An epic, heart-wrenching follow-on from E. Nesbit's Five Children and It stories. The five children have grown up and World War I has begun in earnest. Cyril is off to fight, Anthea is at art college, Robert is a Cambridge scholar and Jane is at high school. The Lamb is the grown up age of 11, and he has a little sister, Edith, in tow. The sand fairy has become a creature of stories ... until, for the first time in 10 years, he suddenly reappears. The siblings are pleased to have something to take their minds off the war, but this time the Psammead is here for a reason, and his magic might have a more serious purpose. Before this last adventure ends, all will be changed, and the two younger children will have seen the Great War from every possible viewpoint - factory-workers, soldiers and sailors, nurses and ambulance drivers, and the people left at home, and the war's impact will be felt right at the heart of their family.

In this incredible, heart-wrenching story reminiscent of E. Nesbit’s Five Children and It, Kate Saunders illustrates the power of war but the even greater power of family, and the love that carries us out of the darkness of despair into the light of hope. The sand fairy, also known as the Psammead, is merely a creature from stories Lamb and Edith have heard their older brothers and sisters tell . . . until he suddenly reappears. Lamb and Edith are pleased to have something to take their minds off the war, but this time the Psammead’s magic might have a serious purpose. Before their adventure ends, all will be changed, and the Lamb and Edith will have seen the Great War from every possible viewpoint—that of factory workers, soldiers and sailors, and nurses. But most of all, the war’s impact will be felt by those left behind, at the very heart of their family. Praise for Five Children on the Western Front Winner of the Costas Award for Children’s Fiction ★ “An irresistible read.”—Publishers Weekly, Starred Review “Skillful and deeply moving.” —The Guardian “A rewarding experience.”—Booklist “Saunders strikes a surprisingly successful balance between the mischievous magic of the sand fairy and the harsh realities of wartime England.” —The Bulletin “A dramatic, heartrending look at World War I’s far-reaching consequences for families and individuals.”—SLJ “An emotionally resonant, engaging story of personal growth (the siblings’) and moral education (the Psammead’s). With issues of social and gender inequality and a compassionate take on the ruins of war, it’s historically convincing, thought-provoking, and sensitive.”—The Horn Book Magazine

A beautiful and heartbreaking novel from an award-winning author about a girl who gets swept up into an adventure involving forgotten toys, perfect for fans of Lauren Wolk and Kelly Barnhill. "A delicate, funny, poignant exploration of grief, love and memory that has the welcoming warmth of an instant classic."--The Guardian Emily and her sister, Holly, were as close as sisters could be. They did everything together. But Holly died three months ago, and Emily's world is shattered. Amid a sea of changes--her best friend is acting distant, she's just started at a new school, and she's been cast as the lead in the school play--Emily is surprised to find that she misses Holly's teddy bear, Bluey, almost as much as she misses Holly herself. But Bluey was buried with Holly, and there's no getting either of them back. Then one night, Emily dreams of talking toys, who tell her they have come from the toy world with a message from Bluey. Emily is convinced she can be reunited with him. But there's something strange about the barrier between the toy world and the real world. Not just strange, but dangerous--magic is spilling out, and it's wreaking havoc on Emily's world. Now she must decide whether finding Bluey is worth risking the lives of those she loves. "Deeply moving and highly imaginative."--The Daily Mail "Written from the heart and can't fail to make yours sing."--The Times, Book of the Week "One of the wittiest books of the year."--The Sunday Times "Suffused with longing and dappled with humor, this novel explores the limits of grief and the lasting power of storytelling."--Wall Street Journal "From whimsical comicality to impending danger...a standalone title, in which the topic of loss is dealt with deftly. For readers willing to let their imagination soar, this fantasy may be just what they are looking for, especially if they have experienced grief."--School Library Journal "An imaginative, magical story ideal for kids experiencing loss."--Kirkus Reviews "Wise in the ways of loss as Emily discovers that the route through grief lies not in escaping to Smockeroon but in engaging with the hard world, in the passage of time, in friendship, memory, and, above all, storytelling."--The Horn Book, Starred Review "A refreshing take on the classic theme of toys coming to life, with the residents of Smockeroon amusingly sassy and self involved. There is still plenty of warmth...while the magical elements cushion the heftier themes...A pleasing blend of sentiment and humor."--Bulletin "Saunders combines the hard reality of loss and the soft comfort of fantasy surprisingly well, offering unexpected humor in Smockeroon as well as sharp insights into human characters."--Booklist

