From Darkroom to Daylight explores how the dramatic change from film to digital has affected photographers and their work.

The Moth Wing Diaries is a photographic narrative addressing themes of memory, providence, revival and dreams, by native Texan photographer Lori Vrba. Vrba's surreal landscapes and portraiture are "deeply personal and focus on self-discovery and family" and explore the artist's sense of conflict and ultimate peace with the Southern terrain.--L'Oeil de la Photographie Lori Vrba is a native Texan now residing in Chapel Hill, North Carolina. She is a self-taught artist committed to film and the traditional wet darkroom. She has shown her work internationally to great acclaim. Vrba considers the exhibition and installation as an extension of the aesthetic and narrative components of her imagery. Recent examples of her unique voice in presentation include "Piano Farm", New Orleans, LA 2010 and "Southern Comfort", Atlanta, GA 2011. Her work is held in the permanent collections of the Lishui Museum of Photography, China and the Museum of Fine Arts Houston, as well as private collections throughout the world.

Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.

Hippolyte Bayard (1801–1887) is often characterized as an underdog in the early history of photography. From the outset, his contribution to the invention of the medium was eclipsed by others such as Louis-Jacques-Mandé Daguerre (1787–1851) and William Henry Fox Talbot (1800–1877). However, Bayard had an undeniable role in the birth of photography and its subsequent evolution into a form of art. He was a pioneer in artistic style, innovator in terms of practice, and teacher of the next generation of photographers. Alongside an exploration of Bayard’s decades-long career and lasting impact, this volume presents—for the first time in print—some of the earliest photographs in existence. An album containing nearly 200 images, 145 of those by or attributed to Bayard, is among the Getty Museum’s rarest and most treasured photographic holdings. Few prints have ever been seen in person due to the extreme light sensitivity of Bayard’s experimental processes, making this an essential reference for scholars and enthusiasts of the very beginning of photography

Oral & Maxillofacial Radiology is a practical, illustrated guide to the basic principles and interpretation of imaging of the mouth and jaw, written by Kamala G Pillai from the School of Dentistry at the University of Louisville, in the United States. The book is comprised of 32 chapters, covering a broad range of topics within radiology. The first nine chapters of the book focus on the basics of radiology, including the nature and characteristics of radiation, the production and properties of X-rays, and radiation biology. The middle section of the book presents different types of radiography, followed by instruction on procedures of radiographic interpretation. Subsequent chapters focus on the identification of specific conditions using radiography. The final chapter of Oral & Maxillofacial Radiology provides important concepts at a glance, with definitions and a glossary. Enhanced by over 540 images and illustrations, this book is an ideal resource for undergraduates in dentistry. Key Points Practical illustrated guide to imaging of the mouth and jaw Written by Kamala G Pillai based at the University of Louisville School of Dentistry, USA Presents a broad range of oral and maxillofacial conditions as identified by radiography Over 540 illustrations and images

How to put a darkroom almost anywhere in your home or apartment; do-it-yourself plans for the most essential darkroom components, cut-outs and design grids.