Established in 1874 just south of the Black Hills, Fort Robinson witnessed many of the most dramatic, most tragic encounters between whites and American Indians, including the Cheyenne Outbreak, the death of Crazy Horse, the Ghost Dance, the desperation and diplomacy of such famed plains Indian leaders as Dull Knife and Red Cloud, and the tragic sequence of events surrounding Wounded Knee.

Most fort histories end when the military lowers the flag for the last time and the soldiers march out. In contrast, Fort Robinson—occupied and used for more than fifty years since its abandonment by the U.S. army—has taken on new roles. This book recounts the story of this famous northwestern Nebraska army post as it underwent remarkable transformation in the first half of the twentieth century. In the early 1900s, Fort Robinson hosted the last of the African American buffalo soldiers to serve in Nebraska. In the 1920s and 1930s the fort procured and issued thousands of horses for the U.S. army’s largest remount depot. During World War II, Fort Robinson housed the army’s primary war dog training center and served as a major internment camp for German prisoners of war. After 1948, Fort Robinson became a beef research center and is now the state’s premier park. Fort Robinson and the American Century, 1900-1948, is based on more than twenty years of archival research as well as the personal recollections of the men and women who served at the fort. More than ninety photographs and five maps supplement the narrative.

Established in northwestern Nebraska in 1874, Fort Robinson served as a military post for nearly 75 years, playing a critical role in the settlement of the West. From here, soldiers marched out to participate in the Great Sioux War of 1876-1877. The famous Oglala leader Crazy Horse was killed at the post. In 1878, Dull Knife's band of Northern Cheyenne attempted to escape the post, resulting in more than 64 deaths. Troops from Fort Robinson were also sent to the Pine Ridge Agency during the Ghost Dance fervor in 1890, the last of the armed conflicts with the Lakota. The arrival of the railroad at Fort Robinson initiated a new role for the post in the 20th century. Between 1885 and 1907, Fort Robinson was home to the 9th and 10th Cavalry, the famous buffalo soldiers. In 1919, Fort Robinson became a remount depot where horses and mules were purchased and conditioned for issue to the army. During World War II, Fort Robinson included a German POW internment camp and the site of the army's largest war dog reception and training center. The fort closed in 1948 and was made a state park in 1972.

Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents Dodge City ledger-art images and biographies that document a Native perspective at the cusp of reservation life in 1879.

The opening of the West after the Civil War drew a flood of Americans and immigrants to the frontier. Among the liveliest records of the westering of the 1870s is the series of prints collected for the first time in this book. Chronicling the West for Harper’s showcases 100 illustrations made for the weekly magazine by French artists Paul Frenzeny and Jules Tavernier on a cross-country assignment in 1873 and 1874. The pair—“Frenzeny & Tavernier,” as they signed their work—documented the newly accessible territories, their diverse inhabitants, and the changing frontier. Historian Claudine Chalmers focuses on the life and work of Frenzeny and Tavernier, who were accomplished and adventurous enough to succeed as “special artists,” the label Harper’s Weekly gave the illustrators it sent into the field. The job required imagination, courage, and adaptability, not to mention expert draftsmanship. Frenzeny, a skilled artist who accepted his adopted country’s many cultures, was also a superb horseman. Tavernier had been trained to work fast in a variety of media. Both men had the advantage of viewing America with fresh eyes. They began their artistic record in the East with An Emigrant Boarding-House in New York. Their journey ended in San Francisco, where they sketched the city’s bustling Chinatown and pastoral Marin County suburbs. Along with each illustration, the artists sent Harper’s a description; those captions are reproduced here. Frenzeny and Tavernier documented the frontier as it evolved. They depicted the hazards of travel and settlement, from fires to destitution, and presented disconcerting subject matter—such as the Sioux Sun Dance—in relentless detail. Their skill has made some of their drawings, among them The Strike in the Coal Mine, classics of American culture. With pencil and woodblock, Chalmers shows, these intrepid Frenchmen shaped public perceptions of the West for decades to come.

In this second volume of interviews conducted by Nebraska judge Eli S. Ricker, he focuses on white eyewitnesses and participants in the occupying and settling of the American West in the nineteenth century. In the first decade of the twentieth century, as the Old West became increasingly distant and romanticized in popular consciousness, Eli S. Ricker (1842–1926) began interviewing those who had experienced it firsthand, hoping to write a multivolume series about its last days, centering on the conflicts between Natives and outsiders. For years Ricker traveled across the northern Plains, gathering information on and off reservations, in winter and in summer. Judge Ricker never wrote his book, but his interviews are priceless sources of information about that time and place, and they offer more balanced perspectives on events than were accepted at the time. Richard E. Jensen brings together all of Ricker’s interviews with those men and women who came to the American West from elsewhere—settlers, homesteaders, and veterans. These interviews shed light on such key events as the massacre at Wounded Knee, the Little Bighorn battle, Beecher Island, Lightning Creek, the Mormon cow incident, and the Washita massacre. Also of interest are glimpses of everyday life at different agencies, including Pine Ridge, Yellow Medicine, and Fort Sill School; brief though revealing memoirs; and snapshots of cattle drives, conflicts with Natives, and the construction of the Union Pacific Railroad.

First Published in 2015. Routledge is an imprint of Taylor & Francis, an Informa company.