"Although the career of W. E. B. Du Bois was remarkable in its entirety, a large majority of scholarship focuses on the first five or six decades. Overlooked and understudied, the closing three decades of Du Bois's career reflect a generative period of his life in terms of teaching, travel, activism, and publications. Forging Freedom in W. E. B. Du Bois's Twilight Years: No Deed but Memory proposes to narrate the political, social, and cultural significance of Du Bois's career during the controversial closing three decades of his life. Du Bois's twilight years were tremendously controversial: his persistent criticism of the collusion between capitalism and racism and his choice to join the Communist Party in late 1961 raised the ire of many. At the time, Du Bois's strident advocacy of socialism and turn to communism during the Cold War oriented most scholars away from delving into his late career. While only a few scholars have engaged the productivity of Du Bois's later years, the fact is that an anticommunist, antiradical animus has followed Du Bois in the half century since his death. As a result, Du Bois scholarship remains impoverished to the extent that academics neglect his later years. The essays in Forging Freedom in W. E. B. Du Bois's Twilight Years detail selected aspects of Du Bois's later decades and their particular connection to American social, political, and cultural history between the 1930s and the 1960s. While international concerns and a global perspective also fundamentally defined Du Bois's latter years, chronicling his final decades in a US context presents fresh insight into his twilight years. Du Bois's commitment to freedom's flourishing during this period animated the Black freedom struggle's war against white supremacy. Ultimately, this book demonstrates that the durability of Du Bois's intellectual achievements remains relevant to the twenty-first century"--

Contributions by Murali Balaji, Charisse Burden-Stelly, Christopher Cameron, Carlton Dwayne Floyd, Robert Greene II, Andre E. Johnson, Werner Lange, Lisa J. McLeod, Jodi Melamed, Tyler Monson, Eric Porter, Reiland Rabaka, Thomas Ehrlich Reifer, Camesha Scruggs, and Phillip Luke Sinitiere Although the career of W. E. B. Du Bois was remarkable in its entirety, a large majority of scholarship focuses on the first five or six decades. Overlooked and understudied, the closing three decades of Du Bois’s career reflect a generative period of his life in terms of teaching, travel, activism, and publications. Forging Freedom in W. E. B. Du Bois's Twilight Years: No Deed but Memory proposes to narrate the political, social, and cultural significance of Du Bois’s career during the controversial closing three decades of his life. Du Bois’s twilight years were tremendously controversial: his persistent criticism of the collusion between capitalism and racism and his choice to join the Communist Party in late 1961 raised the ire of many. At the time, Du Bois’s strident advocacy of socialism and turn to communism during the Cold War oriented most scholars away from delving into his late career. While only a few scholars have engaged the productivity of Du Bois’s later years, the fact is that an anticommunist, antiradical animus has followed Du Bois in the half century since his death. As a result, Du Bois scholarship remains impoverished to the extent that academics neglect his later years. The essays in Forging Freedom in W. E. B. Du Bois's Twilight Years detail selected aspects of Du Bois’s later decades and their particular connection to American social, political, and cultural history between the 1930s and the 1960s. While international concerns and a global perspective also fundamentally defined Du Bois’s latter years, chronicling his final decades in a US context presents fresh insight into his twilight years. Du Bois’s commitment to freedom’s flourishing during this period animated the Black freedom struggle’s war against white supremacy. Ultimately, this book demonstrates that the durability of Du Bois’s intellectual achievements remains relevant to the twenty-first century.

Commemorating the 150th anniversary of W. E. B. Du Bois’s birth, the chapters in this book reflect on the local, national, and international significance of his remarkable life and legacy in relation to his specific commitments to socialism and democracy. Written with contemporary conditions in mind, such as the current political period of economic inequality, the debilitating reality of exploitative economic conditions, an expansive and invasive surveillance state, the grotesque injustice of the prison industrial complex, the ongoing crisis of police violence and the militarization of law enforcement, and a White House unashamedly spewing white supremacist, nationalist rhetoric in word and deed, this book collectively ponders how Du Bois’s radicalism can shape and re-texture historical understanding and underscore a reflective urgency about the future. In this volume, scholars and activists undertake thoughtful and analytical explorations with regards to how Du Bois’ commitments to socialism and democracy can inform current methodology and praxis. This book was originally published as a special issue of the journal Socialism and Democracy.

The American Dream and Dreams Deferred: A Dialectical Fairy Tale shows how rival interpretations of the Dream reveal the dialectical tensions therein. Exploring often neglected voices, literatures, and histories, Carlton D. Floyd and Thomas Ehrlich Reifer highlight moments when the American Dream appears both simultaneously possible and out of reach. In so doing, the authors invite readers to make a new collective dream of a better future, on socially just, multicultural, and ecologically sustainable foundations.

The essays in Christians and the Color Line complicate the research findings of Emerson and Smith's Divided by Faith (2000) and explore new areas of research that have opened in the years since its publication.

Ellen S. Woodward (1887-1971) was touted as Roosevelt's second most powerful woman appointee. Among American women only Eleanor Roosevelt and Labor Department Secretary Frances Perkins could claim more elevated roles in the circle of FDR's administration. This long overdue biography of such a remarkable leader traces Woodward's odyssey from the parlors of her Mississippi clubwomen associates to a position as director of women's work relief under three successive New Deal agencies from 1933 to 1938. Swain depicts Woodward in the vital roles she took in alleviating the working woman's plight. Particularly rich is Swain's account of Woodward's attempts to remain vital in policymaking during the Truman era, when Eleanor Roosevelt was no longer the central figure of the women's coterie. Without minimizing the limitations of the programs under Woodward's aegis, Swain gives ample attention to the operation and internal dynamics of her ambitious projects. Though some of Woodward's project proved to be disappointing, others became rich legacies for programs in later administrations.

In looking back on his editorship of Crisis magazine, W. E. B. Du Bois said, “We condensed more news about Negroes and their problems in a month than most colored papers before this had published in a year.” Since its founding by Du Bois in 1910, Crisis has been the primary published voice of the NAACP. Born in an age of Jim Crow racism, often strapped for funds, the magazine struggled and endured, all the while providing a forum for people of color to document their inherent dignity and proclaim their definitive worth as human beings. As the magazine’s editor from 1910 until 1934, Du Bois guided the content and the aim of Crisis with a decisive hand. He ensured that each issue argued for civil rights, economic justice, and social equality, always framing America’s intractable color line in an international perspective. Du Bois benefited from a deep pool of black literary and artistic genius, whether by commissioning the visual creativity of Harlem Renaissance artists for Crisis covers or by publishing poems and short stories from New Negro writers. From North to South, from East to West, and even reaching across the globe, Crisis circulated its ideas and marshaled its impact far and wide. Building on the solid foundation Du Bois laid, subsequent editors and contributors covered issues vital to communities of color, such as access to resources during the New Deal era, educational opportunities related to the historic Brown decision, the realization of basic civil rights at midcentury, American aid to Africa and Caribbean nations, and the persistent economic inequalities of today’s global era. Despite its importance, little has been written about the historical and cultural significance of this seminal magazine. By exploring how Crisis responded to critical issues, the essays in Protest and Propaganda provide the first well-rounded, in-depth look at the magazine's role and influence. The authors show how the essays, columns, and visuals published in Crisis changed conversations, perceptions, and even laws in the United States, thereby calling a fractured nation to more fully live up to its democratic creed. They explain how the magazine survived tremendous odds, document how the voices of justice rose above the clamor of injustice, and demonstrate how relevant such literary, journalistic, and artistic postures remain in a twenty-first-century world still in crisis.