In the space of a single decade, three leaders liberated tens of millions of souls, remade their own vast countries, and altered forever the forms of national power: Abraham Lincoln freed a subjugated race and transformed the American Republic. Tsar Alexander II broke the chains of the serfs and brought the rule of law to Russia. Otto von Bismarck threw over the petty Teutonic princes, defeated the House of Austria and the last of the imperial Napoleons, and united the German nation. The three statesmen forged the empires that would dominate the twentieth century through two world wars, the Cold War, and beyond. Each of the three was a revolutionary, yet each consolidated a nation that differed profoundly from the others in its conceptions of liberty, power, and human destiny. Michael Knox Beran's Forge of Empires brilliantly entwines the stories of the three epochal transformations and their fateful legacies. Telling the stories from the point of view of those who participated in the momentous events -- among them Walt Whitman and Friedrich Nietzsche, Mary Chesnut and Leo Tolstoy, Napoleon III and the Empress Eugénie -- Beran weaves a rich tapestry of high drama and human pathos. Great events often turned on the decisions of a few lone souls, and each of the three statesmen faced moments of painful doubt or denial as well as significant decisions that would redefine their nations. With its vivid narrative and memorable portraiture, Forge of Empires sheds new light on a question of perennial importance: How are free states made, and how are they unmade? In the same decade that saw freedom's victories, one of the trinity of liberators revealed himself as an enemy to the free state, and another lost heart. What Lincoln called the "germ" of freedom, which was "to grow and expand into the universal liberty of mankind," came close to being annihilated in a world crisis that pitted the free state against new philosophies of terror and coercion. Forge of Empires is a masterly story of one of history's most significant decades.

From C.J. Cherryh, one of science fiction′s greatest writers and a 3-time Hugo Award "Best Novel" winner, comes the exciting and long-awaited follow-up to Hammerfall, the second novel of the Gene Wars, now in mass market. In the second volume of "The Gene Wars," C. J. Cherryh further explores the captivating new universe where two interstellar empires, scarred by nanotechnology weaponry, hover in an uneasy detente. Perched at the edge of the galaxy, tiny Concord Station holds the balance of the universe within its carefully regulated worlds. For, created to carefully monitor the crucial desert planet below, it lies in the tenuous intersection between the territories of Earth and the alien Ondat. Marak Trin Tain has saved a planet′s people from total destruction, when the implacable ondat sent down a hammerfall to destroy the planet and keep its deadly nanoceles from changing life and evolution forever. But the regrowing planet is fragile, and a deadly cataclysm could destroy Marak--and with him, the hope for peace within the universe. Meanwhile, on Concord, an unexpected ship from Earth disrupts the uneasy truces between human and alien, and the consequences could restart the terrible Gene Wars that once destroyed most of humanity.

An examination of WASP culture through the lives of some of its most prominent figures. Envied and lampooned, misunderstood and yet distinctly American, WASPs are as much a culture, socioeconomic and ethnic designation, and state of mind. Charming, witty, and vigorously researced, WASPS traces the rise and fall of this distinctly American phenomenon through the lives of prominent icons from Henry Adams and Theodore Roosevelt to George Santayana and John Jay Chapman. Throughout this dynamic story, Beran chronicles the efforts of WASPs to better the world around them as well as the struggles of these WASPs to break free from their restrictive culture. The death of George H. W. Bush brought about reflections on the end of patrician WASP culture, where privilege reigned, but so did a genuine desire to use that privilege for public service. In the time of Trump—who is the antithesis of true WASP culture—people look at the John Kerry, Bobby Kennedy, and Philip and Kay Grahams of the world with wistfulness. And even though we are a more diverse and pluralistic nation now than ever before, there is something about WASP culture that remains enduringly aspirational and fascinating. Beginning at the turn of the 20th century, Beran’s saga dramatizes the evolving American aristocracy that forever changed a nation—and what we can still glean from WASP culture as we enter a new era.

