This is the first full-length study of the life and works of Franz Fühmann (1922-1984) to be published in English. It provides a complete reassessment of his importance as a prose-writer, informed by the extensive corpus of Fühmann's writing which has only appeared posthumously or is now accessible in the archives of the Akademie der Künste in East Berlin. Dennis Tate argues that, from the middle 1950s onwards, Fühmann's prose writing is both stylistically innovative and committed to the authentic representation of his experience, thereby challenging the conventional wisdom that little writing of international significance could be produced in the ideological context of the GDR until Honecker introduced his `no taboos' cultural policy in 1971. Fühmann's widely praised later texts (ranging from the autobiographical Zweiundzwanzig Tage oder Die Hälfte des Lebens and Vor Feuerschlünden to mythical and satirical short stories such as `Marsyas' and `Drei nackte Männer') can now be seen as the culmination of an impressive creative development rather than as the result of a late conversion to literary truthfulness. The volume will be of interest to students and teachers of post-1945 German literature as well as to general readers aware of the vitality of Central European culture throughout the period of East-West ideological division.

This is the first full-length study of the life and works of Franz Fühmann (1922-1984) to be published in English. It provides a complete reassessment of his importance as a prose-writer, informed by the extensive corpus of Fühmann's writing which has only appeared posthumously or is now accessible in the archives of the Akademie der Künste in East Berlin. Dennis Tate argues that, from the middle 1950s onwards, Fühmann's prose writing is both stylistically innovative and committed to the authentic representation of his experience, thereby challenging the conventional wisdom that little writing of international significance could be produced in the ideological context of the GDR until Honecker introduced his `no taboos' cultural policy in 1971. Fühmann's widely praised later texts (ranging from the autobiographical Zweiundzwanzig Tage oder Die Hälfte des Lebens and Vor Feuerschlünden to mythical and satirical short stories such as `Marsyas' and `Drei nackte Männer') can now be seen as the culmination of an impressive creative development rather than as the result of a late conversion to literary truthfulness. The volume will be of interest to students and teachers of post-1945 German literature as well as to general readers aware of the vitality of Central European culture throughout the period of East-West ideological division.

Tate provides a detailed account of 'subjective authenticity' in German literature: its origins in the 1930s' exile debates, its evolution during the GDR's lifespan, and its manifestations in the work of five East German authors: Brigitte Reinmann, Franz Fühmann, Stefan Heym, Günter de Bruyn and Christa Wolf.

On the occasion of Volker Braun's 65th and GDR/German Monitor's 25th birthday an attempt is made to re-evaluate Braun's contribution to 20th and 21st century German literature. The seventeen essays of the collection, written by a truly international set of scholars, demonstrate the unique quality and breadth of Braun's writing, spanning all literary genres. But not only that, they also reveal the diversity of interpretative perspectives which Braun's oeuvre productively stimulates. They showcase an author who refuses to indulge complacently in past achievements and an opus that defies all attempts at labelling. Braun's texts, so the verdict of the contributors, are driven by an insatiable thirst for the whole story, the depth beneath the superficial, the complex truth of our human predicament; for the precise expression which is not caught up in the limitations of the dominant ideology, whatever it might be.

Examines the literature produced from the very beginnings of what became the GDR through the 1950s, redressing a tendency of literary scholarship to focus on the later GDR.

In Retrospect and Review an international team of scholars explore East German literature, and the circumstances of its production, in the last phase of the German Democratic Republic's existence. The provocative claim of the novelist, playwright and essayist Christoph Hein, 'Ich nehme außerdem für mich in Anspruch [...] elfmal das Ende der DDR beschrieben zu haben, ' serves as the starting-point for the twenty-three contributors to the volume, who consider the many and varied ways in which Hein and his fellow writers signalled and diagnosed the demise of the GDR. The fraught relationship between the state and its intellectuals inevitably forms a consistent theme in the studies of writers as diverse as Anna Seghers and Kito Lorenc, Christa Wolf and Jurek Becker, or Irmtraud Morgner and Heiner Müller. However, the process of 'retrospect and review' also reveals the innovative and independent-minded character of the culture of the GDR's later years. Several contributors trace the emergence of a strong and distinctive women's writing which increasingly and subversively imposed itself on the hitherho patriarchal literary landscape of the GDR. And in the literature of the 1970s and 1980s experimental narrative strategies take on a political role as a counter-discourse to a stubbornly inflexible political order.

The Skin of the System objects to the idea that there is only one modernity—that of liberal capitalism. Starting from the simple conviction that whatever else East German socialism was, it was real, this book focuses on what made historical socialism different from social systems in the West. In this way, the study elicits the general question: what must we think in order to think an other system at all? To approach this question, Robinson turns to the remarkable writer Franz Fühmann, the East German who most single-mindedly dedicated himself to understanding what it means to transform from fascism to socialism. Fühmann's own serial loyalties to Hitler and Stalin inform his existential meditations on change and difference. By placing Fühmann's politically alert and intensely personal literary inventions in the context of an inquiry into radical social rupture, The Skin of the System wrests the brutal materiality of twentieth-century socialism from attempts to provincialize both its desires and its failures as antimodern ideological follies.