The book charts the dramatic months leading to one of the most profound changes of the 20th century, the opening of the Berlin Wall in 1989 and the restoration of German unity in 1990. The author analyses the nature of Communist rule in the GDR over 40 years, its few strengths and its many weaknesses, and the myths which grew up around it. This book places the GDR in its international setting as the proud ally of the Soviet Union in the Warsaw Pact. It examines the reactions abroad to the unfolding revolution. The text is based on a wide variety of written sources and many interviews with leading Communist figures, such as Krenz and Modrow, and with their opponents and successors, and former Stasi officers and the dissidents they tried to crush. It greatly benefits from the author's decades of involvement with East Germany, including personal friendships there, before 1989 and his eye-witness accounts of many of the events during Die Wende. It should be of interest not only to students of German politics, contemporary history and the Cold War, but to all who are curious about the momentous times through which we have lived.

The real life stories of eight East Germans caught up in the dramatic transition from Communism to Capitalism by the fall of the Berlin Wall - and what they feel about life after the Wall.

Winner of the Virginia Prize for Fiction Nominated for Scottish First Book of the Year Award, Saltire Society Adapted as a BBC Radio 4 Book at Bedtime The year is 1985. East Germany is in the grip of communism. Magda, a brilliant but disillusioned young linguist, is desperate to flee to the West. When a black market deal brings her into contact with Robert, a young Scot studying at Leipzig University, she sees a way to realise her escape plans. But as Robert falls in love with her, he stumbles into a complex world of shifting half-truths – one that will undo them both. Many years later, long after the Berlin Wall has been torn down, Robert returns to Leipzig in search of answers. Can he track down the elusive Magda? And will the past give up its secrets? “A tense, compelling peek behind the Berlin Wall.” -- Kirkus Reviews “A gripping, complex debut” --Zoë Strachan “Will resonate loud and clear with anyone conscious of the dangers of CCTV culture in modern Britain” --Rodge Glass “Kept me hooked right to the end” --Linda Leatherbarrow “a page-turner that reminds one of the horrors of the cold war and the astonishing fall of the Berlin Wall.” --Margaret Drabble “...a page-turner that shifts from East to West and the dark days of the 1980s to present reunification.” --The Evening Times “Rintoul pulls the reader through her story with craft and psychological precision..." -- The Scotsman About the author Fiona Rintoul is a writer and translator based in Glasgow in Scotland. She writes fiction and articles, and translates from German and French into English. Fiona’s poems and short stories have appeared in anthologies and magazines, including Mslexia and Gutter, and she is a past winner of the Gillian Purvis New Writing Award and the Sceptre Prize.

An innovative, interdisciplinary, incisive scholarly study remapping and redefining domains and dynamics of modernism, EccentriCities: Writing in the margins of modernism critically considers how geo-historically distant and disparate urban sites, concentrating Russian and Luso-Brazilian cultural dialogue and definition, give rise to peculiarly parallel anachronistic and alternative fictional forms. While comparatively reframing these literary traditions through an extensive survey of Russian and Brazilian literature, cartography, urban design and development, foregrounding innovative close readings of works by Gogol, Dostoevsky, Bely, Almeida, Machado de Assis, Lima Barreto, Mário de Andrade, the book also redefines new constellations (eccentric, concentric, ex-centric) for understanding geo-cultural and generic dimensions of modernist and post-modern literature and theory.

The establishment of the Communist social model in one part of Germany was a result of international postwar developments, of the Cold War waged by East and West, and of the resultant partition of Germany. As the author argues, the GDR's 'new' society was deliberately conceived as a counter-model to the liberal and marketregulated system. Although the hopes connected with this alternative system turned out to be misplaced and the planned economy may be thoroughly discredited today, it is important to understand the context in which it developed and failed. This study, a bestseller in its German version, offers an in-depth exploration of the GDR economy's starting conditions and the obstacles to growth it confronted during the consolidation phase. These factors, however, were not decisive in the GDR's lack of growth compared to that of the Federal Republic. As this study convincingly shows, it was the economic model that led to failure.

Amnesiopolis explores the construction of Marzahn, the largest prefabricated housing project in East Germany, built on the outskirts of East Berlin in the 1970s and 1980s and touted by the regime as the future of socialism. It focuses particularly on the experience of East Germans who moved, often from crumbling slums left over as a legacy of the nineteenth century, into this radically new place -- one defined by pure functionality and rationality -- a material manifestation of the utopian promise of socialism. Eli Rubin employs methodologies from critical geography, urban history, architectural history, environmental history, and everyday life history to ask whether their experience was a radical break with their personal pasts and the German past. Amnesiopolis asks: can a dramatic change in spatial and material surroundings sever the links of memory that tie people to their old life narratives, and if so, does that help build a new socialist mentality in the minds of historical subjects? The answer is yes and no -- as much as the East German state tried to create a completely new socialist settlement, divorced of any links to the pre-socialist past, the massive construction project uncovered the truth buried -- literally -- in the ground, which was that the urge to colonize the outskirts of Berlin was not new at all. Furthermore, the construction of a new city out of nothing, using repeating, identical buildings, created a panopticon-like effect, giving the Stasi the possibility of more complete surveillance than they previously had.