This 37th volume of the Yearbook of Women's History focuses on the meaning and potential of archiving for enhancing gender equality and the position of women worldwide. More than just storehouses of knowledge, archives offer new ways for understanding the past, debating the present and creating the future. Focusing on both traditional and non-traditional archival practices, in various parts of the world, the Yearbook of Women’s History explores the meaning of archiving for women and women’s history. Besides investigating the feminist potential of the archive, it also examines questions of erasure and forgetting. While archives may have emancipatory or democratizing potential, practices of discarding equally shape the histories that can be written, and the stories that can be told. The articles in this volume are alternated with descriptions of collections and institutes, and the topics addressed cover a full range of archival theory and practice. This volume has been produced by the editorial board of the Yearbook of Women's History in collaboration with Atria, institute on gender equality and women's history in Amsterdam, the Netherlands.

Women's archives hold a significant place in the historical record, illuminating stories of individuals who had an impact on our past in both powerful and quiet ways. The history of the archives themselves and the struggle to achieve equal representation within the historical record also tell a valuable story, one that deftly examines American culture and society over the past few centuries. In Perspectives on Women's Archives, 18 essays written by noted archivists and historians illustrate the origins of a women-centered history, the urgent need to locate records that highlight the diverse experiences of women, and the effort to document women's experiences. The essays also expose the need for renewed collaboration between archivists and historians, the challenges related to the accessibility of women's collections, and the development of community archives. Ultimately, archival relevancy is reinforced, not diminished, by sharing resources and exposing absences. This book inspires new thinking about the value of women's archives and how to fill the gaps in our recordkeeping to move toward a more diverse and inclusive future.

Editor Biography:Josefa Ros Velasco (1987) received degrees in Philosophy (2010) and in Advertising and Public Relations (2011) with Honors from the University of Murcia. She also received a Master's in Contemporary Thought (2011) and in Teacher Education (2012) with Honors from the same institution. Excellent Program of Doctor in Philosophy at University Complutense of Madrid. She is FPU scholar by Spanish Ministry of Education, Culture and Sports in the Department of the History of Philosophy (UCM). DAAD scholar at Internationales Zentrum f�r Kultur und Technikforschung (IZKT Stuttgart Universit�t) in 2013; Deutsches Literatur-Archiv Marbach (DLA) "Einmonatiges" Scholar in 2014; FPU short-term research scholar at DLA in 2014. Research groups: "Saavedra Fajardo Library of Hispanic Political Thought" (HUM2007-60799); "History and Videogames: the impact of new media entertainment on the medieval past knowledge" (HAR2011-25548). Research areas: Hans Blumenberg's philosophy, Anthropology, Prehistory, Hipochondria, Boredom. Papers (selection): Paradigms for a Metaphorology of the Cosmos, Studies in History and Philosophy of Physics, 52 (2015); The Evolution of Language: An Anthropological Approach, Evolutionary Anthropology, 25 (2016).Book Description:Presently, our concern for the social, political and economic situation of women remains as valid as it was in the last century. Despite the progress made worldwide, we continue to witness a reality in which gender issues generate injustice, lack of freedom and violation of human rights. Researchers constantly strive to analyze women phenomena and denounce its consequences in the attempt to achieve an egalitarian world in which differences are understood and respected. This book is one of the fruits of such efforts. Scholars interested in women's issues have joined in this volume in order to register, through their work, a commitment to progress towards a better society. With this work, the authors attempt to promote the voice of women who, even in the twenty-first century, feel deprived of their well-deserved security. At the same time, they attempt not only to keep alive the awareness about women's situation, but also create an academic meeting point that shows the most current areas of research around women's issue. Through this collaboration, the authors hope to achieve a review of contemporary approaches to women's studies. It is for all the above that they have entitled this book Feminism: Past, Present, and Future Perspectives, because the authors are going to address how humanity is coping with the proposals of the last century. The authors want to show the most current points of view on women's issues through researches that are taking place in different geographic places, thanks to a procedure based on the case studies and methods. Finally, they will attempt to clarify what the future holds for women and state their demands firsthand.Target Audience:i)

In the 1990s, a generation of women born during the rise of the second wave feminist movement plotted a revolution. These young activists funneled their outrage and energy into creating music, and zines using salvaged audio equipment and stolen time on copy machines. By 2000, the cultural artifacts of this movement had started to migrate from basements and storage units to community and university archives, establishing new sites of storytelling and political activism. The Archival Turn in Feminism chronicles these important cultural artifacts and their collection, cataloging, preservation, and distribution. Cultural studies scholar Kate Eichhorn examines institutions such as the Sallie Bingham Center for Women’s History and Culture at Duke University, The Riot Grrrl Collection at New York University, and the Barnard Zine Library. She also profiles the archivists who have assembled these significant feminist collections. Eichhorn shows why young feminist activists, cultural producers, and scholars embraced the archive, and how they used it to stage political alliances across eras and generations. A volume in the American Literatures Initiative

The contributors to Turning Archival trace the rise of “the archive” as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge. Highlighting the growing significance of the archival to LGBTQ scholarship, politics, and everyday life, they draw upon accounts of queer archival encounters in institutional, grassroots, and everyday repositories of historical memory. The contributors examine such topics as the everyday life of marginalized queer immigrants in New York City as an archive; secondhand vinyl record collecting and punk bootlegs; the self-archiving practices of grassroots lesbians; and the decolonial potential of absences and gaps in the colonial archives through the life of a suspected hermaphrodite in colonial Guatemala. Engaging with archives from Africa to the Americas to the Arctic, this volume illuminates the allure of the archive, reflects on that which resists archival capture, and outlines the stakes of queer and trans lives in the archival turn. Contributors. Anjali Arondekar, Kate Clark, Ann Cvetkovich, Carolyn Dinshaw, Kate Eichhorn, Javier Fernández-Galeano, Emmett Harsin Drager, Elliot James, Marget Long, Martin F. Manalansan IV, Daniel Marshall, María Elena Martínez, Joan Nestle, Iván Ramos, David Serlin, Zeb Tortorici