In the past ten years or so there has been a remarkable growth of interest in Britain's recent past. Right-wing popularisers, such as Correlli Barnett, John Charmley and Andrew Roberts, inspired by Thatcherite politics, have produced a stream of polemics. Meanwhile liberal and academic historians have been left in the stalls. This book aims to rectify the absence of a left-wing version of history since the Second World War. Structured chronologically, it follows the broad phases of government since 1939 - the Attlee years, the Churchill government, the Eden and Macmillan governments, the Wilson years, the 1970s and the Thatcher Years. Leading historians in their particular fields take issue with recent right-wing accounts of the period and propose a coherent alternative of Britain's history since the Second World War.

This book draws together social, cultural, and political history to show us how we came to have a moral, political, and social responsibility toward the hungry. Vernon forcefully reminds us how many perished from hunger in the empire and reveals how their history was intricately connected with the precarious achievements of Britain’s welfare state.

What was the impact of the Second World War on the development of the welfare state? Did Attlee’s pioneering post-war Labour governments create the welfare state and a socialist society? Was there a welfare consensus between Labour and the Conservatives in the period from 1951 to 1979? Was there a welfare revolution during the Thatcher and Major years? What lies at the heart of New Labour’s welfare policy? In Revisiting the Welfare State, Robert Page provides a persuasive, fresh and challenging account of the British welfare state since 1940. His text re-examines some of the most commonly held assumptions about the post-war welfare state and reignites the debate about its role and purpose. Robert Page starts from the premise that the student of social policy can gain a deeper understanding of the welfare state by studying political and historical accounts of the welfare state, party manifestos, policy documents and political memoirs. Drawing from these sources, he provides a clear guide to the changing role of the state in the provision of welfare since 1940. Each of the five chapters is devoted to a particular theme associated with the post-war welfare state, the last of which focuses on the strategy of the New Labour governments of Tony Blair. Written by one of the leading authorities on contemporary social policy, Revisiting the Welfare State is a stimulating guide to the political history of the post-war welfare state in Britain. It is essential reading for students of social policy, social work, politics and contemporary history. It will also appeal to the general reader who is seeking an accessible guide to the political history of the post-war welfare state.

This reference identifies and explains the cultural, historical, and topical allusions in the filmMonty Python’s Meaning of Life, the Pythons’ third and final original feature as a complete group. In this resource, virtually every allusion and reference that appears in the film is identified and explained —from Britain’s waning Empire through the Winter of Discontent to Margaret Thatcher’s second-term mandate, from playing fields to battle fields, and from accountant pirates to sacred sperm. Organized chronologically by scene, the entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the many social, cultural, and historical elements that populate this film, and the Pythons’ work in general.

“corrupt and moronic though the common people are seemingly becoming ... only in the common people can the true work be rooted, the true tradition rediscovered and re-informed” Charles Parker, BBC Radio Producer 1959. In 1958, in his best-selling book Culture and Society, Raymond Williams identified working-class culture as ‘a key issue in our own time’. Why this happened and how this subject was thought about and acted upon is the focus of this book. Paul Long investigates a variety of projects and practices that were designed to describe, validate, reclaim, rejuvenate or generate ‘authentic’ working-class culture as part of the re-imagining of Britishness in the context of the post-war settlement. Detailed case studies cover the wartime cultural activities of CEMA – the forerunner of the Arts Council - the Folk Revival, the impact of Richard Hoggart’s The Uses of Literacy, broadcasting and the radio work of Charles Parker, Ewan MacColl and Peggy Seeger, the roots of modern arts festivals in Arnold Wesker’s Centre 42 project as well as the impact of progressive education on children’s writing and the politics of the English language. ‘Only in the Common People: The Aesthetics of Class in Post-War Britain’ examines the assumptions, idealism and prejudices behind these projects and the terms of class as ‘the preoccupation of a generation’. This approach offers a historicisation of the broader ideas and debates that informed the development of the New Left and British social history and cultural theory, offering an understanding of the rise of respect for ‘the common man’.

The 'Heinemann Advanced History' series offers a differentiation strategy, with books covering AS and A-Level. Exam preparation includes practice questions, advice on what makes a good answer and help for students on interpreting questions and planning essays.

This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.