Manfred Jurgensen was born between Denmark and Germany in the coastal border town of Flensburg in 1940, a 'midnight child'. He has always been sensitive to boundaries and what's beyond the borders, emotionally and physically. He has chosen to reveal his life history - to a very large extent dominated by World War II and its aftermath - in a highly original and unusual form. The protagonist and his lifetime experiences are wrapped within a semi-fictional presentation that he suggests might be called 'autofiction', or perhaps a 'bio-novel'. Throughout the narrative he philosophises about the nature of 'coincidence' as a life-force. Switzerland, formerly known as the excessively clean and prosperous 'neutral' country of war-torn Europe, is the symbolic present-day setting for this imaginative narrative. It begins just after he suffers a nervous breakdown while delivering a doctoral seminar at the University of Basle. In a luxurious sanatorium for mentally disturbed patients called Humanitas, he is asked to write about his life experiences, including his own awareness of the Nazi era and what it meant to be one of 'Hitler's children'; he is regularly interviewed by a Board of distinguished psychiatrists based on these accounts. An involuntary prisoner, he longs to achieve his freedom and be reunited with his wife.

This is a unique collection of prose, verse and visual art in acknowledgment of the German-Australian writer Manfred Jurgensen and his prodigious literary work over the past 55 years.

This text explores how educators at four schools learn, facilitate learning, and systemically grow into equity while personalizing instruction. It explores the professional learning, leadership, and systems that enable this to happen.

A vibrant collection of images by an award-winning photographer, whose striking portraits taken on travels throughout Asia compel us to look humanity straight in the eye. Humanitas is the result of a five-year photographic adventure. During this time, Fredric Roberts traveled extensively throughout Asia, from India to Cambodia, Bhutan to Thailand, Myanmar to China, some areas that were recently in the news after being ravaged by the tsunami. While this collection of images preceded the disaster and was only coincidentally released in its wake, it became a timely tribute to these people. Cicero coined the term humanitas (literally, "human nature") to describe the development of human virtue in all its forms, denoting fortitude, judgment, prudence, eloquence, and even love of honor—which contrasts with our contemporary connotation of humanity (understanding, benevolence, compassion, mercy). The Latin term is certainly a fitting title as we are struck not with pity for his subjects' poverty, but with respect and awe for their individual fortitude and eloquence: each photograph tells us a compelling story. From a touching portrait of a mother and child to isolated monks at prayer, Roberts's fifty-five photographs introduce us to a wide array of fascinating individuals. With an introduction by Arthur Ollman, Director of the Museum of Photographic Arts, and an afterword by Dennis High, Executive Director/Curator, Center for Photographic Art, Humanitas captures the spirit and the beauty of each subject and will be a sheer delight to any lover of photography or travel.