Brand Rye’s life has come to a halt. She’s lost everything—even her memory. After spending time in the hospital, Brand returns home to a husband she doesn’t remember, and a life that has disappeared overnight. Her husband, Easton, provides Brand with bits and pieces of her past while she tries to put it all together. As Brand learns about her life, she begins to realize that she isn’t the person she hopes to be... or is she? Alcohol and loss are what brought Easton and Brand together. Once out of rehab, Easton offered Brand a place to stay for a price. With nothing left to lose but her sarcasm, Brand took him up on his offer, which began a whirlwind of adventure, sexual tension and their fairy tale of love. Is Brand’s second chance too late? Or will she be able to cope with the secrets as they’re revealed?

Bronze Medal Winner in the Picture Books, Early Reader category of the 2015 Foreword Reviews' INDIEFAB Book of the Year Awards Once upon a time there was a Princess. She had everything a little girl could ever want, and she was happy. That is, until the fog came... The Princess and the Fog is picture book to help sufferers of depression aged 5-7 cope with their difficult feelings. It uses vibrant illustrations, a sense of humour and metaphor to create a relatable, enjoyable story that describes the symptoms of childhood depression while also providing hope that things can get better with a little help and support. The story is also a great starting point for explaining depression to all children, especially those who may have a parent or close family member with depression. With an essential guide for parents and carers by clinical paediatric psychologists, Dr Melinda Edwards MBE and Linda Bayliss, this book will be of immeasurable value to anyone supporting a child with, or affected by, depression, including social workers, psychologists, psychiatrists, counsellors, arts therapists, pastoral care workers and school staff, as well as parents and carers.

While these stories can make no claim to being great art, they are an important segment of Alcott's canon. They demonstrate that, while she was exploring new territory with some of her work, she was also working within the existing tradition of the didactic fairy tale.

About Grimms' Fairy Tales Children's and Household Tales (German: Kinder- und Hausmärchen) is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known in English as Grimm's Fairy Tales. Composition The first volume of the first edition was published in 1812, containing 86 stories; the second volume of 70 stories followed in 1815. For the second edition, two volumes were issued in 1819 and a third in 1822, totalling 170 tales. The third edition appeared in 1837; fourth edition, 1840; fifth edition, 1843; sixth edition, 1850; seventh edition, 1857. Stories were added, and also subtracted, from one edition to the next, until the seventh held 211 tales. All editions were extensively illustrated, first by Philipp Grot Johann and, after his death in 1892, by German illustrator Robert Leinweber. The first volumes were much criticized because, although they were called "Children's Tales", they were not regarded as suitable for children, both for the scholarly information included and the subject matter. Many changes through the editions – such as turning the wicked mother of the first edition in Snow White and Hansel and Gretel (shown in original Grimm stories as Hänsel and Grethel) to a stepmother, were probably made with an eye to such suitability. They removed sexual references—such as Rapunzel's innocently asking why her dress was getting tight around her belly, and thus naïvely revealing to her stepmother her pregnancy and the prince's visits—but, in many respects, violence, particularly when punishing villains, was increased. In 1825, the Brothers published their Kleine Ausgabe or "small edition", a selection of 50 tales designed for child readers. This children's version went through ten editions between 1825 and 1858. Influence The influence of these books was widespread. W. H. Auden praised the collection, during World War II, as one of the founding works of Western culture. The tales themselves have been put to many uses. Hitler praised them as folkish tales showing children with sound racial instincts seeking racially pure marriage partners, and so strongly that the Allied forces warned against them; for instance, Cinderella with the heroine as racially pure, the stepmother as an alien, and the prince with an unspoiled instinct being able to distinguish. Writers who have written about the Holocaust have combined the tales with their memoirs, as Jane Yolen in her Briar Rose. The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism, that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Among those influenced were the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbjørnsen and Jørgen Moe, the English Joseph Jacobs, and Jeremiah Curtin, an American who collected Irish tales. There was not always a pleased reaction to their collection. Joseph Jacobs was in part inspired by his complaint that English children did not read English fairy tales; in his own words, "What Perrault began, the Grimms completed". Three individual works of Wilhelm Grimm include Altdänische Heldenlieder, Balladen und Märchen ('Old Danish Heroic Songs, Ballads, and Folktales') in 1811, Über deutsche Runen ('On German Runes') in 1821, and Die deutsche Heldensage ('The German Heroic Saga') in 1829. thirty-four popular Collections In this book, we collect thirty-four popular Grimms' fairy tales, so you can accompany the children a pleasant stay.

Who's lurking in the foggy forest? This title lets children to look through the trees and guess the shapes to find out whether it's a fairy queen on a trampoline, three brown bears on picnic chairs, or an ogre doing yoga.

A Paris Review Staff Pick, one of Chicago Tribune's 25 Hot Books of Summer, and one of The A.V. Club's 15 Most Anticipated Books of 2019 A stark, elegiac account of unexpected pleasures and the progress of seasons Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart—water-stained and illegible in places—but magnetic to Scanlan nonetheless. After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9—Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death. In Aug 9—Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, remaining with the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life revealed by revision and restraint.

In this dystopian romance, a warlord discovers one of his prisoners is his childhood bully. After the political mood bursts and fractures into mayhem, the U.S. is divided into territories. States no longer exist and tyranny blossoms. The warlords secure their areas, new rules and laws have been setup, and the rest of the population struggles to survive. Before the country ran amok, I worked as a food scientist for contents and food safety. The militia destroyed my labs and scientific research. As a 37-year-old woman, I’m left scavenging for food and clothing. One fateful day, I’m captured and thrown into a cell. Even though I don’t know what it entails, I’ve been chosen as a taste offering prisoner. I refuse to eat the food, which infuriates the guards. After being beaten and almost assaulted, I’m requested by the warlord, Rain Skinner. In his chambers, he recognizes me as his grammar school bully, and at that moment, I realize I’m doomed. Now, there’s nothing he wants more than to make me pay for the hell I put him through. Author’s Note: Sometimes all we have time for is a quickie. This is a dark dystopian romance. It contains adult content and triggers. Reader discretion is advised. If you want a list of warnings, please visit authordenisebaer.com