From an author described by Kirkus as “lively, surprising” comes Five O’Clock Shadow with its puzzler of a plot tied to colorful New Mexico. As the great balloon bearing the image of a clock swoops across the River Grande, Pauly Caton watches her husband of four days fall from the sky. Who is the naked child who scrambles from the gondola when it strikes a sandbar and flees? Did she just imagine it? Why would he have been up with Randy and the pilot on the honeymoon ride she was too chicken to join? Who, in fact, was meant to die? And meant to die it was — her hastily snapped photos of the scene show a masked sharpshooter stationed high up in a tree. As Pauly tries to put her shattered life together, she discovers the lies. The first in the morgue. How else had Randy deceived her? Had he told her anything that was the truth? Were his partners in their get-rich company any more honest? Pauly knows she hadn’t signed any of the documents the lawyer presents to her. Maybe she’ll insist on becoming an active partner. Pauly’s flamboyant Grams, the much-married carnival queen, offers her only grandchild a place to recover, a retreat on Albuquerque’s west side that’s home to fifty odd folks complete with clowns, a handsome tattoo man — and the snakes. And then Pauly finds out she’s rich — money that she swears could not have been Randy’s. Where did he get it? Who was the son he apparently adopted? A trip to El Paso uncovers more mysterious acts and points her towards the truth. But will she live long enough to find it? Susan Slater reveals the same sharp offbeat plotting skills, the zest for language, and colorful scenes that marked her caper Flash Flood where “troubles buildlike thunderheads over New Mexico skies.” [Publishers Weekly]

Terrific. --Jane Heller

Handmade Stories “After fifty years of living in these pieces, I can better get a grip on my psychosis,” says the author of 5 O’clock Shadow. Honed and smoothed to the bone, these tales bear the balm and bruises of a man’s life, abstracted. Drunkalogues, short pieces from the mouths of recovering drunks that remember how it was. “The point is, drunkalogues are not merely deviational episodes to be logged as down time, but are valuable dramas that contain the blueprint of our lives.” “I’m reticent to publish for fear I’ll fall over a railing to the mezzanine and land in a dumpster of store-bought roses, thorns intact.” Which is just another drunkalogue that didn’t make the cut. It takes place in Las Vegas in a lot outside the Review-Journal: a story that begins with a Greyhound bus and ends with same. “Some things don’t change,” says Peterson, “like real life and the stories that seek comfort in it.”

The Routledge Dictionary of Modern American Slang and Unconventional English offers the ultimate record of modern American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer lively examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. This informative, entertaining and sometimes shocking dictionary is an unbeatable resource for all language aficionados out there.

When social studies teacher, Claire Tillman, finds one of her seniors sleeping in his car, her maternal instinct kicks in. Despite her crumbling marriage, she welcomes Jaxon into her home. She even offers to help him find the father he's never met so he can come to Jaxon's high school graduation. As she follows Jaxon's journey, she realizes the story of her own father's death doesn't add up. He died accidentally when she was young and yet her mother is still bitter about it. Digging into her own family history, she discovers that her father had a secret that turns her life upside down. Will Jaxon and Claire regret finding out who their fathers really were?

"In a real dark night of the soul it is always three o’clock in the morning." - F. Scott Fitzgerald A coming-of-age novel—a heady union of Before Sunrise and Beautiful Ruins—about a father and his teenage son who are forced to spend two sleepless nights exploring the city of Marseilles, a journey of unexpected adventure and profound discovery that helps them come to truly know each other. Antonio is eighteen years old and on the cusp of adulthood. His father, a brilliant mathematician, hasn’t played a large part in his life since divorcing Antonio’s mother but when Antonio is diagnosed with epilepsy, they travel to Marseille to visit a doctor who may hold the hope for an effective treatment. It is there, in a foreign city, under strained circumstances, that they will get to know each other and connect for the first time. A beautiful, gritty, and charming port city where French old-world charm meets modern bohemia, father and son stroll the streets sharing strained small talk. But as the hours pass and day gives way to night, the two find themselves caught in a series of caffeine-imbued adventures involving unexpected people (and unforeseen trysts) that connect father and son for the first time. As the two discuss poetry, family, sex, math, death, and dreams, their experience becomes a mesmerizing 48-hour microcosm of a lifetime relationship. Both learn much about illusions and regret, about talent and redemption, and, most of all, about love. Elegant, warm, and tender, set against the vivid backdrop of 1980s Marseille and its beautiful calanques—a series of cliffs and bays on the city’s outskirts—Three O’Clock in the Morning is a bewitching coming-of-age story imbued with nostalgia and a revelatory exploration of time and fate, youth and adulthood. Translated from the Italian by Howard Curtis