'Incest' refers to illegal sexual relations between family members. Its precise contours, however, are culturally specific. Hence, an illegal incestuous union in one social context may be a legal close-kin union in another. First-degree sexual unions, between a parent and child, or between siblings, are most widely prohibited and abhorred. This book discusses all overt and covert first-degree incest relations in the Hebrew Bible and also probes the significance of gaps and what these imply about projected sexual and social values. As the dominant opinion on the origin of first-degree incest continues to be shaped, new voices such as those of queer and post-feminist criticism have joined the conversation. It navigates not only the incest laws of Leviticus and the narratives of Lot and his daughters and of Amnon and Tamar but pursues subtler intimations of first-degree sexual unions, such as between Adam and his (absent but arguably implied) mother, Haran and Terah's wife, Ham and Noah. In pursuing the psycho-social values that may be drawn from the Hebrew Bible regarding first-degree incest, this book will provide a thorough review of incest studies from the early 20th century onward and explain and assess the contribution of very recent critical approaches from queer and post-feminist perspectives.

This holistic study demonstrates the interconnected nature of early medieval origin legends and traces their growth over time.

Dress, Adornment, and the Body in the Hebrew Bible is the first monograph to treat dress and adornment in biblical literature in the English language. It moves beyond a description of these aspects of ancient life to encompass notions of interpersonal relationships and personhood that underpin practices of dress and adornment. Laura Quick explores the ramifications of body adornment in the biblical world, informed by a methodologically plural approach incorporating material culture alongside philology, textual exegesis, comparative evidence, and sociological models. Drawing upon and synthesizing insights from material culture and texts from across the eastern Mediterranean, the volume reconstructs the social meanings attached to the dressed body in biblical texts. It shows how body adornment can deepen understanding of attitudes towards the self in the ancient world. In Quick's reconstruction of ancient performances of the self, the body serves as the observed centre in which complex ideologies of identity, gender, sexuality, ethnicity, and social status are articulated. The adornment of the body is thus an effective means of non-verbal communication, but one which at the same time is controlled by and dictated through normative social values. Exploring dress, adornment, and the body can therefore open up hitherto unexplored perspectives on these social values in the ancient world, an essential missing piece in understanding the social and cultural world which shaped the Hebrew Bible.

This book explores the Bible’s ongoing relevance in contemporary discussions around rape culture and gender violence. Each chapter considers the ways that biblical texts and themes engage with various forms of gender violence, including the subjective, physical violence of rape, the symbolic violence of misogynistic and heteronormative discourses, and the structural violence of patriarchal power systems. The authors within this volume attempt to name (and shame) the multiple forms of gender violence present within the biblical traditions, contesting the erasure of this violence within both the biblical texts themselves and their interpretive traditions. They also consider the complex connections between biblical gender violence and the perpetuation and validation of rape culture in contemporary popular culture. This volume invites new and ongoing conversations about the Bible’s complicity in rape-supportive cultures and practices, challenging readers to read these texts in light of the global crisis of gender violence.

There has rarely been an effort to address the missing dialogue between British and African scholars, including in regard to the role of British missionaries during the introduction ofthe Bible and Christianity to many parts of Africa. To break this silence, Musa W. Dube and Johanna Stiebert collect expressions from both emerging and established biblical scholars in the United Kingdom and (predominantly) southern African states. Divided into three sets of papers, these contributions range from the injustices of colonialism to postcolonial critical readings of texts, suppression and appropriation; each section complete with a responding essay. Questioning how well UK students understand Africancentred and generated approaches of biblical criticism, whether African scholars consider UK-centric criticism valid, and how accurately the western canon represents current UK based scholarship, these essays illustrate the trends and challenges faced in biblical studies in the two centres of study, and discusses how these questions are better answered with dialogue, rather than in isolation.

Understanding God's Design for Cultural Diversity Humanity's diverse nationalities, ethnicities, and races were intended to be a blessing from God. However, due to sin and rebellion, these differences often result in alienation, hatred, and even violence, becoming one of the most urgent problems facing the world. Cultural divisions are unfortunately common in the church, too. How can Christians embrace God's purposes for diversity and experience renewal and unity as his people? Steven Bryan presents a biblical framework for thinking about cultural identity and experiencing cultural diversity as a positive good that God intended. Writing from more than 20 years of experience in cross-cultural mission work in Ethiopia, Bryan examines historical and political aspects of nationality, ethnicity, and race. This practical examination of cultural ideologies—including multiculturalism, nationalism, and intersectionality—helps readers move from asking, Who am I? to Who are we? as God's people. Timely and Applicable: Equips readers to understand God's purposes for their cultural identity and bridge divides inside and outside of the church Comprehensive: Explores contemporary issues including ethnocentrism, globalization, multiculturalism, and collective identity Theological: Explores the story of Scripture from creation to new creation to show how cultural identity is an important part of God's design Accessible: Written for pastors, ministry leaders, lay people, missionaries, and anyone who is grappling with the relationship between cultural identity and Christian identity

A hermeneutics of cispicion challenges cisnormative presuppositions that shape and, at times, occlude the variations in gender and sex exhibited by key characters in the ancestral narrative of Genesis 12–50. It charts the progression from Paul Ricoeur's hermeneutics of suspicion, through liberation, feminist and queer approaches. Focusing on Deryn Guest's queer and trans hermeneutics, Henderson-Merrygold then offers a new strategy for reading against fixed, binary gender assumptions, where a character's sex always matches that assigned at birth. The initial case study addresses Sarah, who is the proto-matriarch of the ancestral narratives in Genesis. Masculinities contrast with femininities, and Sarah's own agency makes the picture of a consistent gender hard to identify. By closely reading the text, different facets of Sarah's story emerge to emphasise how much the narrative directs the reader towards a cisnormative reading. However, Henderson-Merrygold shows it is not only the images of Sarah as feminine woman and mother that remain visible. The subject of the second case study, Esau, is regularly judged to be a hypermasculine character due to his bodily appearance, but repeatedly fails to fulfil the expectations related to that appearance. Though often condemned as a poor example of (hyper)masculinity, a cispicious reading identifies a richer and more nuanced figure. Attending to Esau's actions, his rejection of the gendered expectations appears intentional, allowing him to settle more comfortably into his own identity. This project advocates for, and demonstrates the value of, creative, interpretations of biblical texts that challenge both malestream and feminist gender assumptions.