex and the use of language to produce and maintain power and prestige. Topics explored in this text include sex and the brain; the language of a rape hearing; teenage language; radio talk show exchanges; discourse strategies of African American women; political implications for language and gender studies; the relationship between sex and gender and the construction of identity through language. A useful introductory chapter sets the articles in context, explaining the relationships that exist between them, and full cross-referencing between articles and an extensive index allow for easy access to information. The interdisciplinary approach of the text, the wide-range of methodologies presented, and the comprehensive review of the current literature will make this book invaluable reading for all upper-level undergraduate students, postgraduate students and researchers in the fields of linguistics, sociolinguistics, gender and cultural studies.

"This book has grown out of a felt-need to rethink and re-evaluate the forces that have been at work shaping the literature of the last decade of the century--literature written in english. There is no denying that what had largely emerged as insurgent writing, especially focusing on the socio-political realities of our country, has today gained wider ground, acceptability and acclaim. It has become a vehicle of articulating awareness, voicing dissatisfaction and reviewing historical and philosophical truths. In its long-strided progress Indian writing in english has not overlooked the literary canons and in the directions it has taken, it has created not only a niche for itself but also made a discernible mark on literary theory. The essays included in this volume represent the multiple ways in which we view our literature."

In this study of the 19th-century American novel, the author demonstrates the imaginative continuity between sentimental and realistic fiction and sets out to establish that realism is the central and preeminent literary type in America, a mode grounded in the tradition of women's popular fiction which shaped the nation's reading habits in the mid-19th century. He examines this feminine literature, with its common technique of symbolizing deeper social conflicts through patterns of courtship, marriage, and gender roles. Contends that Howells and James owe much of their fictional domain to the often-disparaged household dramas of these female precursors.