A collection of essays exploring the impact on Welsh culture of one of the most exciting periods in history, the decades surrounding the French Revolution of 1789.

The late eighteenth century was one of the most exciting and unsettling periods in European history, with the shock-waves of the French Revolution rippling around the world. As this collection of essays by leading scholars shows, Wales was no exception. From political pamphlets to a Denbighshire folk-play, from bardic poetry to the remodelling of the Welsh landscape itself, responses to the revolutionary ferment of ideas took many forms. We see how Welsh poets and preachers negotiated complex London–Wales networks of patronage and even more complex issues of national and cultural loyalty; and how the landscape itself is reimagined in fiction, remodelled à la Rousseau, while it rapidly emptied as impoverished farming families emigrated to the New World. Drawing on a wealth of vibrant material in both Welsh and English, much of it unpublished, this collection marks another important contribution to ‘four nations’ criticism, and offers new insights into the tensions and flashpoints of Romantic-period Wales.

This is essential reading for anybody who wishes to be fully informed of the British Revolution debate and/or teach the history of the French Revolution and the Enlightenment in Great Britain. All Welsh texts are translated, which makes them accessible to an English-speaking audience for the first time. Four illustrations, among them the first political cartoon in the Welsh language, add valuable visual material and information.

Born in the village of Llangeinor, near Bridgend in south Wales, Richard Price (1723–91) was, to his contemporaries, an apostle of liberty, an enemy to tyranny and a great benefactor of the human race. His friend Benjamin Franklin described aspects of his work as ‘the foremost production of human understanding that this century has afforded us’. A supporter of the American and French Revolutions, Price corresponded with the likes of Jefferson, Adams, Washington, Mirabeau and Condorcet. In November 1789 he publicly welcomed the start of the French Revolution and thus inspired not only Edmund Burke to write his rebuttal in Reflections on the Revolution in France, but also the Revolution Controversy, ‘the most crucial ideological debate ever carried on in English’. Price also brought to world attention the Bayes-Price Theorem on probability, which is the invisible background to so much in modern life, and wrote a fundamental text on moral philosophy. Yet, despite all this and more, he remains little-known beyond academia, a situation that this biography helps to rectify. Liberty’s Apostle tells his life story through his published works and, fully for the first time, his now published correspondence with a host of eighteenth century celebrities. The life revealed is of a truly remarkable Welshman and, as Condorcet remarked, of ‘one of the formative minds’ of the eighteenth century Enlightenment.

In July 1789 George Cadogan Morgan, born in Bridgend, Wales, and the nephew of the celebrated radical dissenter Richard Price (1723-91), found himself caught up in the opening events of the French Revolution and its consequences. In 1808, his family left Britain for America where his son, Richard Price Morgan, travelled extensively, made a descent of the Ohio and Mississippi Rivers by raft and helped build some of the early American railroads. The adventures of both men are related here via letters George sent home to his family from France and through the autobiography written by his son in America.

This anthology of Welsh poetry and English translations presents some of Wales's radical and reactionary responses to the French Revolution and its cultural legacy, 1789-1805.

The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.