Bob Kearney has been addicted to recreational fishing and is a devout keeper of the legends and lore of the Australian angler. He is also a world authority on fisheries and marine ecosystem management. In Fishing in the Good Old Days, Kearney looks back on his six decades of experience as a fisherman in earnest pursuit of the iconic jewfish off the rocks and beaches of northern New South Wales. He recalls unforgettable adventures, colourful personalities, the thrill of the chase and, yes, the ones that got away. Along the way, he exposes the environmental consequences of poorly planned coastal activities. Kearney also addresses a serious question: Is the holistic experience of fishing for fun, now, truly not as good as it was in the 1960s? Of course, this question rests on many others about recreational and commercial fishing practice, fisheries management, coastal and marine conservation, and the impact of the terrestrial world, including through human population growth and climate change. With a grasp of the scientific research as acute as his ear for the anglers' voices of his youth, Kearney demonstrates that the answer to his question is far from straightforward.

"Part angling memoir, part history - the kind of book you can dip into at a moment's notice, or read straight through as you would a novel. You'll enjoy the warm positive tone registered by author Lyon's insights. It'll make you want to fish. It'll shape your viewpoint in ways you didn't expect. Something for everyone. Scientific angling information for those who want that. Hilarious anecdotal material you'd only get by knowing these people firsthand. It's the perfect book to be sitting on your lakefront coffee table.It's there when you want a dose of insights into New England glacial water. It captures in words -- and with great feeling -- what the big lake has to offer.Steve Hickoff - Outdoor Columist and Writer

Brilliant, witty, perceptive essays about fly-fishing, the natural world, and life in general by the acknowledged master of fishing writers. Proving that fishing is not just a part-time pursuit, At the Grave of the Unknown Fisherman takes us through a year with America’s favorite fishing scribe, John Gierach, who dedicates himself to his passion despite his belief that “In the long run, fishing usually amounts to a lifetime of pratfalls punctuated by rare moments of perfection.” Beginning with an early spring expedition to barely thawed Wyoming waters and ending with a New Year’s Eve trip to the Frying Pan River in Colorado, Gierach’s travels find him fishing for trout, carp, and grayling; considering the pros and cons of learning fishing from videos (“video fishing seems a little like movie sex: fun to watch, but a long way from the real thing”); pondering the ethics of sharing secret spots; and debunking the myth of the unflappable outdoorsman (“masters of stillness on the outside, festering s***holes of uncertainty just under the surface”). With an appreciation of the highs, the lows, and all points between, Gierach writes about the fishing life with wisdom, grace, and the well-timed wisecrack. As he says, “The season never does officially end here, but it ends effectively, which means you can fish if you want to and if you can stand it, but you don’t have to.” As any Gierach fan knows, want to and have to are never very far apart.

Longtime fly fisherman Quinn Grover had contemplated the “why” of his fishing identity before more recently becoming focused on the “how” of it. He realized he was a dedicated fly fisherman in large part because public lands and public waterways in the West made it possible. In Wilderness of Hope Grover recounts his fly-fishing experiences with a strong evocation of place, connecting those experiences to the ongoing national debate over public lands. Because so much of America’s public lands are in the Intermountain West, this is where arguments about the use and limits of those lands rage the loudest. And those loudest in the debate often become caricatures: rural ranchers who hate the government; West Coast elites who don’t know the West outside Vail, Colorado; and energy and mining companies who extract from once-protected areas. These caricatures obscure the complexity of those who use public lands and what those lands mean to a wider population. Although for Grover fishing is often an “escape” back to wildness, it is also a way to find a home in nature and recalibrate his interactions with other parts of his life as a father, son, husband, and citizen. Grover sees fly fishing on public waterways as a vehicle for interacting with nature that allows humans to inhabit nature rather than destroy or “preserve” it by keeping it entirely separate from human contact. These essays reflect on personal fishing experiences with a strong evocation of place and an attempt to understand humans’ relationship with water and public land in the American West. Purchase the audio edition.

Stories and essays from Zane Grey, Sigurd Olson, Ernest Hemingway, Patrick McManus, Norman Maclean, and Jimmy Carter, and more combine with artwork and collectibles.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation