Presenting practical strategies, this guide is for everyone who has a control freak in their lives--or who is a control freak. Parrott helps readers discover how God gives them grace to deal with difficult people and also face their own need to control.

Studies of Victorian governance have been profoundly influenced by Discipline and Punish, Michel Foucault's groundbreaking genealogy of modern power. Yet, according to Lauren Goodlad, Foucault's analysis is better suited to the history of the Continent than to nineteenth-century Britain, with its decentralized, voluntarist institutional culture and passionate disdain for state interference. Focusing on a wide range of Victorian writing—from literary figures such as Charles Dickens, George Gissing, Harriet Martineau, J. S. Mill, Anthony Trollope, and H. G. Wells to prominent social reformers such as Edwin Chadwick, Thomas Chalmers, Sir James Kay-Shuttleworth, and Beatrice Webb—Goodlad shows that Foucault's later essays on liberalism and "governmentality" provide better critical tools for understanding the nineteenth-century British state. Victorian Literature and the Victorian State delves into contemporary debates over sanitary, education, and civil service reform, the Poor Laws, and the century-long attempt to substitute organized charity for state services. Goodlad's readings elucidate the distinctive quandary of Victorian Britain and, indeed, any modern society conceived in liberal terms: the elusive quest for a "pastoral" agency that is rational, all-embracing, and effective but also anti-bureaucratic, personalized, and liberatory. In this study, impressively grounded in literary criticism, social history, and political theory, Goodlad offers a timely post-Foucauldian account of Victorian governance that speaks to the resurgent neoliberalism of our own day. -- Janice Carlisle

In the tradition of authors such as David Sedaris and Ellen DeGeneres, these slice of life stories remind us that even though humans are deeply flawed, we're also pretty funny that way. Kelli Dunham demonstrates that comedy and chaos reign when you combine a great sense of humor with a determination to make bad ideas a fantastic reality. Whether she is hitchhiking across Haiti to help out with disaster relief or volunteering at a convention full of 7,000 screaming Sarah Palin fans, her humorous interpretation of difficult situations is both inspiring and entertaining.

In Freak of Nurture, Dunham demonstrates that hilarity and chaos reign when you combine what her therapist calls a deep biological optimism; with a hearty midwestern work ethic and determination to make bad ideas a fantastic reality. Whether she is writing about hitch-hiking across Haiti to help out with disaster relief or living on a houseboat in Philadelphia in the winter, Kelli Dunham‘s humorous interpretation of difficult situations is both inspiring and entertaining. In the tradition of authors such as David Sedaris and Ellen DeGeneres, Dunham’s “slice of life” stories remind us that even though humans are deeply flawed, we’re also seriously hysterical that way.

"Lewis has such a gift for storytelling... he writes as lucidly for sports fans as for those who read him for other reasons."--Janet Maslin, New York Times When we first meet Michael Oher is one of thirteen children by a mother addicted to crack; he does not know his real name, his father, his birthday, or how to read or write. He takes up football, and school, after a rich, white, Evangelical family plucks him from the streets. Then two great forces alter Oher: the family's love and the evolution of professional football itself into a game in which the quarterback must be protected at any cost. Our protagonist becomes the priceless package of size, speed, and agility necessary to guard the quarterback's greatest vulnerability: his blind side.

Story of Michael Oher, a rising gridiron star, who was rescued from the ghettos of Memphis and placed with a wealthy family to help develop his football skills.

This book traces how the American freak show has re-emerged in new visual forms in the 21st century. It explores the ways in which moving image media transmits and contextualizes, reinterprets and appropriates, the freak show model into a “new American freak show.” It investigates how new freak representations introduce narratives about sex, gender, and cultural perceptions of people with disabilities. The chapters examine such representations found in horror films, including a prolonged look at Freaks (1932) and The Texas Chainsaw Massacre (1974), documentaries such as Murderball (2005) and TLC’s Push Girls (2012-2013), disability pornography including the pornographic documentary Sick: The Life and Death of Bob Flanagan Supermasochist (1997), and the music icons Marilyn Manson and Lady Gaga in their portrayals of disability and freakishness. Through this book we learn that the visual culture that has emerged takes the place of the traditional freak show but opens new channels of interpretation and identification through its use of mediated images as well as the altered freak-norm relationship that it has fostered. In its illumination of the relationship between normal and freakish bodies through different media, this book will appeal to students and academics interested in disability studies, gender studies, film theory, critical race theory, and cultural studies.