What if Freud had left a final paper declaring that morality arises not from the guilt caused by Oedipal desires but, instead, from fear of the unchallengeable authority demonstrated in megalomania? CUNY history professor Rosenfield makes this the premise of his novel debut--and produces a wonderful, chewy, intellectual delight.

Farrell (literature, Claremont McKenna College) analyzes Freud's personality and thought to give insight into modernity's paranoid character and into the true nature of Freudian psychoanalysis. He argues that Freud was afflicted with excessive grandiosity and a false sense of persecution, demonstrates that psychoanalysis borrows from the rhetoric of the satiric romance, and attempts to explain the lure of the charismatic paranoid hero. Annotation copyright by Book News, Inc., Portland, OR

On Narcissism: An Introduction is a densely packed essay dealing with ideas that are still being debated today - from the role of narcissism in normal and pathological development and the relationship of narcissism to homosexuality, libido, romantic love, and self-esteem to issues of therapeutic intervention. The contributors place the work in the context of Freud's evolving thinking, point out its innovations, review its problematic aspects, and examine how its theoretical concepts have been elaborated more recently by analysts of diverse theoretic persuasions. In addition, they use Freud's text to chart new developments in psychoanalysis and point toward still unresolved problems. An introduction by Joseph Sandler, Ethel Spector Person, and Peter Fonagy provides a succinct overview of the material.Contributors: Willy Baranger, David Bell, R. Horacio Etchegoyen, Peter Fonagy, Leon Grinberg, Bela Grunberger, Heinz Henseler, Otto F. Kernberg, Paul H. Ornstein, Ethel Spector Person, Joseph Sandler, Hanna Segal, Nikolaus Treurniet, Clifford Yorke

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

As people of the modern era were singularly prone to nervous disorders, the nervous system became a model for describing political and social organization. This volume untangles the mutual dependencies of scientific neurology and the cultural attitudes of the period 1800-1950, exploring how and why modernity was a fundamentally nervous state.

In the time of Freud, the typical psychoanalytic patient was afflicted with neurotic disorders; however, the modern-day psychotherapy patient often suffers instead from a variety of addictive disorders. As the treatment of neurotic disorders based on unconscious conflicts cannot be applied to treatment of addictive disorders, psychoanalysis has been unable to keep pace with the changes in the type of patient seeking help. To address the shift and respond to contemporary patients’ needs, Ulman and Paul present a thorough discussion of addiction that studies and analyzes treatment options. Their honest and unique work provides new ideas that will help gain access to the fantasy worlds of addicted patients. The Self Psychology of Addiction and Its Treatment emphasizes clinical approaches in the treatment of challenging narcissistic patients struggling with the five major forms of addiction. Ulman and Paul focus on six specific case studies that are illustrative of the five forms of addiction. They use the representative subjects to develop a self psychological model that helps to answer the pertinent questions regarding the origins and pathway of addiction. This comprehensive book links addiction and trauma in an original manner that creates a greater understanding of addiction and its foundations than any clinical or theoretical model to date.

To understand the achievement of Jacques Lacan, one must turn to his roots. This book explores the grounding of Lacan's psychoanalytic work in the intellectual and artistic movements of the modernist period. More specifically, it examines masculine anxiety in the modernist novel in terms of Lacan's work on psychosis, masochism, and narcissism, viewed against the broader cultural context of the modernist era. In the process, this book illustrates how Lacan's intellectual apprenticeships and encounters (both real and imaginary) play out in his mature work, beginning with the first seminars of the 1950s. Like other thinkers of the early twentieth century, the trajectory of Lacan's psychoanalytic career is shaped by tendentious confrontations with peers, forebears, and intellectual traditions.