The Golden Age of Aviation is brought to life in this story of the giant Zeppelin airships that once roamed the sky—a story that ended with the fiery destruction of the Hindenburg. “Genius . . . a definitive tale of an incredible time when mere mortals learned to fly.”—Keith O’Brien, The New York Times At the dawn of the twentieth century, when human flight was still considered an impossibility, Germany’s Count Ferdinand von Zeppelin vied with the Wright Brothers to build the world’s first successful flying machine. As the Wrights labored to invent the airplane, Zeppelin fathered the remarkable airship, sparking a bitter rivalry between the two types of aircraft and their innovators that would last for decades, in the quest to control one of humanity’s most inspiring achievements. And it was the airship—not the airplane—that led the way. In the glittery 1920s, the count’s brilliant protégé, Hugo Eckener, achieved undreamed-of feats of daring and skill, including the extraordinary Round-the-World voyage of the Graf Zeppelin. At a time when America’s airplanes—rickety deathtraps held together by glue, screws, and luck—could barely make it from New York to Washington, D.C., Eckener’s airships serenely traversed oceans without a single crash, fatality, or injury. What Charles Lindbergh almost died doing—crossing the Atlantic in 1927—Eckener had effortlessly accomplished three years before the Spirit of St. Louis even took off. Even as the Nazis sought to exploit Zeppelins for their own nefarious purposes, Eckener built his masterwork, the behemoth Hindenburg—a marvel of design and engineering. Determined to forge an airline empire under the new flagship, Eckener met his match in Juan Trippe, the ruthlessly ambitious king of Pan American Airways, who believed his fleet of next-generation planes would vanquish Eckener’s coming airship armada. It was a fight only one man—and one technology—could win. Countering each other’s moves on the global chessboard, each seeking to wrest the advantage from his rival, the struggle for mastery of the air was a clash not only of technologies but of business, diplomacy, politics, personalities, and the two men’s vastly different dreams of the future. Empires of the Sky is the sweeping, untold tale of the duel that transfixed the world and helped create our modern age.

In the early nineteenth century, a series of murders took place in and around London which shocked the whole of England. The appalling nature of the crimes—a brutal slaying in the gambling netherworld, the slaughter of two entire households, and the first of the modern lust-murders—was magnified not only by the lurid atmosphere of an age in which candlelight gave way to gaslight, but also by the efforts of some of the keenest minds of the period to uncover the gruesomest details of the killings.These slayings took place against the backdrop of a London in which the splendor of the fashionable world was haunted by the squalor of the slums. Sir Walter Scott, Lord Byron, Thomas De Quincey, Thomas Carlyle, and Percy Bysshe Shelley and others were fascinated by the blood and deviltry of the macabre. In their contemplations of the most notorious murders of their time, they discerned in the act of killing itself a depth of hideousness that we have lost sight of, now living in an age in which murder has been reduced to a problem of social science and skillful detective work. Interweaving these cultural vignettes alongside criminal history, acclaimed author Michael Beran paints a vivid picture of a time when homicide was thought of as the intrusion of the diabolic into ordinary life.

Brian Staveley, author of The Emperor's Blades, gives readers the first book in a new epic fantasy trilogy based in the world of his popular series the Chronicle of the Unhewn Throne, The Empire's Ruin. FanFiAddict—Lord TBR's Best of 2021 Best of Summer 2021—Polygon The Annurian Empire is disintegrating. The advantages it used for millennia have fallen to ruin. The ranks of the Kettral have been decimated from within, and the kenta gates, granting instantaneous travel across the vast lands of the empire, can no longer be used. In order to save the empire, one of the surviving Kettral must voyage beyond the edge of the known world through a land that warps and poisons all living things to find the nesting ground of the giant war hawks. Meanwhile, a monk turned con-artist may hold the secret to the kenta gates. But time is running out. Deep within the southern reaches of the empire and ancient god-like race has begun to stir. What they discover will change them and the Annurian Empire forever. If they can survive. Chronicle of the Unhewn Throne The Emperor's Blades The Providence of Fire The Last Mortal Bond Other books in the world of the Unhewn Throne Skullsworn At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Empires are not an under-researched topic. Recently, there has been a veritable surge in comparative and conceptual studies, not least of pre-modern empires. The distant past can tell us much about the fates of empires that may still be relevant today, and contemporary historians as well as the general public are generally aware of that. Tracing the general development of an empire, we can discern a kind imperial dynamic which follows the momentum of expansion, relies on the structures and achievements of the formative period for a while, and tends to be caught in a downward spiral at some point. Yet single cases differ so much that a general model is hardly ever sufficient.There is in fact little consensus about what exactly constitutes an empire, and it has become standard in publications about empires to note the profusion of definitions.Some refer to size-for instance, 'greater than a million square kilometers', as Peter Turchin suggested. Apart from that, many scholars offer more or less extensive lists of qualitative criteria. Some of these criteria reflect the imperial dynamic, for instance, the imposition of some kind of unity through 'an imperial project', which allows moving broad populations 'from coercion through co-optation to cooperation and identification'"--