The indispensable consumers' guide to the music of Led Zeppelin. An album by album, track by track, run-down of every song released by Led Zeppelin, from their classic first album to their best selling albums of the seventies and beyond. Also includes details of their remastered recordings, compilation albums, live albums and Led Zeppelin on DVD.

A consumers' guide to the music of Led Zeppelin which is an album by album run down of everything they recorded during their 12 year career.

The indispensable soft-back edition consumers' guide to the music of Led Zeppelin. An album by album, track by track run down of everything recorded by Led Zeppelin during their 12 year career, and everything released subsequent to their disbanding in 1980. Features include Details of when and where their music was written and recorded Details of how each track was put together and in what studio A consumers' guide for those new to Zeppelin's Music A section of Led Zeppelin Remastered and the much acclaimed 2003 DVD A track index for easy reference

"Evenings With Led Zeppelin chronicles the 500-plus appearances Led Zeppelin made throughout their career. From their earliest gig in a Denmark school gymnasium on September 7, 1968, through to the last gig that Jimmy Page, Robert Plant and John Paul Jones ever performed with John Bonham, in Berlin on July 7, 1980, this is the Led Zeppelin story told from where their legend was forged live on stage. Deploying impeccable research spread over many years, Dave Lewis and Mike Tremaglio brings clarity, authority and perspective to a show-by-show narrative of every known Led Zeppelin performance. With pinpoint accuracy they trace the group's rapid ascent from playing to a few hundred at London's Marquee Club to selling out the 20,000 capacity Madison Square Garden in New York--all in a mere 18 months. Supplemented by historical reviews, facts and figures and expert commentary that capture the spirit of the times, Evenings with Led Zeppelin is illustrated throughout with rarely seen concert adverts, posters, venue images, ticket stubs and photos, all of which offer matchless insight into their concert appearences."--Back cover

Take a deep dive into the innovative recording history of Led Zeppelin, in this newest addition to the fan-favorite All the Songs series. Fifty years after their first practice in a Soho basement, Led Zeppelin continues to fascinate new generations of listeners. While their legendary back-stage debauchery has been written about extensively in other books, All the Songs is all about the music, detailing the studio magic and inspiration that made all nine albums go platinum, including Led Zeppelin IV which was certified x23 platinum and has sold more than 37 million copies worldwide. Studio stories will include their productive time at Headley Grange in Wales, a poorly-heated former poorhouse where they recorded parts of Led Zeppelin III, Led Zeppelin IV, Houses of the Holy and Physical Graffiti. And how the first album was recorded in three weeks but their second took six months, done while the band was on a world tour. They carried the masters of the recording session in a steamer trunk wherever they went. Out of these chaotic sessions came the "Whole Lotta Love," which was finished in New York with Hendrix engineer Eddie Kramer helping create the psychedelic middle part, as well as "The Lemon Song," which was cut live in the studio. Page worked feverishly with Kramer to mix the LP on a primitive 12-channel Altec board in a two-day span. Fans will also learn the genesis of their lyrics, the inspiration for their album covers, the instruments used, and the contributions of engineers such as Andy Johns, who helped create the iconic drum sound on "When the Levee Breaks" by recording Bonham at the bottom of a stairwell.

The study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also in compassionate scholarship.