Countless garden books tell us what, when, where and how to plant. Few explore the reasons why gardening becomes central to so many people's lives. In Garden Voices, Carolyn Rapp explores the relationships of women with their gardens, revealing sources of joy that go far beyond the pleasure of harvesting flowers, herbs or vegetables. As the 12 women tell their stories, readers will share the heartache and triumph set within plots of lovingly cultivated land. Everyone who reads Garden Voices will hear a whisper of themselves in the words of these creative, courageous, wise women. This is not just a book for people who love gardens; it's for people who love stories.

First published 1981, this is Dirk Bogarde's second novel. The fabulous but wavering old Lady “Cuckoo” Peverill, lives with her husband, Napoleon-mad military historian, Archie. Dissatisfied and overcome by sheer boredom, she ventures down to the lake at the edge of their estate, pockets filled with stones, she begins to walk into the water. Before she is too deeply submerged, she is pulled away by sparsely-clothed drifter, Marcus Pollock. Feigning that he merely saved her from an 'accident', he is brought back to the villa, where he moves in. Cue the arrival of Marcus' girlfriend, as well as a whole horde of eccentric film-makers and you have the stage set for an effortlessly entertaining story. Set in Cap Ferrat, in one of the last great villas of the twenties, Voices in the Garden is a heart-felt tale of mature and immature love.

Have you ever wondered if we live when we die? Do our beloved pets live on after death? Will we see them again? Have you ever thought you've seen a dark, ghostly figure out of the corner of your eye, but it vanished when you looked towards it? How many times have you awoken suddenly, certain that someone has called your name, but there is no one to be seen? What is clairvoyance? How does a medium make contact with the Spirit World? What is a ghost, and can we communicate with one?

"A journalist travels the world to collect personal stories about how flood, fire, drought, and rising seas are changing communities"--

Brie Arthur's Gardening with Grains is a passion project that grew from a light-bulb, aha moment - that's when she realized we've been missing a dynamic piece of the burgeoning foodscape movement. We've learned the joys of interplanting our blooming flowerbeds with veggies, herbs and berries - but what about the grains, those ancient and beautiful grasses that practically gave us civilization: wheat, barley and oats for winter; corn, rice and sorghum for the warm season. Gardening with Grains is a pioneering book, a companion to Arthur's The Foodscape Revolution. Richly illustrated, it combines history, environmental benefits and personal stories with simple how-to's for planning, growing and harvesting 6 important grains. Includes 12 chef-tested recipes for inspiration. This is a design book, too, with planting patterns and suggestions, no matter how much or how little garden space you have. These grains are ornamental grasses, and they show off beautifully in any setting. The grouped plantings reveal the grains' varied colors and textures, interplanted with flowers like poppies, larkspur, snapdragons, nigella, zinnias, sunflowers and marigolds. Not only flowers, but salad greens and other decorative veggies play well with grains. Gardening with Grains is foodscaping for fun, beauty and bragging rights. . . and maybe even some homemade beer and bread.(Genus illustrations and garden plans by landscape architect and botanical artist Preston Montague.)

Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with deviation or departure from a course, subject, or standard. This book demonstrates that early modern writers trained in verbal contest developed richly labyrinthine voices that captured the ambiguities of political occasion and aristocratic patronage while anatomizing enemies and mourning personal loss. Anne Cotterill turns current sensitivity toward the silenced voice to argue that rhetorical amplitude might suggest anxieties about speech and attack for men forced to be competitive yet circumspect as they made their voices heard.