Two hot men. One deserted tropical island. Mr. Don’t-Touch-Me Wade O’Rourke has never allowed anyone to get close to his heart, or into his bed. Perhaps he’s not wired that way. He’s not gay. He was brought up to know it’s not possible in his family. But he’s not attracted to women either. He keeps up appearances for the sake of his family because it’s the thing to do— never mind his family traumas or that he hates his life. And he has reasons to hate his homophobic uncle, too. Outgoing, optimistic, and carefree Adam Bennet comes from a long line of earthy people— gardeners and farmers. After his parents died, he was raised by his wise grandmother. He helps her run her shop. When Wade and Adam meet on an airplane, they don’t quite hit it off. They survive a crash landing on an island paradise where they have to join forces to survive. Will Adam take a chance on love with the seemingly straight man? When love blossoms, can it survive the rescue and return to their American small town? This full-length, standalone novel contains: Two hot guys and a deserted island. A man damaged by his homophobic upbringing. A virgin who never thought he'd want to be touched that way. A small town gay romance. Coming out in a small town. An MM LGBTQ romance. Steamy man on man love action and a happy ending. ***58,000 words.

This look at gay paradises in Southeast Asia and the men who created them considers the obstacles gay men have faced in securing a voice as citizens, and how they have used images of paradise in Bali, Bangkok and Singapore to create a sense of refuge, construct homes for themselves, and dissent from typical notions of manhood and masculinity. It focuses on Walter Spies, a gay German painter who in the 1930s depicted Bali as an ideal male aesthetic state; Khun Toc, who founded an architectural paradise called Babylon in Thailand; and the "cyber-paradise" of Fridae.com created by a young Singaporean named Stuart Koe. Collectively, Atkins examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and political obstacles they have encountered. Gary Atkins is professor of communication at Seattle University. He is the author of Gay Seattle: Stories of Exile and Belonging--Página 4 de la cubierta.

This book provides readers with a study of the characteristics that make life unique for sexual minorities in Brazil while also viewing Brazil in relation to global LGBT sociopolitical movements. It critically assesses the complex relationship(s) between the visual arts and political activism, carefully analyzing artistic, cinematic, and photographic representations of LGBTQ identities. Brazil provides a useful case to example, with the cultivation of ambiguity in contemporary (re)constructions of queer life. In this book, the author conducts the first comprehensive discourse analysis of the dynamics and features of the largest LGBT Pride Parade in the world. This problematizes and analyzes the relationship between burgeoning critical socio-political movements and institutions and the language and new media discourses used to configure and conceptualize them. The aim of this project is to create a theoretical scholarly framework promoting linkages between political activism and academic scholarship and by using discourse analysis, the intricacies of terminology Brazilian sexual minorities adopt and adapt, illustrating the development of LGBTQ identities through performative language use.

THE TRUE STORY OF THREE MEN IN LOVE Recovering from his break-up with the handsome, hard-drinking Mikey, the author tries gay personal ads-but mostly ends up deflowering curious straight men. Then he meets Kieran, a naive, hot college guy precisely half his age, who's hungry for new sex, new drugs, and new experiences. The two fall in love and all's going great, until...Mikey comes back, and he falls for Kieran too. Eventually, an affectionate mnage trois develops between this trio of erotic neurotics, and the question becomes, can they navigate the choppy waters of a three-way relationship without rules?