The classic tale of a young soldier's harrowing experiences in the trenches, widely acclaimed as the greatest war novel of all time—featuring an Introduction by historian Norman Stone. Now a Netflix Film. When twenty-year-old Paul Bäumer and his classmates enlist in the German army during World War I, they are full of youthful enthusiam. But the world of duty, culture, and progress they had been taught to believe in shatters under the first brutal bombardment in the trenches. Through the ensuing years of horror, Paul holds fast to a single vow: to fight against the principle of hate that meaninglessly pits young men of the same generation but different uniforms against one another. Erich Maria Remarque's classic novel not only portrays in vivid detail the combatants' physical and mental trauma, but dramatizes as well the tragic detachment from civilian life felt by many upon returning home. Remarque's stated intention—“to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war"—remains as powerful and relevant as ever, a century after that conflict's end." Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

A hardcover edition of the classic tale of a young soldier's harrowing experiences in the trenches, widely acclaimed as the greatest war novel of all time—featuring an Introduction by historian Norman Stone. Now a Netflix Film. When twenty-year-old Paul Bäumer and his classmates enlist in the German army during World War I, they are full of youthful enthusiam. But the world of duty, culture, and progress they had been taught to believe in shatters under the first brutal bombardment in the trenches. Through the ensuing years of horror, Paul holds fast to a single vow: to fight against the principle of hate that meaninglessly pits young men of the same generation but different uniforms against one another. Erich Maria Remarque's classic novel not only portrays in vivid detail the combatants' physical and mental trauma, but dramatizes as well the tragic detachment from civilian life felt by many upon returning home. Remarque's stated intention—“to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war"—remains as powerful and relevant as ever, a century after that conflict's end." Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

“This crazy, gorgeous family novel” written at the end of the Great Depression “is one of the great literary achievements of the twentieth century” (Jonathan Franzen, The New York Times). First published in 1940, The Man Who Loved Children was rediscovered in 1965 thanks to the poet Randall Jarrell’s eloquent introduction (included in this ebook edition), which compares Christina Stead to Leo Tolstoy. Today, it stands as a masterpiece of dysfunctional family life. In a country crippled by the Great Depression, Sam and Henny Pollit have too much—too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and chilling charisma, Sam torments and manipulates his children in an esoteric world of his own imagining. Henny looks on desperately, all too aware of the madness at the root of her husband’s behavior. And Louie, the damaged, precocious adolescent girl at the center of their clashes, is the “ugly duckling” whose struggle will transfix contemporary readers. Named one of the best novels of the twentieth century by Newsweek, Stead’s semiautobiographical work reads like a Depression-era The Glass Castle. In the New York Times, Jonathan Franzen wrote of this classic, “I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn’t read the book so much as live it.”

Praised by the Chicago Sun-Times for its “furious, indignant power,” this story offers a rare, funny, bitter, and feminist look at war. First published in London in 1930, Not So Quiet... (on the Western Front) describes a group of British women ambulance drivers on the French front lines during World War I, surviving shell fire, cold, and their punishing commandant, "Mrs. Bitch." The novel takes the guise of an autobiography by Smith, pseudonym for Evadne Price. The novel's power comes from Smith's outrage at the senselessness of war, at her country's complacent patriotism, and her own daily contact with the suffering and the wounded.