"This hands-on guide clarifies the difference between what can be done digitally and what should be done in a forensic setting, and helps the reader "learn by doing" with exercises and step-by-step instructions. The images and exercises in the CD-ROM provide practical examples of the techniques described in the book." "Law enforcement professionals who follow the recommendations in this text can feel confident that their handling of imaging evidence will stand up to the high standards necessary for prosecuting criminal cases."--BOOK JACKET.

Understanding Forensic Digital Imaging offers the principles of forensic digital imaging and photography in a manner that is straightforward and easy to digest for the professional and student. It provides information on how to photograph any setting that may have forensic value, details how to follow practices that are acceptable in court, and recommends what variety of hardware and software are most valuable to a practitioner. In addition to chapters on basic topics such as light and lenses, resolution, and file formats, the book contains forensic-science-specific information on SWGIT and the use of photography in investigations and in court. Of particular note is Chapter 17, Establishing Quality Requirements, which offers information on how to create a good digital image, and is more comprehensive than any other source currently available. Covers topics that are of vital importance to the practicing professional Serves as an up-to-date reference in the rapidly evolving world of digital imaging Uses clear and concise language so that any reader can understand the technology and science behind digital imaging

The first comprehensive and detailed presentation of techniques for authenticating digital images. Photographs have been doctored since photography was invented. Dictators have erased people from photographs and from history. Politicians have manipulated photos for short-term political gain. Altering photographs in the predigital era required time-consuming darkroom work. Today, powerful and low-cost digital technology makes it relatively easy to alter digital images, and the resulting fakes are difficult to detect. The field of photo forensics—pioneered in Hany Farid's lab at Dartmouth College—restores some trust to photography. In this book, Farid describes techniques that can be used to authenticate photos. He provides the intuition and background as well as the mathematical and algorithmic details needed to understand, implement, and utilize a variety of photo forensic techniques. Farid traces the entire imaging pipeline. He begins with the physics and geometry of the interaction of light with the physical world, proceeds through the way light passes through a camera lens, the conversion of light to pixel values in the electronic sensor, the packaging of the pixel values into a digital image file, and the pixel-level artifacts introduced by photo-editing software. Modeling the path of light during image creation reveals physical, geometric, and statistical regularities that are disrupted during the creation of a fake. Various forensic techniques exploit these irregularities to detect traces of tampering. A chapter of case studies examines the authenticity of viral video and famously questionable photographs including “Golden Eagle Snatches Kid” and the Lee Harvey Oswald backyard photo.

Fully updated, the second edition of this book covers the widespread advances in digital imaging technology, techniques, and devices. It discusses the increased power, storage capacity, and use of digital cameras, laptop computers, tablets, and cell phones in forensic science. It addresses methods for presenting evidence in a courtroom, including under Frye and Daubert rules. It also explains concepts with minimal jargon, making it accessible to a wide range of photography, criminal justice, forensic, and legal professionals.

Alternate Light Source Imaging provides a brief guide to digital imaging using reflected infrared and ultraviolet radiation for crime scene photographers. Clear and concise instruction illustrates how to accomplish good photographs in a variety of forensic situations. It demonstrates how tunable wavelength light sources and digital imaging techniques can be used to successfully locate and document physical evidence at the crime scene, in the morgue, or in the laboratory. The scientific principles that make this type of photography possible are described, followed by the basic steps that can be utilized to capture high quality evidentiary photographs.

Photographic imagery has come a long way from the pinhole cameras of the nineteenth century. Digital imagery, and its applications, develops in tandem with contemporary society’s sophisticated literacy of this subtle medium. This book examines the ways in which digital images have become ever more ubiquitous as legal and medical evidence, just as they have become our primary source of news and have replaced paper-based financial documentation. Crucially, the contributions also analyze the very profound problems which have arisen alongside the digital image, issues of veracity and progeny that demand systematic and detailed response: It looks real, but is it? What camera captured it? Has it been doctored or subtly altered? Attempting to provide answers to these slippery issues, the book covers how digital images are created, processed and stored before moving on to set out the latest techniques for forensically examining images, and finally addressing practical issues such as courtroom admissibility. In an environment where even novice users can alter digital media, this authoritative publication will do much so stabilize public trust in these real, yet vastly flexible, images of the world around us.

The digital revolution over the past several decades has advanced every facet of evidence detection, photography, optimization, and interpretation. Forensic scientists and practitioners have benefited tremendously from the move from film to digital. With proper procedures in place, digital images and casework capabilities have increased tremendously in both complexity and range due to a vast array of tools to enhance evidence and photography. Forensic Digital Image Processing: Optimization of Impression Evidence provides the forensic investigator with the tools and understanding to extract, optimize, and interpret the maximum evidence possible from crime scenes to increase identifications. The book begins by examining the emergence of forensic digital image processing, and the gradual improvement and acceptance of the science over the past four decades. Coverage includes looking at the issues of image integrity and authentication including forensic image optimization and the manipulation of images. Chapters explore techniques exploiting color theory, modes, and channels to optimize signal-to-noise ratio in images. One of the greatest assets of digital image technology is the ability to combine multiple images of the same subject to create a final, blended image: one that displays the desired evidence and is especially useful for fingerprint or footwear impression. Later chapters demonstrate image subtraction, focus stacking, and high dynamic range, utilizing images in optimum focus and with substrate interference diminished or removed entirely. The authors look at fast Fourier transform as an optimal tool for noise removal, addressing basic theory and diagnosis of the noise signatures. The book discusses the history of digital imaging techniques and their treatment within the court system. Forensic Digital Image Processing: Optimization of Impression Evidence serves as an invaluable resource and tool for practicing professionals–as well as those new to the field—to look at best practices, the latest technology, and advances in utilizing the increasing array of tools of the trade.