God, Tsar, and People brings together in one volume essays written over a period of fifty years, using a wide variety of evidence—texts, icons, architecture, and ritual—to reveal how early modern Russians (1450–1700) imagined their rapidly changing political world. This volume presents a more nuanced picture of Russian political thought during the two centuries before Peter the Great came to power than is typically available. The state was expanding at a dizzying rate, and atop Russia's traditional political structure sat a ruler who supposedly reflected God's will. The problem facing Russians was that actual rulers seldom—or never—exhibited the required perfection. Daniel Rowland argues that this contradictory set of ideas was far less autocratic in both theory and practice than modern stereotypes would have us believe. In comparing and contrasting Russian history with that of Western European states, Rowland is also questioning the notion that Russia has always been, and always viewed itself as, an authoritarian country. God, Tsar, and People explores how the Russian state in this period kept its vast lands and diverse subjects united in a common view of a Christian polity, defending its long frontier against powerful enemies from the East and from the West.

Featuring a number of pioneering essays by the internationally known Russian cultural historians Boris Uspenskij and Victor Zhivov, this collection includes a number of essays appearing in English for the fi rst time. Focusing on several of the most interesting and problematic aspects of Russia's cultural development, these essaysexamine the survival and the reconceptualization of the past in later cultural systems and some of the key transformations of Russian cultural consciousness. The essays in this collection contain some important examples of Russian cultural semiotics and remain indispensable contributions to the history of Russian civilization.

Challenging traditional interpretations of the roles of royal women in patriarchal Muscovite society, Between God and Tsar opens a new approach to understanding medieval Russia. Drawing upon a wide range of sources in anthropology, sociology, art history, and literature, it sheds light on the lives of the tsaritsy, about which little has been known, and on the culture surrounding them. This pioneering study demonstrates that the wives of the early tsars played complex roles in government, especially during times of crisis, and shows how religious culture perpetuated the expressions of their legitimacy as female rulers. Muscovite Russia's values were sanctioned by religion, and it is through religious images that the royal women's claims to rulership can be seen most clearly. Thyrêt explores Orthodox iconography--such as that of the Golden Palace of the Tsaritsy, which proclaims Irina Godunova's right to act as an independent ruler--and shows how the Muscovite court used gendered images to reveal the spiritual power of female rulers. Myths and legends adapted from one generation to another also underscore royal wives' claim to authority based on their great spiritual power. Illuminating medieval Russia's art, literature, and culture, Between God and Tsar opens new ways to understand the tsaritsy. Students of Russian history have often wondered how and why, under the Romanovs, female rulers governed so often. Thyrêt's broadly researched study provides an answer. Between God and Tsar offers stimulating insights into the power of Russia's royal women and how it was manifest in Muscovite culture.

God, Tsar, and People brings together in one volume essays written over a period of fifty years, using a wide variety of evidence—texts, icons, architecture, and ritual—to reveal how early modern Russians (1450–1700) imagined their rapidly changing political world. This volume presents a more nuanced picture of Russian political thought during the two centuries before Peter the Great came to power than is typically available. The state was expanding at a dizzying rate, and atop Russia's traditional political structure sat a ruler who supposedly reflected God's will. The problem facing Russians was that actual rulers seldom—or never—exhibited the required perfection. Daniel Rowland argues that this contradictory set of ideas was far less autocratic in both theory and practice than modern stereotypes would have us believe. In comparing and contrasting Russian history with that of Western European states, Rowland is also questioning the notion that Russia has always been, and always viewed itself as, an authoritarian country. God, Tsar, and People explores how the Russian state in this period kept its vast lands and diverse subjects united in a common view of a Christian polity, defending its long frontier against powerful enemies from the East and from the West.

An assassination in Serbia sets off a series of events that draws the world into an ever-expanding vortex of madness. As mighty armies clash, entire populations must either flee their ancestral homes or be ground into dust. Akulina Boriskova Pribish and her two young sons are caught in the center of the madness and with the other villagers of Hutawa, Byelorussia must choose between death as warriors and life as refugees. Here is the saga of a people caught in the horrors of the Great War and the Russian Revolution. From the first heady days of victory, through humiliating defeats and the empty promises of revolution, their experiences mirror those of millions upon whose mighty shoulders future generations would rest.

"A delicate weaving of myth and history, The Witch and the Tsar breathes new life into stories you think you know."–Hannah Whitten, New York Times bestselling author of For the Wolf In this stunning debut novel, the maligned and immortal witch of legend known as Baba Yaga will risk all to save her country and her people from Tsar Ivan the Terrible—and the dangerous gods who seek to drive the twisted hearts of men. As a half-goddess possessing magic, Yaga is used to living on her own, her prior entanglements with mortals having led to heartbreak. She mostly keeps to her hut in the woods, where those in need of healing seek her out, even as they spread rumors about her supposed cruelty and wicked spells. But when her old friend Anastasia—now the wife of the tsar, and suffering from a mysterious illness—arrives in her forest desperate for her protection, Yaga realizes the fate of all of Russia is tied to Anastasia’s. Yaga must step out of the shadows to protect the land she loves. As she travels to Moscow, Yaga witnesses a sixteenth century Russia on the brink of chaos. Tsar Ivan—soon to become Ivan the Terrible—grows more volatile and tyrannical by the day, and Yaga believes the tsaritsa is being poisoned by an unknown enemy. But what Yaga cannot know is that Ivan is being manipulated by powers far older and more fearsome than anyone can imagine. Olesya Salnikova Gilmore weaves a rich tapestry of mythology and Russian history, reclaiming and reinventing the infamous Baba Yaga, and bringing to life a vibrant and tumultuous Russia, where old gods and new tyrants vie for power. This fierce and compelling novel draws from the timeless lore to create a heroine for the modern day, fighting to save her country and those she loves from oppression while also finding her true purpose as a goddess, a witch, and a woman.