Since its founding in 1945, the Foreign Correspondents Club of Japan (FCCJ) has been a haven for working journalists. From its origins at "No. 1 Shimbun Alley" in the ruins of Tokyo immediately after World War II, the club quickly took on a life of its own. At times it became like a miniature United Nations, meeting the needs of hundreds of foreign journalists from around the world, who used it as a working press center as well as a social oasis. Club members, who include several Pulitzer Prize winners, have personally witnessed and reported on some of the most momentous events of the last half century-the end of World War II and the occupation of Japan; the revolution in China; the Korean War; Vietnam and the student riots of the 1960s; the height of the Cold War; Japan's economic miracle and the subsequent collapse of the "bubble" economy; the death of Emperor Hirohito; and much more. Foreign Correspondents in Japan gives an intimate and colorful look at these journalists who covered Asia for the rest of the world during five decades of sweeping change, and provides first-person accounts of history as it was being written.

In AU JAPON (1904), de Guerville recounts with mostly comical gaze—and perhaps a touch of imagination—his experiences in the Far East during the years 1892 and 1894. As the author himself confesses, “each of us sees things in our own way.” After a century, that of Monsieur de Guerville is worth rediscovering. In addition to translating the original French, DANIEL C. KANE provides a thorough introduction, a glossary of key figures, a chronology of de Guerville’s publications, and an index.

Named one of the best books of 2017 by The Guardian, NPR, GQ, The Economist, Bookforum, Amazon, and Lit Hub The definitive account of what happened, why, and above all how it felt, when catastrophe hit Japan—by the Japan correspondent of The Times (London) and author of People Who Eat Darkness On March 11, 2011, a powerful earthquake sent a 120-foot-high tsunami smashing into the coast of northeast Japan. By the time the sea retreated, more than eighteen thousand people had been crushed, burned to death, or drowned. It was Japan’s greatest single loss of life since the atomic bombing of Nagasaki. It set off a national crisis and the meltdown of a nuclear power plant. And even after the immediate emergency had abated, the trauma of the disaster continued to express itself in bizarre and mysterious ways. Richard Lloyd Parry, an award-winning foreign correspondent, lived through the earthquake in Tokyo and spent six years reporting from the disaster zone. There he encountered stories of ghosts and hauntings, and met a priest who exorcised the spirits of the dead. And he found himself drawn back again and again to a village that had suffered the greatest loss of all, a community tormented by unbearable mysteries of its own. What really happened to the local children as they waited in the schoolyard in the moments before the tsunami? Why did their teachers not evacuate them to safety? And why was the unbearable truth being so stubbornly covered up? Ghosts of the Tsunami is a soon-to-be classic intimate account of an epic tragedy, told through the accounts of those who lived through it. It tells the story of how a nation faced a catastrophe, and the struggle to find consolation in the ruins.

In twenty-first century Japan there are numerous instances of media harassment, intimidation, censorship and self-censorship that undermine the freedom of the press and influence how the news is reported. Since Abe returned to power in 2012, the recrudescence of nationalism under his leadership has emboldened right-wing activists and organizations targeting liberal media outlets, journalists, peace museums and ethnic Korean residents in Japan. This ongoing culture war involves the media, school textbooks, constitutional revision, pacifism and security doctrine. This text is divided into five sections that cover: Politics of press freedom; The legal landscape; History and culture; Marginalization; PR, public diplomacy and manipulating opinion. Press Freedom in Contemporary Japan brings together contributions from an international and interdisciplinary line-up of academics and journalists intimately familiar with the current climate, in order to discuss and evaluate these issues and explore potential future outcomes. It is essential reading for anyone wishing to understand contemporary Japan and the politics of freedom of expression and transparency in the Abe era. It will appeal to students, academics, Japan specialists, journalists, legal scholars, historians, political scientists, sociologists, and those engaged in human rights, media studies and Asian Studies.

NOW A MAX ORIGINAL SERIES. A riveting true-life tale of newspaper noir and Japanese organized crime from an American investigative journalist who "pulls the curtain back on ... [an] element of Japanese society that few Westerners ever see" (San Francisco Examiner). Jake Adelstein is the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police Press Club, where for twelve years he covered the dark side of Japan: extortion, murder, human trafficking, fiscal corruption, and of course, the yakuza. But when his final scoop exposed a scandal that reverberated all the way from the neon soaked streets of Tokyo to the polished Halls of the FBI and resulted in a death threat for him and his family, Adelstein decided to step down. Then, he fought back. In Tokyo Vice he delivers an unprecedented look at Japanese culture and searing memoir about his rise from cub reporter to seasoned journalist with a price on his head.

This book examines the journalistic coverage and challenges during the Russo-Japanese War of 1904–05, what some have called World War Zero. The authors explore how Japan delayed and regulated correspondents so they could do no harm to the nation's ambitions at home or abroad and implemented methods of shaping the news. They argue Japan helped to shape the modern world of journalism by creating and packaging "truth."